Search Results: Music from The Glass Key

London: Flamingo, 1990. First printing of this edition. Paperback. Very Good. First printing of this trade paperback edition. Pp 240 + 16pp b&w plates. Previous owner's initials neatly in ink on the half-title else a clean, unmarked copy in printed wrappers.

London: Ivy Press, 2018. First edition. Hardcover. Near Fine. First impression. Pp 160 illustrated with colour photographs throughout. Unglazed printed paper boards. Signed by Mike Evans on the title page. A clean, unmarked copy in a tight binding without dust jacket (as issued).

London: Geoffrey Cumberlege: Oxford University Press, 1950. First edition. Hardcover. Good +. First impression. 8vo. Pp ix + 223 with illustrations in the text + 1 b&w plate and a foldout voice hart. Burgundy cloth boards stamped in gilt on the spine. The cloth is rubbed and worn at the edges and shows overall marking. The binding is tight and the contents clean without dust jacket.

Cambridge, Mass: Harvard University Press, 1991. First Edition. Hardcover. Very Good/very good. First impression. 8vo. Pp 148. Black cloth boards stamped in silver on the spine. A clean, unmarked copy in a tight binding and unclipped dust jacket.

London: Cassell, 1958. First edition. Hardcover. Very Good/good +. First impression. Pp ix + 228 + 16pp b&w photographs. Blue cloth boards stamped in silver on the spine. An ex-library copy with most of the front free endpaper neatly excised. The binding is tight and the cloth is clean. The price-clipped dust jacket is rubbed at the edges and chipped at the top of the front panel.

New York: Dover, 1973. Second revised edition. Paperback. Very Good. First printing of this 8vo paperback edition. Pp xii + 256 + 16pp b&w photographs. A clean copy in printed wrappers. Gift inscription signed by the author on the first (blank) page: To Beti & Douglas love from Humphrey 1976.

London: Dent, 1966. Later printing. Hardcover. Very good/very good. 2nd impression of the revised edition. A volume in The Master Musician series. 8vo. Pp xi + 300 + frontis and 7pp b&w plates. Music examples in the text. Green cloth boards stamped in silver on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Abacus, 2003. Later printing. Paperback. Very Good +. 4th printing of this trade paperback edition. Pp xii + 226. A clean, unmarked copy in printed wrappers.

London: Hamlyn, 1993. First edition. Hardcover. Very good/very good. 4to (278 x 238mm). Pp 287 illustrated with colour and b&w photographs throughout. Unglazed printed paper boards. A clean, unmarked and tightly bound copy in a bright, unclipped dust jacket.

London: HarperCollins, 1997. First Edition. Hardcover. Very Good +/very good. First impression. 4to (254 x 186mm). Pp 192 illustrated with colour and b&w photographs throughout. Black cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

New York: American Record Collectors' Exchange, 1949. Paperback. 1st edition. 8vo. Pp 199 wire-stabbed in light card wrappers with dust-jacket taped on. Good.

London: Victor Gollancz, 1980. First UK edition. Hardcover. Very Good/very good. First impression. 8vo. Pp xvi + 653. Burgundy cloth boards stamped in gilt on the spine. An ex-library copy with marking on the copyright page only otherwise a clean, unmarked copy in a tight binding and unclipped dust jacket. The spine of the dust jacket is sunned. The lower hinge has been strengthened with archival tape.

London: Pyramid, 1992. First Edition. Hardcover. Very good +/very good +. First impression. 4to (288 x 235mm). Pp 365 illustrated in b&w throughout with some colour. Pictoria cloth boards. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

London: Rockliff, 1946. First edition. Hardcover. Very Good/near Very Good. 8vo. Pp 218 + frontis & 39pp b&w photographs. Green cloth boards stamped in gilt on the spine. Brief biographies of 40 modern composers. A clean, unmarked copy in a tight binding and unclipped dust-jacket a little rubbed at the edges.

London: G. Bell, 1933. Later printing. Very Good. 26th impression. Sm 8vo. Pp xii + 184. Name in ink on the ffe else a clean, unmarked copy in a tight binding without dust-jacket.

London: Calder Publications in association with English National Opera, 1991. Later printing. Paperback. Very Good. 2nd printing of this trade paperback edition - no 22 in the English Nationql Opera series. Pp 128 illustrated thtoughout with b&w photographs. Previous owner's initials neatly in ink on the half-title else a clean, unmarked copy in printed wrappers.

London: Hamlyn, 1995. First Edition. Hardback. Very good +/very good +. First impression. 4to (285 x 240mm). Pp 208 illustrated in colour throughout. Black cloth boards stamped in gilt on the spine. A clean, unmarked and tightly bound copy in an unclipped dust jacket.

New York: Scholastic, 1975. Second printing. Paperback. near Very Good. 2nd impression of this mass market paperback. Pp 320 illustrated with b&w photographs. A clean, unmarked copy in printed wrappers. The wrappers are soiled with a light diagonal crease to the top corner of the lower wrapper. Part of a printed label affixed to the inside of the upper wrapper.

London: Omnibus, 1989. First printing of this edition. Paperback. Very Good. 4to paperback (246 x 178mm) - a volume in The Illustrated Lives of the Great Composers series. Pp240 illustrated in b&w throughout. A clean, unmarked copy in printed wrappers. Opera synopses by Andrew Codd.

Enfield: Guinness Publishing, 1992. First Edition. Paperback. Very good. 8vo paperback. Pp 446 illustrated with b&w photographs throughout. A clean, unmarked copy in printed wrappers.