Search Results: Original Etchings from Charles Agvent

[Ireland], [1993]. First Edition. Softcover. Small tear to margin of title page; all prints are Fine. Fine in a Near Fine wood-patterned printed board portfolio with a cloth backstrip and a metal clasp device, all contained in the original mailing carton. Virginia Gibbons. Portfolio with loose etchings (17-1/2" x 15"; image size: 11-1/2" x 8-3/4") laid in, each SIGNED by the artist with her initials and dated "Ireland 93" at the lower right and numbered at the left below the image. Includes a complete suite of 16 ORIGINAL ETCHINGS, each numbered 3 of only 4 created. Gibbons, an American artist, based the etchings on ideas and images collected in the West of Ireland. In addition to the complete suite, there is also an incomplete suite, numbered 2 of 4, comprising 11 of the 16, lacking #s 8, 9, 10, 11, and 13. Also included are 3 lithographs: "Conductor" I, II, and III (16-1/2” x 13”; image size “12 x 9”), each SIGNED in full in the lower right and dated 92 and numbered in the lower left: two of… Read More

Boston: Houghton Mifflin, 1923. First Edition. Hardcover. Fine in a Near Fine dustwrapper and quite uncommon as such. Frank Benson. Folio (9" x 12-1/2") bound in linen-backed boards; xxii, 100 pages. Copy #258 of 525 numbered copies with an ORIGINAL SIGNED ETCHING by Benson bound in at the front. Illustrated with detailed information about Benson's work. In the scarce dustwrapper which other than a thumb-sized chip at the head is in very nice condition.

Los Angeles: Limited Editions Club, 1949. Hardcover. Minor wear and fading to spine. Near Fine in a Near Fine slipcase. Carl Schultheiss. Two quarto (7-1/3" x 10") volumes bound in half red sheepskin leather and boards decorated with Italian hand-made paper. Printed by Saul and Lillian Marks at the Plantin Press. Copy #331 of 1500 llustrated with ORIGINAL COPPER ETCHINGS by Carl Schultheiss and SIGNED by the illustrator on the colophon page.

London: Limited Editions Club, 1953. Hardcover. Near Fine in a Good slipcase with the backstrip partly detached. Rene ben Sussan. Large octavo (7" x 10-3/4") bound in yellow linen buckram. Designed by Oliver Simon and printed at the Curwen Press. Illustrated with ORIGINAL COPPER ETCHINGS by Rene ben Sussan hand-colored in Paris. Copy #1062 of 1500 SIGNED by the illustrator on the colophon page.

London: Limited Editions Club, 1953. Hardcover. Some soiling to the covers. Very Good in a Very Good slipcase with uneven sunning. Rene ben Sussan. Large octavo (7" x 10-3/4") bound in yellow linen buckram. Designed by Oliver Simon and printed at the Curwen Press. Illustrated with ORIGINAL COPPER ETCHINGS by Rene ben Sussan hand-colored in Paris. Of a total edition of 1500 copies SIGNED by the artist on the colophon page, this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the words "Office Copy" are handwritten. Acquired directly from the publisher's files.

London: Limited Editions Club, 1953. Hardcover. Slight foxing to fore-edge. About Fine in a Near Fine slipcase. Rene ben Sussan. Large octavo (7" x 10-3/4") bound in yellow linen buckram. Designed by Oliver Simon and printed at the Curwen Press. Illustrated with ORIGINAL COPPER ETCHINGS by Rene ben Sussan hand-colored in Paris. Copy #777 of 1500 SIGNED by the illustrator on the colophon page. Monthly Letter laid in.

London: Limited Editions Club, 1953. Hardcover. Near Fine in a Near Fine slipcase. Rene ben Sussan. Large octavo (7" x 10-3/4") bound in yellow linen buckram. Designed by Oliver Simon and printed at the Curwen Press. Illustrated with ORIGINAL COPPER ETCHINGS by Rene ben Sussan hand-colored in Paris. Copy #1087 of 1500 SIGNED by the illustrator on the colophon page.

London: Limited Editions Club, 1953. Hardcover. Mild soiling to the covers. Near Fine in an intact, Good slipcase with the top edge abraded. Rene ben Sussan. Large octavo (7" x 10-3/4") bound in yellow linen buckram. Designed by Oliver Simon and printed at the Curwen Press. Illustrated with ORIGINAL COPPER ETCHINGS by Rene ben Sussan hand-colored in Paris. Of a total edition of 1500 copies SIGNED by the artist on the colophon page, this is one of only 15 Presentation Copies with the publisher's blindstamp attesting to such on the colophon page where instead of a number the initials "G.M." are handwritten. Acquired directly from the publisher's files, and most likely the publisher George Macy's very own copy.