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Springer, 2006. Paperback. Very Good. Unmarked. Articles include "Genetic technologies and animals" by Carol Gigliotti, "Negotiating the hybrid: art, theory and genetic technologies" by Caroline Seck Langill, and "Meddling with Medusa: on genetic manipulation, art and animals" by Lynda Birke, and more. 117p.
Search Results: Art/Science/Technology from Diatrope Books
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AI and Society: The Journal of Human-Centred Systems (Volume 20 Number 1, January 2006)
by Gill, Karamjit S. (editor)
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Arctic Design: Opening the Discussion
by Tahkokallio, Paivi (editor)
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- 9789524845649 / 9524845644
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University of the Lapland, 2012. Paperback. Very Good. Unmarked text. A few spots and a sticker on front cover. Illustrated. Explores the role of design in the development of the Arctic. 112p.
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Art, Biology, and Conservation: Biodeterioration of Works of Art
by Koestler, Robert J.; Koestler, Victoria H.; Charola A. Elena; Nieto-Fernandez, Fernando E. (editors)
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- 9780300104820 / 0300104820
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Metropolitan Museum of Art, 2004. Hardcover. Very Good/very good. Factory sealed. Unmarked. 576p. 237 illustrations, 90 in full color. 17 graphs. Measures 6.5x9.5 inches. Proceedings of a symposium bringing together close to 40 scientists and conservators. Sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. Topics include Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and the toothbrushes of Auschwitz victims and more.
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Art and the Brain: Plasticity, Embodiment, and the Unclosed Circle (Consciousness, Literature and the Arts, 47)
by Ione, Amy
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- 9789004322981 / 9004322981
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Rodopi Bv Editions, 2016. Hardcover. Like New. 9x6x0. Signed by author on title page. Unmarked. Illustrated. 364p. Bibliography. Index. Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience.
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The Art of iPhoneography: A Guide to Mobile Creativity
by Roberts, Stephanie Calabrese
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- 9781600599231 / 1600599230
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Pixiq, 2011. Paperback. Very Good. 9x4x0. Unmarked. Illustrated throughout. 160p. Measures 9x5 inches. The Art of iPhoneography explains how to choose, load, and use the best of the apps. It also focuses on the specific techniques that define this genre of picture-taking, and the skills photographers need to develop their creative i.
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Body Mecanique Artistic Explorations of Digital Realms
by Rogers Sarah J.; Gilpin, Heidi; Massumi, Brian
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- 9781881390190 / 1881390195
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Ohio State University, Wexner Center for the Arts, 1998. Paperback. Good. Unmarked. Well illustrated. Rubbing on cover. French flaps. 126p. Essays by Sarah J. Rogers, Heidi Gilpin and Brian Massumi. Artist biographies. Artists include Laurie Anderson, Toni Dove, Alan Rath, Jim Campbell, Bill Seaman, Joseph Nechvatal and others.
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By Nature's Design: An Exploratorium Book
by Murphy, Pat
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- 9780811803298 / 0811803295
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An Exploratorium Book, 1993. Paperback. Very Good. Unmarked. Beautifully illustrated. Photography by William Neill. Foreword by Diane Ackerman. Accompanied an exhibition at the Exploratorium Museum. This book shows the beauty and symmetry of the natural world. An inspired collaboration between acclaimed nature photographer William Neill and San Francisco's famous hands-on science museum, the Exploratorium. 120p. Measures 10x9.5 inches.
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Cognitive Iconology: When and How Psychology Explains Images (Consciousness, Literature and the Arts)
by Verstegen, Ian
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- 9789042038240 / 9042038241
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Rodopi, 2014. Paperback. Very Good. Unmarked. 196p. Illustrated. Bibliography. Index. Cognitive iconology is a theory of cognitive tendencies that contribute to but are not determinative of an artistic meaning.
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Configurations: A Journal of Literature, Science, and Technology (Volume 8, Number 1, Winter 2000)
by Society for Literature and Science
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Baltimore: Johns Hopkins Press, 2000. Paperback. Very Good. Unmarked text. Articles include "On the Subject of the Object: Narrative, Technology and Interpretation" by John Law, "Order and their Others: On the Constitution of Universalities in Medical Work" by Marc Berg and Stefan Timmermans, "Screening a Digital Visual Poetics" by Brian Lennon, "The 'Elsewhere within Here' and Environmental Illness: or, How to Build Yourself a Body in a Safe Space" by Michelle Murphy, and "Technologies of Population" by Amade M'charek. Book review. 164p
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Configurations (Volume 6, Number 3, Fall 1998)
by Society for Literature and Science
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The Johns Hopkins University Press, 1998. Paperback. Very Good. Unmarked text. Includes "Matter, System, and Early Modern Studies: Outlines for a Materialist Linguistics" by F. Elizabeth Hart, "Pedagogic Objects, Clean Eyes, and Popular Instruction: On Sensory Regimes and Museum Didactics" by Tony Bennett, and "Mysterious Delicacies and Ambiguous Agents: Lennart Nilsson in National Geographic" by Sarah S. Jain. Bibliography on the Relations of Literature and Science, 1996. pp. 311-496. Book Reviews. Advertisements. A Journal of Literature, Science and Technology.
