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Color Photograph Signed
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Color Photograph Signed

By WENDELIN, Rudolph (1910-2000)

This Virginia artist joined the U.S. Forest Service in the early 1930s and helped launch the "Smokey the Bear" campaign in the late '30s -- now the longest running public service campaign in history; he portrayed Smokey in literally hundreds of promotional pieces that encouraged conservation of natural resources and fire prevention. Color PS, heavy stock glossy 6" X 4", n.p., n.y. Near fine. Full color postcard reproduction of Wendelin's 1989 painting "Dear Smokey..." depicting the beloved bear leaning against a shovel alongside his mailbox reading a child's letter as two cubs clamber atop the mailbox, a wooded setting featuring lake, campers and ranger's cabin in the background. Wendelin signs boldly in black fineline in a lighter area at lower left. Accompanied by a high-quality glossy 10" X 8" photograph, a 1979 black and white image showing Wendelin and his wife standing alongside a costumed "Smokey the Bear" figure seated at a desk overflowing with fan mail, leaning back and reading a letter. (Inkstamped on verso "Smokey Bear Headquarters U.S. Department of Agriculture.") Fine. A most unusual photograph, possibly unpublished.

$175.00

Signed Color Print
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Signed Color Print

By WENDELIN, Rudolph (1910-2000)

This Virginia artist joined the U.S. Forest Service in the early 1930s and helped launch the "Smokey the Bear" campaign in the late '30s -- now the longest running public service campaign in history; he portrayed Smokey in literally hundreds of promotional pieces that encouraged conservation of natural resources and fire prevention. Signed Color Print, 16" X 10¼" (under cream matte, overall dimensions 20" X 16"), n.p., n.y. [ca. 1991]. Fine. Printed by the U.S. Department of Agriculture and titled "'High Five' for fire prevention," this print depicts a wooded outdoor scene, a red fire engine in the right foreground driving toward the viewer. One firefighter leans out the passenger window to give a "High Five" to Smokey Bear, who of course stands center foreground, holding a shovel in his left hand and returning the "High Five" with his right. At left foregound is a large pine tree, with a couple of bear cubs clambering up and watching the fire engine, while other wildlife (squirrel, raccoon, cardinal) hang about. At lower left, across part of the red fire engine, Wendelin signs large and bold in black fineline. A handsome piece. The number printed is not stated or generally known, but sources involved in its production indicate that Wendelin signed only a modest number of them. A superb rendition of this beloved character, in flawless condition. Uncommon and most handsome, this is a choice bit of American firefighting history.

$175.00

Color Photograph Signed / Unsigned Color Poster
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Color Photograph Signed / Unsigned Color Poster

By WENDELIN, Rudolph (1910-2000)

This Virginia artist joined the U.S. Forest Service in the early 1930s and helped launch the "Smokey the Bear" campaign in the late '30s -- now the longest running public service campaign in history; he portrayed Smokey in literally hundreds of promotional pieces that encouraged conservation of natural resources and fire prevention. Color PS, heavy stock glossy 6" X 4", n.p., n.y. Fine. Full color postcard reproduction of Wendelin's 1989 painting "Dear Smokey..." depicting the beloved bear leaning against a shovel alongside his mailbox reading a child's letter as two cubs clamber atop the mailbox, a wooded setting featuring lake, campers and ranger's cabin in the background. Wendelin signs boldly in black fineline in a lighter area at lower left. This signed image has been affixed via acid-free clear photo corners to the upper left of an 18" X 24" unsigned color poster celebrating the 50th anniversary of Smokey the Bear and published by the "Friends of Smokey" in Capitan, New Mexico in 1994. Large printed image of a Wendelin rendering of a seated Smokey as a cub leaning against a charred tree trunk and plopping a Forest Ranger's hat atop his head, one paw and one foot swathed in white bandages. Very good. Original single horizontal and vertical mailing folds; a number of small expert archival mends on verso. An appealing pair.

