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1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100 h: 118 x w: 118 in. h: 30 x w: 30cm In very good condition. GEBÜRT (BIRTH). 1917. Sohn 118. Woodcut, on Japan paper. Signed and numbered "24" in pencil of 100. h: 11.8 x w: 11.8 in / h: 30 x w: 30 cm. RARE. In very good condition. Friedrich W. Heckmanns, Conrad Felixmüller: Das druckgraphische Werk 1912 bis 1976 (Düsseldorf: Kunstmuseum Düsseldorf, 1986); Gerhart Sohn, Conrad Felixmüller: Das Graphische Werk 1912-1974 and 1975-1977. 2 vol. (Düsseldorf: GS Editions, 1987); Heinz Spielmann, Conrad Felixmüller: Monographie und Werkverzeichnis der Gemalde (Cologne: Wienand, 1996) Printmaker, painter. The youngest of a second generation of Expressionists who emerged in Dresden in the wake of the Brücke artists. By age eighteen, was working as an independent artist and had taught himself the various printmaking techniques. In 1915 began making regular visits to Berlin, where he shared a studio with Ludwig Meidner,…
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GEBÜRT (BIRTH)
by Felixmuller, Conrad (1897-1977)
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(GEHOFT) THE FARMSTEAD
by PECHSTEIN, MAX (1881-1955)
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(GEHOFT) THE FARMSTEAD. Woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate IV. Kruger 197, first state. Fechter H. 128. Image: 11 1/2 x 17.
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THE MORNING
by PECHSTEIN, MAX (1881-1955)
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One woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate I. Kruger 194, first state. Fechter H.125. Also signed by the printer, Voigt. Image: 12 5/8 x 16.
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Neben der Heerstrasse. Erzählungen. Mit Holzschnitten von E.L. Kirchner
by (KIRCHNER,Ernst Ludwig 1880-1938) Bosshart, Jacob
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- near fine
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Ernst Ludwig Kirchner (6 May 1880 – 15 June 1938). NEBEN DER HEERSTRASSE. Grethlein & Co., Zürich/Leipzig, 1923. First edition with 24 woodcuts by Ernst Ludwig Kirchner integrated with text. 434, (6)pp. 8vo.Publishers salmon-boards with 1/4 red leather spine. The upper cover with title and vignette in woodcut by Kirchner, title in black on back, top edge violet. Original RARE dust jacket illustrated by Kirchner. One of the best known books illustrated by Kirchner; the illustrations where printed from the original woodblocks. Excellent copy with the rare dustjacket, text slightly but uniformly aged. Dube II, 808-831; Lang 174, Rifkind/Davis 1478, Rifkind 103, Vom Jenendstil zum Bauhaus 86: Schauer II,j118: Jentsch 143.
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PORTRAIT OF BARLACH II
by PANKOK, OTTO
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1943. Woodcut. Z.W.H. 176. Ed. of 50. Signed in pencil. Printed on heavy Bütten paper with deckled edge. 19 3/8 x 13.
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THE SEVENTH DAY: from the suite: The Metamorphosis of God (Die Wardlungen Gottes).
by BARLACH, ERNST (Germany, Wedel, Holstein, 1870 - 1938)
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1922. Woodcut #7 from the suite: The Metamorphosis of God (Die Wardlungen Gottes). Edition of 110. Schult 171. Signed in pencil. Image: 10¼ x 14¼. Margins: 17 x 13. Die Wandlungen Gotes: Sieben Holzschnitte . Artworks within this Set The cathedrals The divine beggar Dance of death 2 The god "Paunch" The rocks The seventh day The first day
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TITLEPAGE OF EIN DORF
by PECHSTEIN, MAX (1881-1955)
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PECHSTEIN, MAX (1881-1955).TITLEPAGE OF EIN DORF. Kruger 193. Fechter H.124. Image: 12 1/2 x 16. One woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 .
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Two LANDSCAPES
by LANGE, OTTO (1879-1944)
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1910?. Watercolor. Double watercolor on the recto and the verso. In blue tones in a traditional style. Verso: Expressionist Mountain Landscape on one side and a more traditional landscape on the other that includes a lonely figure. Beautiful sensitive image. Signed lower right. Image: 13 ¾ x 21. Please request photos. This is an original watercolor not a book.After an apprenticeship as a decorator, he became a pupil of the Kunstgewerbeschule in Dresden and then studied at the Otto Gussmann Academy of art. From 1919 he lived in Dresden, where, alongside Otto Dix, Conrad Felixmueller, Otto Schubert and Lasar Segall, he co-founded the Dresdner Sezession group, a short-lived collaboration of German Expressionism. The works of this new generation of disillusioned artists placed a much greater emphasis on political and social reformation through pacifistic means, rather than adopting the nihilistic social criticism and cynicism of their Die Brücke predecessors.References Richard Stiller: Otto Lange.… Read More
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THE VILLAGE STREET
by PECHSTEIN, MAX (1881-1955)
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THE VILLAGE STREET. Woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate V. Kruger 198, first state. Fechter H.129. Image: 12 x 16.
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THE VILLAGE ENTRANCE
by PECHSTEIN, MAX (1881-1955)
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THE VILLAGE ENTRANCE. Woodcut from the suite, Ein Dorf, A Village. 1919. Signed and numbered 4/75. Published on F.W. Zanders laid paper with margins measuring: 17 x 22 . Plate VI. Kruger 199, first state. Fechter H. 130. Image 13 x 16 1/4.
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