Search Results: Photography from Knickerbocker Books

New York: American Book-Stratford Press, Inc. Undated, circa 1970. Near Fine. Bound in gray paper wraps, titled in black on front. INSRIBED BY FEINBERG on half-title page, "For Felice, with undying / Sidney Feinberg." Published to accompany the exhibit of Feinberg works at the Willoughby Camera Store gallery in New York City. Feinberg's genius extended to graphic arts - he was the type director and book designer for American Book-Stratford Press. A finely printed catalog with 30 full page black and white photo reproductions. Light toning to wrapper edges, else fine. 8 x 10". Signed By Photographer. Softcover. Near Fine. Illus. by Feinberg, Sidney.

Munich: Starczewski Verlag, 1971. 1971 Stated First Edition. NEAR FINE in GOOD+ dust jacket. Stunning black and white nature photography by Federico Hecht, with a moving introduction by Marta Traba, Director of the Museum of Modern Art of Bogota, translated by R.T. Smallbones. A clean, unmarked copy. The half-title page is foxed. all other pages are fine. In black hardcover with white lettering on front cover and spine. In attractive, complete jacket that is lightly soiled and edgeworn, with a 3" closed vertical tear to front panel near spine and a 2" closed tear to back. Jacket is in a clear archival protector. 9 x 11". 8-page Introduction plus 96 photographic pages (including 7 fold-outs).. First Edition. Hardcover. Near Fine/Good+. Illus. by Hecht, Federicon (Photographer). 4to.

New York: PPP Editions, 2003. 2003 edition limited to 1000 copies. NEAR FINE. Hardcover Catalog published for the January 9 - February 22, 2003 exhibition at Roth Horowitz Gallery in New York. A fresh, unmarked and tightly bound copy (issued without a jacket). Pages pristine. Hardcover, pictorial paper over boards, is clean and sharp; there are a few tiny rub marks along outside bottom edges and corner tips of the boards, otherwise cover is fine. The exhibit juxtaposed two groups of photos, one made by Harold Edgerton sometime after 1951, showing the first microseconds of atomic test explosions on Eniwetok Atoll in the Marshall Islands. The other group, the work of an anonymous photographer believed to be a U.S. naval officer, was made in Hiroshima in the weeks after August 6, 1945. The catalog contains 10 of these black and white images (plus the cover photo), carefully reproduced and most printed as two-page spreads. The introductory essay was written by James Elkin. 8-3/4 x 11-1/4". 30 pages.… Read More

Bogota and New York: Programas Internacionales de Poblacion/Grossman Publishers, 1974. 1974 edition. NEAR FINE soft cover. Text (in Spanish) and black & white photography by the late renowned photojournalist Cornell Capa, document the way of life for Latin Americans living in poverty during the 1970s. A clean, totally unmarked and tightly bound copy in stiff pictorial paper cover. The cover is clean but moderately toned along margins with light foxing to reverse (unprinted) side; light crease along thumb edge of front cover. Else fine. 8 x 9-1/2". 192 pages. Paperback. Near Fine. Illus. by Capa, Cornell (Photograher).

Gottingen, Germany: Steidl, 2010. Sated First Steidl Edition, published January 2010. FINE hardcover, no jacket, as published. A fresh, clean, totally unmarked copy, tightly bound in hardcover of decoratively printed cloth over boards. Pages and cover are pristine. Mauro D'Agati explores the Cuban housing project of Alamar, located in the eastern part of Havana, completed in the early 1980s by and for the steel workers who would live there; 30 years later the utopian dream is eerily faded and desolate. More than 90 full page color photographs. Afterword by Senel Paz "East of Havana" (in both English and Spanish). 11-3/4 x 10"; 160 pages. Laid in is D'Agati's 23-page photographic series titled "Corridors" - also fine. . First Edition. Hard Cover. Fine/No Jacket.

New York: W W Norton & Company, 1993. 1993 Stated First Edition, with full printing line. VERY GOOD+ softcover. A clean, totally unmarked and tightly bound copy. Tiny closed tear to top edge of first few leaves, pages otherwise fine. Illustrated paper cover slightly rubbed but clean - no tears or chips. Binding tight, no creasing to cover spine, no splits or cracks. Published for the exhibtion that toured the U.S. for 3 years (1993-1996) - a history of 'Camera Notes', the photographic periodical edited by Stieglitz .91 photogravures from the publication are reproduced here, in their original tones. 8-1/2 x 10"; 204 pages. First Edition Paperback. Soft Cover. Very Good+.

Boston, MA: Little, Brown and Company, 1995. Stated First Edition; First Printing. FINE in VERY GOOD+, price intact, dust jacket. A crisp, clean, unmarked and tightly bound hardcover. Pages and hardcover fresh and fine. Binding and hinges firm, instact and straight. Unclipped jacket has small denting at middle top of front panel, old security sticker on inside, unprinted side, of back panel. Otherwise fine, no tears, chips or creases. 6 x 9-1/4"; ix + 662 text pages and 16 pages of black & white photos. First Edition. Hard Cover. Fine/Very Good+.

Eugene, OR and Austin, TX: Jordan Schnitzer Museum of Art . University of Texas Press, 2010. Softcover Catalog published in connection with the 2010 exhibition shown in Oregon and Virginia. NEAR FINE. A clean, unmarked and tight copy, bound in color pictorial soft cover with deep folded flaps. The front cover has light surface shelf rub, all else fine. The photographs Sam Abell and his colleague Torben Ulrik Nissen document one of Earth's remaining natural ecosystems, the headwaters of the Amazon in Peru and Bolivia. The color photographs are magical. Foreword by Jill Hartz and introductory essay "A Day in the Amazon" by Abell. A beautifully designed and produced volume. 9-3/4 x 11-1/4"; 96 pages. First Paperback Edition. Soft Cover. Near Fine.