$195.00

Signed Postal Cover / Unsigned Color Poster
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Signed Postal Cover / Unsigned Color Poster

By WENDELIN, Rudolph (1910-2000)

This Virginia artist joined the U.S. Forest Service in the early 1930s and helped launch the "Smokey the Bear" campaign in the late '30s, making him the iconic figure he is today -- now the longest running public service campaign in history; he portrayed Smokey in literally hundreds of promotional pieces that encouraged conservation of natural resources and fire prevention. Two items celebrating the fiftieth anniversary of the iconic bear: First, a Signed Postal Cover, 6½" X 3½", cancelled in Washington, DC on 9 August 1994 and with "USPS. Philatelic Center" as part of cancellation. At upper right are the 20-cent "Smokey" stamp, 4-cent "Forest Conservation" stamp and 5-cent John Muir Conservationist" stamp. Fine. Large printed cachet at left proclaims "Happy Birthday, Smokey!" and shows a candleless birthday cake noting "50 Years Preventing Forest Fires 1944-1994." Below this, Wendelin signs boldly in black fineline and inkstamps "Stamp Designer" in blue beneath his signature. Wendelin designed all three of these stamps -- "Forest Conservation" in 1958, "John Muir" in 1964 and "Smokey" in 1984. Second, an unsigned color poster, 12¼" X 16½", n.p., n.y. [1994]. Very good. Faint edgewear, with a few expert archival mends on verso. Handsome reproduction of a Wendelin painting showing a full-length Smokey standing in a beautiful forest setting with lake in background, affixing a poster ("Remember -- / Only you can / PREVENT FOREST FIRES / 1944 [Smokey head] 1994") to a wooden stand in the forest next to a burnt-out tree trunk as bear cubs and other wildlife surround him to watch. Caption along lower margin reads "50 YEARS ...and still going!" Poster verso bears ownership signature of Jean Pablo, U.S. Forest Service historian and close friend of Wendelin. Accompanying this handsome pair is a pristine original 8-page 8vo leaflet of the funeral program handed out at Wendelin's memorial service in 2000.

$200.00

Signed Postal Cover
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Signed Postal Cover

By CHICKERING, Charles R. (1891-1970)

The "Dean of American stamp designers" was a prolific artist and book and magazine illustrator; between 1947 and 1962 he is considered sole designer of 60 U.S. postage stamps, the best known being his 1962 "Project Mercury" 4-cent stamp, and was closely involved in the creation of 77 stamps. Signed Postal Cover, 6½" X 3 3/4", cancelled on the first day of issuance (20 February 1962) but not at the official place of issuance (Cape Canaveral, FL), but rather in Salisbury, NC. Fine. 4-cent "Project Mercury" stamp at upper right and large rubberstamped outline of John Glenn's space capsule at left. Chickering signs boldly in full in blue ballpoint at lower left, above the typed statement "Mr. Charles R. Chickering / designed Project Mercury stamp." While John Glenn signed a great many First Day Covers of this stamp, Chickering signed few and they are surprisingly uncommon.

$50.00

Partly-Printed Autograph Document Signed
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Partly-Printed Autograph Document Signed

By SZYK, Arthur (1894-1951)

This Polish-Jewish artist, illustrator and cartoonist fled Hitler's persecution but enjoyed skewering him in his 1941 book "The New Order"; a superb miniaturist and manuscript illuminator, his prints and book illustrations often bear a resemblance to stained glass windows and medieval illuminated manuscript leaves. Partly-Printed ADS, 1p, 6¼" X 2 3/4", New Canaan, CT, 20 November 1948. Near fine. Bank check drawn on The First National Bank & Trust Co., made out in Szyk's handsome printing to "Cash" in the amount of $27.00 and handsomely signed at lower right. On the verso he signs a second time. Usual bank cancellation perforations, not touching signature. A lovely twice-signed example dated just six months after Szyk attained American citizenship.