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Configurations: A Journal of Literature, Science and Technology (Vol 4, No 1, Fall 1996)
by Society for Literature and Science
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The Johns Hopkins University Press, 1996. Paperback. Very Good. Unmarked text. Special Cluster on Allegory and Science with contributions by Bruce Clarke (Victorian Thermodynamics), James J. Paxson (Early Modern Calculus), and Lynda Dalrymple Henderson (Duchamp) and more. Book Reviews. Advertisements. 132p.
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Connecting the Cerebral Cortex with the Artist's Eyes, Mind, and Culture
by Ione, Amy
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Exeter, UK: Imprint Academic, 2000. Booklet (Saddle Stitched). Very Good. Unmarked throughout. Offprint of an article published in the Journal of Consciousness Studies (Imprint Academic) Art and the Brain, Part II issue. Includes references. 6p. Measures 7.5x10.5 inches. This article is a response to V.S. Ramachandran's article titled "The science of art: a neurological theory of aesthetic experience, published in 1999 in the first Art and the Brain issue. Stapled into the booklet is a catalog for the complete issues of the Journal of Consciousness issues, volumes 1-6 (1994-1999).
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Consciousness Reframed 3: Conference Brochure (August 2000)
by University of Wales College, Newport
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University of Wales College, Newport, 2000. Ephemera. Very Good. Unmarked. Folded advertising mailer (6 panels) with names of participants and registration form. Measures 24.5x8 inches. Participants include Donna Cox, Nina Czegledy, Char Davies, Liane Gabora, Pamela Jennings, Eduardo Kac, Ted Krueger, Christa Sommerer, Louise K. Wilson and others.
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Consciousness Reframed II: Abstracts for 2nd International CAiiA Research Conference (19
by Ascott, Roy (editor)
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- 9781899274222 / 1899274227
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University of Wales College, Newport, 1998. Paperback. Very Good. Unmarked text. Small illustrations. Abstracts of the Proceedings of the Second International CAiiA Research Conference held August 1998 at the University of Wales College, Newport. 60p plus Directory of participants. Participants include Susann Ackers, Christopher Csikszentmihalyi, Char Davies, Margaret Dolinsky, Mike King, Eduardo Kac, Andrea Polli, Barbara Raunch, Jill Scott, Norma Wagner and others.
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Consciousness Reframed: Art and Consciousness in the Post-biological Era Conference Proceedings
by Ascott, Roy (editor)
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University of Wales College, Newport, 1997. Paperback. Very Good. Unmarked text. Title written on spine. Black and white images. Proceedings of the First International CAiiA Research Conference held July 1997 at the University of Wales College, Newport. Unpaginated. Directory of participants. Illustrated. Participants include Susann Ackers, Zoe Beloff, Luc Courchesne, Char Davies, Johanna Drucker, Toni Dove, Oliver Grau, Amy Ione, Bill Seaman, Victoria Vesna, Norma C. Wagner, and others.
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Consciousness Reframed 3: Conference Proceedings (August 2000)
by Ascott, Roy; Punt, Michael (editor)
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University of Wales College, Newport, 2000. Spiral Bound. Good. Unmarked text in papers. Front end page has significant notes in ink. Worn edges. B/W illustrations. Proceedings of the Third International CAiiA Research Conference held August 2000 at the University of Wales College, Newport. Participants include Donna Cox, Nina Czegledy, Char Davies, Liane Gabora, Pamela Jennings, Eduardo Kac, Ted Krueger, Melinda Rackham, Christa Sommerer, Louise K. Wilson and and others. Also includes loose color brochure measuring 24x8 inches, folded into 6 panels, 3 on each side, with the program and registration information.
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Cult of the Machine: A Pictorial
by Fine Arts Museums of San Francisco, de Young
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Fine Arts Museums of San Francisco, 2018. Paperback. Very Good. Unmarked. Title in the Pictorial Series. Supplement to the exhibition for the Cult of the Machine: Precisionism and American Art. 41p. Measures 8.5x8.75 inches. Beautiful color plates.
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Education and Imagination in Science and Art
by Kaufman, Irving (editor)
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University of Michigan, 1978. Paperback. Very Good. Unmarked text. Rubbed edges and a few nicks on cover. Contributors include Irving Kaufman, Ralph Waldo Gerard, Brewster Ghiselin, Peter Busa, Samuel Adler, Ross Lee Finney, Ernest Katz, Robert Iglehard, Francis Villemain, Frederick Wyatt, and George Boas. Topics include education and imagination, music, morality, creativity, and more. 78p. Measures 6.25x9.25 inches.
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Einstein, Picasso: Space, Time, and the Beauty that Causes Havoc
by Miller, Arthur I
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- 9780465018604 / 0465018602
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Basic Books, 2001. Paperback. Very Good. Unmarked text. Sticker on front end page. 357p. Measures 6x9 inches. Black-and-white illustrations. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations-Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Notes. Bibliography. Index.
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Examining Semir Zeki's 'Neural Concept Formation and Art: Dante, Michelangelo, Wagner
by Ione, Amy
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Exeter, UK: Imprint Academic, 2003. Paperback (Saddle Stitched). Very Good. Unmarked throughout. Offprint from the Journal of Consciousness Studies, 10, No. 2, 2003. pp58-66. References. Bumped corner. Ione offers a critique of Semir Zeki's paper titled 'Neural Concept Formation and Art: Dante, Michelangelo, Wagner'.
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