Search Results: Artists Q-U from Black Cat Hill Books

Lecco, Italy Published on Behalf of the People's Bank of Lecco, 1983. Paperback First Edition [1983], unstated. Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to extremities; mildest rubbing to the wrapper covers; a tiny, stray pen mark near the outside edge of the front panel and an even tinier spot of soil near the upper front corner; "University Art Museum, University of California, Santa Barbara" rubber stamped at the front endpaper. Binding square and secure; text clean. A Handsome copy: Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. 32pp. 15 Full-page Full-Color Plates. Portrait of the Artist inside the front cover. First Edition [1983], unstated. Paperback: Heavy Cardstock Pictorial Wraps. Catalogue from an Exhibition of the Artists Works, May 30 - June 29, 1986.

Evanston, IL Northwestern University Press, 1990. Paperback First Ed thus; First Printing indicated. First Ed thus; First Printing indicated. Near Fine in Wraps: shows only minor indications of use: crease near the lower rear corner, and a smaller, fainter crease at the lower front corner; a faint waviness to the text block at the top edge; else only the the mildest rubbing. Binding square and secure; text clean. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. 271pp. Profusely Illustrated in Black & White. Edited and with an Introduction by Jerzy Ficowski. With an Essay by Ewa Kuryluk. Photography by Adam Kaczkowski. Paperback: Pictorial Wraps. In 1941, fearing for his life, Bruno Schulz gave away many of his drawings to trusted friends who took them underground. After his murder, the Germans systematically eradicated most other traces of Schulz's existence. This small but important collection of Schulz's surviving sketches, drawings and engravings represents a… Read More

New York, NY Barnes & Noble Books, 1997. Hardcover First Edition USA, First Printing indicated. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. Book shows just a hint of wear to the extremities; the spine leans ever so slightly, but the binding remains perfectly secure; text clean. DJ shows just a touch of wear to the head and heel of the backstrip and the mildest rubbing; unclipped. Overall, very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Folio. 128pp. Profusely illustrated, mostly in color. First Edition USA, First Printing indicated. Previously printed in London by Saturn Books. Hardback with DJ. Remington's supurb sense of movement allowed him to create realistic paintings of anything from galloping horses to running men. A delightful treasure store of western Americana.

London, UK Saturn Books, 1997. Hardcover Reprint Edition (1997). Very Good+ in Good DJ: Book shows moderate shelving wear to the lower extremities and lighter wear to the upper edges; else flawless; the binding is square and secure; the text is clean. Free of creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, showing only mild wear. Bright and clean. Close to "As New". The DJ shows moderate wear to extremities; half-inch tears at either side to the backstrip at the heel and another at the head; else only mild rubbing to the rear panel. Still attractive and intact, but shows some wear. NOT a Remainder, Book-Club, or Ex-Library. Folio. (13.15 x 9.75 x 0.75 inches). 128 pages. Over 80 full color plates and a number of b/w illustrations. Original publisher's brick-brown boards with embossed silver titles at the backstrip. Language:… Read More

West Palm Beach, FL Norton Gallery of Art, 1982. Hardcover Limited First Edition [1982]. First Edition, Limited to 400 copies, of which this is Number 157. Near Fine in Near Fine DJ: Both book and DJ show only minute indications of use. The Book shows a former owner's rather florid gift inscription at the front free endpaper; some foxing at the front and rear endpapers; no appreciable wear, but some faint dusting in spots; the binding shows the slightest lean, but remains perfectly secure; the text is clean. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. Very close to 'As New'. The DJ shows very mild rubbing and the faintest overall soiling to the panels; a small, rather faint soil spot at the rear panel; some scuffing and a short, closed tear at the heel of the back strip; the price is unclipped; mylar-protected. Overall, remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 4to. (11.3 x 10.1 x 1 inches). 235… Read More

New York, NY The Nicholas Roerich Museum, 1974. Paperback First Edition [1974], unstated. Very Good+ in Wraps: shows indications of very careful use: just a hint of wear to the extremities; mild rubbing and faint soiling to the wrapper covers, which also show a slight toning to the white background field; a little heavier toning and a couple of small soil spots at the bottom corner of the front panel; the binding is secure; the text clean. Shows minor wear and soiling, but remains structurally sound and tightly bound: a clean, sturdy, presentable copy. NOT a Remainder, Book-Club, or Ex-Library. 4to. 31 pages. Profusely illustrated, both in black & white and with ten tipped-in color plates; There is also a paste-down color plate affixed to the front panel. First Edition [1974], unstated. Paperback: Staple-bound Wraps. Features a liberal sampling of Roerich's artistic career.