$125.00

Autograph Letter Signed
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Autograph Letter Signed

By WEBB, Paul (1902-85)

"The Mountain Boys" hillbilly cartoons became this Connecticut artist's syndicated path to fame, published in such magazines as "Life," "New Yorker," "Judge," "Colliers" and "College Humor" and collected into such books as "Comin' Round the Mountain" (1938) and "Keep 'em Flying" (1941). ALS, 1p, 5 3/4" X 9½", New Canaan, CT, 8 October 1935. Addressed to Mr. Milkman. Very good. Boldly penned in brown ink in Webb's large, broad script, the cartoonist jests with an admirer that "I have a hobby too -- I spend so much of my time on this particular hobby that I really accomplish very little. I would have answered your letter sooner if it hadn't been for this said hobby. If I can ever make enuf money to retire I'm going to spend my whole time at it -- I won't keep you guessing any longer -- it's sleeping." Nicely signed -- and a lovely example from early in his career.

$75.00

Autograph Letter Signed
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Autograph Letter Signed

By KAPPES, Alfred (1850-94)

This German-American artist and illustrator contributed to "Harper's Weekly" as a young man and also did book illustrations for Sidney Lanier and others; he lived in a New York tenement building with African-Americans, who often figure prominently in his oil paintings; in 1893 some of his work was exhibited in Chicago at the World's Columbian Exposition. ALS, 1p, 7½" X 8 3/4", New York, NY, 13 May 1877. Addressed to Frank L. Robinson. Very good. Bit of mild wear. Boldly penned in black ink, Kappes writes to what's presumably his agent or an art gallery owner: "Should the prices affixed to my pictures retard the sale in any respect, you can make such reductions as you may think proper. I should be loath to part with them at a greater reduction than 25 per cent. If you will kindly consider this as the maximum...." Scarce. Kappes autograph material is seldom seen.

$295.00

Autograph Letter Signed
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Autograph Letter Signed

By LANCE, George (1802-64)

British artist celebrated for his vibrant paintings of fruit and flowers, though he also produced historical scenes such as the prize-winning "Melancthon's First Misgivings of the Church of Rome"; some credit him with single-handedly reviving interest in still lifes, and no less than J.M.W. Turner called him one of the three great colorists of his age. ALS, 3pp (lettersheet), 4½" X 7", London, England, 21 November 1845. Addressed to "Sir" (Robert Vernon, Lance's best and earliest patron who collected many of his works and formed a collection that became the nucleus of the Tate Gallery, now Tate Britain). Very good. Mounting traces and small chip to blank fourth leaf. Gracious note boldly penned in brown ink helping a young fellow artist, reading in part: "The bearer of this note (Mr. Saddler) whose talent I think you will much admire, is very anxious to be hired as a labourer in the Vernon vineyard. He not only engraves but draws architectural subjects beautifully, and it struck me you might find him of assured value in getting out the pictures by Roberts...." On another (and sore) subject, the election to the Royal Academy that never came his way to the surprise of the London art critics, Lance writes: "Another year is passed over and your friendly remarks have not helped me at the Academy -- twelve years consecutive have I been a candidate -- My chief regret is that it looks like a dishonor placed upon this branch of art...." Some speculate that Lance was denied membership because of political differences with the establishment and a squabble over the "Royal Boar Hunt" by Velazquez at the National Gallery and Lance's role in restoring that painting. An excellent example with superb content showing Lance's advocacy of young talent and disappointment at rejection by his peers.

$125.00

Typed Note Signed
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Typed Note Signed

By BARTON, Ralph (1891-1931)

This American artist became quite popular in the 1920s for his celebrity caricatures published in "The New Yorker," "Vanity Fair," "Harper's Bazaar," "Collier's" and "Judge" as well as book illustrations, but mental illness led to his suicide at age 39. Good content TNS, 1p, 8½" X 11", New York, NY, n.y. February 9. Addressed to "Mr. MacDonald (Pirie MacDonald, 1867-1942, noted "Photographer of Men"). Very good. Faintly age toned, with signature easily legible but a tad light. The artist thanks the portrait photographer: "... I am hugely pleased with the photograph of me. Everyone who has seen it (some fifteen people or so), from my mother to two of your closest rivals among photographers, raves about it. It is a fine piece of work as a photograph without borrowing from any other art." Sharp example of this uncommon autograph.