New York: International Center of Photography, 1976 Exhibition catalog to accompany the fall 1976 show at the Center. VERY GOOD soft cover bound in white paper wrapper, blind embossed title on front. Internally fine - pages clean, totally unmarked. The wrapper is lightly toned along spine and edges and there are a few small spots on front panel. Binding firm. B&W photos spanning over 40 years of Feininger's career (1928 - 1975). 8-1/4 x 10-3/8"; 68 pages. First Edition. Soft Cover. Very Good.

Boston, MA: New York Graphic Society, 1974. 1981 Second Printing. NEAR FINE in VERY GOOD+ price-intact dust jacket. Clean, totally unmarked and firmly bound. Pages fine. Hardcover, gray cloth over boards with black cloth spine, is near fine: front thumb-edge corners are bumped and bottom edge of rear board lightly shelf-soiled. Silver stamping front and spine. Unclipped dust jacket lightly rubbed with edge of soiling along front spine fold. Jacket edges lightly rubbed, 1" closed tear at bottom front flap fold and a couple tiny closed edge tears, creasing to front corners. Jacket is in a clear archival protector. Binding and hinges tight; boards and spine straight. Printed endpapers fine. 17-1/4 x 14" (oblong); 128 pages. A heavy book, will require additional postage for priority or international mailing.. Second Printing. Hard Cover. Near Fine/Very Good+. Folio.

New York: Aperture Foundation, 1993 Fall 1993 issue. NEAR FINE A clean, unmarked and solidly bound soft cover. Cover very slightly shelf rubbed but still near fine. "On Location" with Annie Leibovitz, Lorna Simpson, Susan Meiselas, Cindy Sherman, Adam Fuss, Joel-Peter Witkin, Jon Goodman. 9-1/2 x 11-1/4"; 80 pages. Soft Cover. Near Fine.

New York: Aperture Foundation, 1997 FINE. Summer 1997 issue. A fresh, totally unmarked and tightly bound copy. Introduction by guest editor W. M. Hunt. Works by photographers and scientists attempting 'to cpature delerium on paper.' 9-1/2 x 11-1/4"; 80 pp. Soft Cover. Fine.

New York: Aperture Foundation, 1995 NEAR FINE. Summer 1995 issue. A clean, unmarked and tightly bound copy. Thin, light 3 inch vertical crease to front of stiff paper cover, all else fine. Dedicated to the portrait photography of Edward Weston with biographical essay by Susan Morgan and Foreword by Cole Weston. 9-1/2 x 11-1/4"; 96 pp. Soft Cover. Near Fine.

New York: Aperture Foundation, 1995 Near Fine. Summer 1995 issue. A fresh, clean, totally unmarked and firmly bound copy. Faint marginal toning, stiff paper cover slightly shelf rubbed, otherwise Fine. 19 essays with both color and B&W photos. 9-1/2 x 11-1/4"; 120 pp.. Soft Cover. Near Fine.

New York: Aperture Foundation, 1996 Spring 1996 issue. VERY GOOD. Clean with no markings, firmly bound in stiff paper cover. Cover lightly edge rubbed, no tears, creases or chips. Food is the theme, and photographers include Sally Mann (cover photo titled "Raspberries"), Bruce Davidson, William Eggleston, Elliot Erwitt, Horst P. Horst, Robert Mapplethorpe, Sylvia Plachy, Any Warhol, and Garry Winogrand. 9-1/2 x 11-1/4"; 80 pp . First Edition. Soft Cover. Near Fine.

New York: Aperture Foundation, 1996. FINE. Summer 1996 issue. With 6 essays and photos by Laura Wilson, Ian Hancock, Rebecca Busselle with Cornelius Pietzner and Stephen Rasch, Margaret Morton, Larry Towell, and Eugene Richards with Janine Altongy. A fresh, clean, totally unmarked and firmly bound copy, in 'as new' condition. 9-1/2 x 11-1/4"; 80 pp.. Soft Cover. Fine.

New York: Aperture Foundation, 1995 Fall 1995 issue. Near Fine - a clean, unmarked and firmly bound soft cover. Light crease to front cover, else fine. The issue features 8 articles focused on contemporary Cuban photographers. 9-1/2 x 11-1/4"; 80 pp. Soft Cover. Near Fine.

New York: Aperture Foundation, 1995. NEAR FINE. Winter 1995 issue. A fresh, totally unmarked and tightly bound copy. Small bump to front page edges; cover slightly shelf rubbed with small crease to top front corner, otherwise fine. On Location with Henri Cartier-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh. 9-1/2 x 11-1/4"; 80 pages. Soft Cover. Near Fine.

New York: Aperture Foundation, 1997 NEAR FINE. Winter 1997 issue. A fresh, totally unmarked and tightly bound copy. Light marginal toning bottom edge pages and cover, else fine. On Location with Lynn Davis, Mary Ellen Mark, Duane Michals, Richard Misrach, Raghu Rai, Lise Sarfati, Doug and Mike Starn. 9-1/2 x 11-1/4"; 80 pages. Soft Cover. Near Fine.

New York: Aperture Foundation, 1996 FINE. Fall 1996 issue. A fresh, totally unmarked and tightly bound copy. Features 10 portfolios including Constantin Brancusi, Louise Lawler, Edvard Munch, Pablo Picasso, Gerhard Richter, Kiki Smith and others. 9-1/2 x 11-1/4"; 80 pages. Soft Cover. Fine.