Leningrad, USSR Aurora Art Publishers, 1976. Paperback First Edition [1976], unstated. Very Good+ in Wraps and in a Very Good DJ: shows indications of very careful use: just a bit of scuffing to the heel of the backstrip and a mild bump to the upper corner, which has caused a bit of buckling; the binding is square and secure; the text is clean. Free of creases to the backstrip. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing mild wear and minor, unobtrusive imperfections only. Bright, crisp and clean. Close to 'As New'. The DJ shows light wear along the top edges of the panels and mild rubbing to same (mainly to the rear panel); else only a bit of scuffing to the heel of the backstrip; unclipped. Attractive and intact: not far from "As New". NOT a Remainder, Book-Club, or Ex-Library. Folio (12.75 x 9.65 x… Read More

New York, NY Hyperion Press, 1948. Hardcover First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. First Edition (1948), unstated, but implied: no subsequent printings noted, according to Hyperion's customary practice. Very Good: shows light wear to the extremities, with a mild bump to the upper corner tip; a tiny chip at the heel of the backstrip, and some rubbing to tne lower front corner tip; mild rubbing and very faint soiling overall; the binding is secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of any ownership names, dates, addresses, notations, inscriptions, stamps, plates, or labels. A very good copy, structurally sound and tightly bound, showing only mild wear and minor, unobtrusive flaws. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (6.75 x 5.25 x 0.25 inches). 48 pages. 8 Color Plates; 40 Halftone… Read More

Ithaca, NY Cornell University Press: Phaidon Books, 1980. Paperback Reprint Edition (1980), of the Second Edition, Revised, published by Phaidon in 1964. First published by Harvard University Press in 1948. . Near Fine in Wraps: shows only the most minute indications of use: just a hint of wear to the corner tips of the front panel; some faint toning to the white background field of the covers; the faintest foxing to the top edge and fore-edge; the binding is square and secure; the text is clean. Free of creases to the panels. Free of creases to the backstrip. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome copy, structurally sound and tightly bound, showing several unobtrusive flaws. Bright and Clean. Corners Sharp. Very close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 12mo. (8.2 x 5.75 x 0.85 inches). ix,… Read More

Vancouver, British Columbia, Canada Buschlen / Mowatt Fine Arts, 1988. Hardcover First Edition [1988], unstated. SIGNED BY THE ARTIST in red ink on limitation page. Number 138 of 300. First Edition [1988], unstated. Very Near Fine in Very Good+ DJ: Both book and DJ show only minor indications of use. Book shows binding square and secure; text clean. DJ shows mild rubbing; a bit of wear at the lower extremities and head of backstrip; mylar-protected. Overall, remains close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. Oblong 8vo. 65pp. Illustrated in brilliant color throughout. Serigraph entitled "Night Glow" no longer present. Black panels with brilliant gilt lettering at front panel. Hardback with DJ. SIGNED BY THE ARTIST.

New York, NY Harry N. Abrams, 1964. Hardcover First Edition [1964], unstated, in accordance with Abram's customary practice. First Edition [1964], unstated, in accordance with Abram's customary practice. Very Good in Very Good DJ: Both book and DJ show indications of moderate use. Book shows light wear to the extremities, with a bump at the bottom edge of the front panel at the hinge, which has broken the fabric at the hinge; else some finger smudges to the front endpapers; faint toning to the text pages; the bindingis secure; the text is clean. Free of ownership notations, inscriptions, marks, or labels. The DJ shows mild rubbing and very faint soiling; a short, closed tear at the bottom of the front hinge; and a somewhat bunged area around it; light wear to extremities; unclipped; mylar-protected. Overall, remains a structurally sound, tightly bound copy, with a single, serious flaw, but showing only mild wear. in a handsome, lightly used DJ. Large Folio. (11 x .75 x 14.25 inches). 93… Read More

Oakland, CA Autumn Press/CNA Art Available Gallery, San Francisco, CA, 1983. Paperback First Edition [1983], unstated. Near Fine in Wraps: shows only the most minute indications of use; binding square and secure; text clean. Just a hint of wear to extremities; mildest rubbing. Very close to 'As New'. NOT a Remainder. NOT a Book-Club Edition. NOT an Ex-Library copy. Oblong 8vo. Unpaginated (32pp). Photography by Paul Castellon. First Edition [1983], unstated. Paperback: Staple-bound Wraps. Born and Educated in Barcelona, Eugenia Tusquets offers a blend of surrealism and traditional techniques to her haunting portraits of children and women.