$100.00

Autograph Letter Signed
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Autograph Letter Signed

By KOBBE, Marie O. (1870-?)

The tiny western Massachusetts town of Stockbridge -- best known as Norman Rockwell's home town -- had a vibrant art colony of painters and sculptors in the late 19th and early 20th century, Daniel Chester French a leader among them; prominent among them was this artist, known mainly for her portraits. ALS, 3pp (lettersheet), 5" X 6½", New York, NY, n.y. April 9. Addressed to Mrs. Stowe (Hilda Robinson Smith Stowe, 1881-1965, wife of Harriet Beecher Stowe's grandson, Lyman Beecher Stowe). Fine. On stationery bearing her printed "77 East Eighty-Ninth Street" address, Kobbe expresses doubts "about David's picture" -- Stowe's son David Beecher Stowe, born 1916 -- noting "I... feel that you are a little disappointed in it -- I cant expect to be perfectly satisfied with the way a portrait is done but at least you must be perfectly satisfied with the likeness. Dont hesitate to say if you are not satisfied... if you want me to try again, we can arrange perhaps to meet in Stockbridge some time this summer -- your little boys are especially dear & I want to do something that is like their quality." Flamboyantly penned in black ink and boldly signed.

$75.00

Autograph Letter Signed
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Autograph Letter Signed

By RONNEBECK, Arnold (1885-1947)

This German-born American artist and sculptor circulated among the elite avant garde modernist circles of Europe (with Gertrude Stein and Pablo Picasso) and America (with Alfred Stieglitz and Georgia O'Keeffe); he's best known for lithographs of New York cityscapes and, later, of Colorado and New Mexico scenes, as he moved west and briefly served as art director of the then-new Denver Art Museum. ALS, 1p, 8½" X 11", Denver, CO, n.y. Addressed to Arnold F. Gates (1914-93, noted Lincoln/Civil War scholar). Near fine. Excellent content penned in his bold, handsome script in brown ink, reading in part: "In answer to your question: 'have you ever turned out a Lincoln head or bust?' I can only say that for years I have had a bust of that grand head in my mind, -- (and, in my opinion, it is one of the most plastic faces of really great men) -- but I have not yet have had the opportunity to execute it. -- May I ask why you asked me that question?" Undated, but certainly of mid-1930s vintage. Quite handsome -- and quite uncommon.

$295.00

Autograph Letter Signed
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Autograph Letter Signed

By EILSHEMIUS, Louis M. (1864-1941)

This American artist painted dream-like landscapes with Rubinesque nudes, and though Marcel Duchamp "discovered" and championed him in 1917 -- his work went over well in Paris -- American audiences disliked his eccentric fantasy work and he turned to poetry and composing; one of the more bizarre figures in a field full of characters, he was born into wealth but died a pauper. ALS, 2pp (single leaf), 8½" X 11", New York, NY, 1 March n.y. (ca. 1936). Addressed to Beth Newman. Very good. Lightly age toned. Below his printed name and address, Eilshemius sketches an elaborate vignette with ornamental scrollwork about the edges, penning "Mrs. Beth Newman" at center and signing "Eilshemius" at its lower right. Chatty letter regarding his music compositions, reading in part: "The music is on way to Beverly Hills. Am so glad that your husband enjoyed the pieces and has honored me to put a few of them into Quartett form. No I have no phonograph therefore a record would be of no use. We have no electricity in this house, old as the hills, you Know. Am sorry I can't hear your husband play them on the piano. I do not Know any professionals here, must be bereft of any playing Ah! Me! You are lucky to have a precious babyboy and to enjoy the track. Does your husband perform for the Mike, I wonder.... I have 50 ptgs. at the Frisco Art Museum on view. Also, one a genre at Pittsburgh Carnagie...." Boldly penned and signed in full in black ink. Excellent content showing two of his passions, his art and his music. Beth Newman was the first wife of Hollywood composer and music dynamo Alfred Newman (1901-70), film composer extraordinaire and winner of nine Academy Awards.

