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Santa Barbara, CA: University of California Santa Barbara Art Museum, 1980. First Edition . Soft cover. Fine. Square 8vo. Scarce first edition of the 1980 University of California Santa Barbara Art Museum Exhibition Catalog. Introduction by Harriet Von Breton and a 13 page essay by noted Southern California architectural historian David Gebhard. Includes a complete chronological project list from 1928 to 1971, a seven page bibliography and 87 illustrations in the 96 page book. Signed and dated on the title page by noted architectural photographer Julius Shulman whose 1939 photograph of Ain's Becker House appears on the cover. Other Shulman photos are prominent throughout the book.
Search Results: Exhibition Catalogues from modern-ISM
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The Architecture of Gregory Ain: The Play Between the Rational & High Art
by Gebhard, David; Von Breton, Harriette; Weiss, Lauren
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Los Angeles, California, United States
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Diego Rivera
by Morley, Grace L. McCann
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Los Angeles, California, United States
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San Francisco Museum of Art, 1939. First Edition . Original Wraps. Very Good. Extremely scarce crisp, clean Very Good copy with some sun fading to the spine and crown of wraps and with some edge wear. 31 pp. with foreword by museum director Morley, essay "Rivera and Califorrnia" by Heinz Berggruen, b/w illustrations, loans of "How to Make a Mural" cartoons of California School of Fine Arts, Ralph Stackpole, Clifford Wight, William Gerstle, Arthur Brown, Jr., Timothy Pflueger, Matthew Barnes, Michael Goodman, John Hastings and others. Includes River a drawing of Peter Stackpole holding a model airplane. Lists studies by Rivera loaned by William Gerstle and museum board member and patron Albert Bender.
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Dorothea Lange
by Elliott, George P., introductory Essay
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Los Angeles, California, United States
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£15.26£4.22 shipping to USA
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New York: Museum of Modern Art, 1966. First Edition . Photographic Wraps. Very Good. A crisp, clean Very Good copy in original slightly rubbed wraps, and a light bump to some upper forecorner pages. 112 pp., Acknowledgmenrts by John Szarkowski, essay "On Dorothea Lange" by George P. Elliot, endnotes, chronology, and selected bibliography. Exhibition catalogue for a show that traveled from MoMA to LACMA, the Oakland Museum where Lange's collection now resides, and the Worcester Art Museum.
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Horse Show: Horses in Art from Ancient Times to the Present Day
by Lloyd LaPage Rollins, Curator and Aline Kistler, Foreword
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Los Angeles, California, United States
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San Francisco: M. H. De Young Memorial Museum, 1932. First Edition . Original Wraps. Very Good. A clean, Very Good copy in original green wraps with some chipping to the edges and spine and one inch closed tear to front cover, yet still quite collectible. Scarce historical exhibition catalog for de Young Museum in Golden Gate Park on November 19, 1932 through January 1, 1933. Numerous tipped in black & white plates showing horses in oil paintings, drawings and sculpture. 88 pp. Foreword by Aline Kistler, list of lenders and loans of work by Edward Weston, Giorgio di Chirico, Maxine Albro (Diego Rivera mural assistant), Albert Bender, Thomas Church, Marjorie Eaton, William Gerstle, William Randolph Hearst, "Spud" Johnson of "Laughing Horse" fame, Henrietta Shore, Diego Rivera patron Mrs. Sigmund Stern, Charles Erskine Scott Wood, Gump's, Dalzell Hatfield, Esther Bruton, Jean Charlot, Maynard Dixon, William Ritschel, Armin Hansen, Millard Sheets, Walteer Ufer, Stanley Wood,…
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Paint the Revolution: Mexican Modernism, 1910?1950
by Matthew Affron, Editor
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- ISBN 13
- 9780300215229
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- 0300215223
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Yale University Press, 2016. First Edition . Illustrated Boards. Fine/No Jacket as Issued. A crisp, clean Fine copy. 411 pp., profusely illustrated, checklist and index. In the wake of the 1910-20 Revolution, Mexico emerged as a center of modern art, closely watched around the world. Highlighted are the achievements of the tres grandes Jose Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros, and other renowned figures such as Rufino Tamayo and Frida Kahlo, but the book goes beyond these well-known names to present a fuller picture of the period from 1910 to 1950. Fourteen essays by authors from both the United States and Mexico offer a thorough reassessment of Mexican modernism from multiple perspectives. Some of the texts delve into thematic topics, developments in mural painting, the role of the government in the arts, intersections between modern art and cinema, and the impact of Mexican art in the United States, while others explore specific modernist genressuch as printmaking,…
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