$395.00

Photograph Signed
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Photograph Signed

By HAUSNER, Rudolf (1914-95)

This Austrian painter, sculptor and printmaker was a surrealist who has been described as "the first psychoanalytical painter," but it is for co-founding the Vienna School of Fantastic Realism in the late 1950s together with Ernst Fuchs, Holfgang Hutter and several others that he's best remembered. Color PS, 5 3/4" X 4", n.p., n.y. [lightly pencilled February 1986 on verso]. Near fine. Glossy heavy stock reproduction of Hausner's 1948 surrealist painting "Forum der Einwartsgewendeten Optik" from the Historical Museum of the City of Vienna, signed large and bold in blue ballpoint along the blank lower margin. A superb example, and seldom found in this form.

$125.00

Photograph Signed
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Photograph Signed

By BOULANGER, Gustave (1824-88)

This famed French painter was an academic painter celebrated for his depictions of historical Oriental and classical Greek and Roman scenes. PS, heavy stock 2½" X 4¼", n.p., n.y. Near fine. Rounded corners (as issued). Outstanding carte-de-visite half-length portrait of Boulanger in three-piece suit and tie, right hand in pants pocket and left hand dramatically foisting a cigarette. Sharp backstamp in brown of photographer Bingham in Paris. On the blank margin below his portrait, Boulanger signs boldly in brown ink with his usual crabbed "G. Boulanger." Undated, but likely circa 1870. A superb example -- and quite scarce.

$395.00

Autograph Letter Signed
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Autograph Letter Signed

By GLEASON, Ray (?-?)

Whitman Publishing Company's local "go to" artist and illustrator is credited with many of this Racine, Wisconsin's colorful kid's books of the 1920s, such as "Conqueror of the Sea" (1924), "Stories Told at Bedtime" (1925), "Tabby Cat and Kitty Cat Make Friends with Billy the Goat" (1925), "Charles Dickens' The Story of Tiny Tim" (1926), "The Cozy Book of Mother Goose" (1926), "The Nightingale from Far-a-Way China" (1926), "The Children's Story of David Copperfield" (1926), "The Story of Peter & Prue" (1928) -- and his own book "The Birds We know: Color paintings by Ray Gleason" (1928). ALS, 2pp (separate leaves), 8½" X 11", Racine, WI, 12 April 1933. Addressed to John G. Leiser. Near fine. On bright yellow onionskin-type paper penned in vibrant purple ink, Gleason writes this admirer, an Illinois school teacher, with advice about studying and painting birds. In part: "I am happy to hear that you love to study birds and that you have a nature study class. To me, the study is a great source of pleasure. I try to see in the study of birds symbols of the wonders of all nature. I try to bring thru their study a harmonious relation of the contradictory elements of experience. Hence my preoccupation is with the physical reality of my medium, color and drawing, thru the character of the motive I try to proportion into pleasurable relations the color with the various forms and in harmony with associations we thru common experience, bring to it. Probably nothing delights the eye o man more than a beautiful bird, and for the past several years I have found great pleasure in going out early in the morning sketching birds. In order to paint any particular bird one must first study for size, proportion, character, color, etc...." Goes into much further detail on painting birds, noting near the close "I have only one book published known as 'Birds We Know" and signing boldly. With original envelope, addressed in Gleason's hand and signed again by him. Superb, meaty content for the bird artist aficionado.

$75.00

Signature
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Signature

By BROWN, Edward Scott "Ted" (1876-1942)

This American cartoonist supposedly created more than 24 comic strips (including "The Inventor," which ran from 1904 to 1914) and assisted with four others; one cartooning historian describes him as "an absolute whirling dervish at the drawing board, producing more material for the daily pages than anyone except the great George Frink'; he worked for the "Chicago Daily News" (ca. 1908-24) and the "New York Herald-Tribune" (1925-42). On a heavy stock 5" X 3" card, the cartoonist pens "Sincerely yours" and signs in cursive, adding his cartoonist's printed, stylized "T. Brown" alongside. Very good. Faintly age toned, with mounting traces on verso. Along the bottom edge is typed "Cartoonist 'Chicago Daily News'. / April 29, 1922." Very uncommon.

$55.00

Autograph Letter Signed
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Autograph Letter Signed

By RIVIERE, Briton (1840-1920)

This English artist exhibited the usual classical and literary themes at the Royal Academy and other distinguished venues, and even dabbled in illustration art briefly, but before long realized that painting animals of all sorts was his true vocation and this he did for much of his long career. Brief ALS, 2pp (lettersheet), 4½" X 7", Flaxley, England, 4 February 1887. Addressed to "Dear Madam." Penned in brown ink in his usual hurried scrawl, Riviere here sends "regret that it is not in my power to assist your undertaking. Owing to the state of my health I have been obliged for many years to limit very closely my hours of work & to confine myself entirely to such work as the exercise of my profession...." A nice example.

$95.00

Original Signed Ink Cartoon
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Original Signed Ink Cartoon

By WALLGREN, Abian A. "Wally" (1892-1948)

What Bill Mauldin and "Willie and Joe" were to World War Two G.I.s, "Wally" Wallgren and his "Helpful Hints" cartoons in "Stars and Stripes" were to World War One doughboys, for both poked fun and army life, army chores, army regulations and the drudgery of military life; Wallgren served with the 5th Marines in the First Division in France, after the war collecting his cartoons into the popular "Wally: His Cartoons of the A.E.F." in 1919; later he cartooned for "American Legion Magazine" and then had another strip called "Hoosegow Herman." Original ink cartoon, heavy stock 4" X 7" sheet, n.p., n.y. (Wallgren's Drexel Hill, Pennsylvania home address lightly inkstamped on verso). Near fine. Wallgren signs simply "W" at lower right, and though not dated, an inkstamped 15 March 1943 on verso is perhaps the date on which this appeared in "American Legion Magazine." Two serviceman in uniform stand at center perusing this magazine, the soldier at left asking "Wot's 'savvy our lingo' mean?" and his pal at right replying "It means we talk the same language!" Caption inked quite large both above and below this scene remarks, "SEND YOUR / MAGAZINE" (at top) "TO A BUDDY / IN SERVICE" (at bottom). Displayed in cream 7" X 8½" mat with 3¼" X 5 3/4" opening.

$250.00

Original Signed Ink Cartoon
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Original Signed Ink Cartoon

By WALLGREN, Abian A. "Wally" (1892-1948)

What Bill Mauldin and "Willie and Joe" were to World War Two G.I.s, "Wally" Wallgren and his "Helpful Hints" cartoons in "Stars and Stripes" were to World War One doughboys, for both poked fun and army life, army chores, army regulations and the drudgery of military life; Wallgren served with the 5th Marines in the First Division in France, after the war collecting his cartoons into the popular "Wally: His Cartoons of the A.E.F." in 1919; later he cartooned for "American Legion Magazine" and then had another strip called "Hoosegow Herman." Original cartoon in black ink, signed simply "W" at lower right, heavy stock 7" X 3¼" sheet, n.p., n.y. [Wallgren's Drexel Hill, Pennsylvania home address lightly inkstamped on verso). Near fine. Charming scene -- perhaps a "Helpful Hunts" installment -- depicting two soldiers side by side at a table, the G.I. at left showing the G.I. at right how to open a bottle of French wine. "See!!" he says as he thumps the underside of the bottle and the cork strikes with a "Pop" in his friend's eye. Cream 8½" X 6½" mat with 5¼" X 2½" opening. Wallgren's early work is surprisingly scarce, and this is a delightful example.

$200.00

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