Boston: Beacon Press, 1998. First Thus. Hardcover. Fine in original quarter-cloth, small pictorial inlay affixed to upper cover. Without dust jacket, as issued.. Octavo. 5.625 x 8.75 in. 101 pp. With several black & white Illustrations by Henri Mordor. Translated by Ralph Manheim; foreword by Mary Oliver. Part of the Concord Library series, edited by John Elder.
New Haven: Yale University Press, 2011. First Edition, First Printing. Hardcover. Fine in original grey boards and fine pictorial dust jacket.. Duodecimo. 5.25 x 8 in. xxx, 290 pp. Edited and translated by Hoyt Rogers. Signed by Hoyt Rogers. Scarce so signed.
New York: Farrar, Straus and Giroux, 2006. First American Edition, First Printing. Hardcover. Fine in original red paper-covered boards and fine pictorial dust jacket.. Octavo. 5.5 x 8.5 in. xx, 229 pp. Translated by Hoyt Rogers. Inscribed by Rogers on half-title page. Parallel text in French and English.
Cambridge, MA: Harvard University Press, 1972. First Thus. Hardcover. Neat previous ownership sigature to front free endpaper, otherwise near fine in original black cloth, lacks dust jacket.. Octavo. 6 x 8.75 in. xxxvii; 950 pp. Text in Italian with English commentary.
San Diego, CA: Harcourt Brace Jovanovich, 1989. First Edition, First Printing. Hardcover. Previous ownership inscription on front free endpaper, otherwise fine in original cloth backed boards and near fine pictorial dust jacket, slightly sunned at spine.. Duodecimo. 5.75 x 7.75 in. 74 pp. Pulitzer Prize Winner.
New York: W.W. Norton & Company, 1993. First Edition, First Printing. Hardcover. Near fine in original blue cloth and near fine pictorial dust jacket. Light spotting to edges and endpapers.. Octavo. 6 x 9 in. 812 pp. Includes poetry from Siegfried Sassoon, E.E. Cummings, Eugenio Montale, Osip Mandelstam, Joseph Brodsky, W.H. Auden, Ezra Pound, H.D., Dylan Thomas, Robert Lowell, and many more.
Toronto: Coach House Press, 1979. Fifth Printing. Paperback. Near fine in original pictorial wrappers.. Octavo. 5.5 x 8.5 in. 71 pp. Signed by Ondaatje on title page.
[Toronto]: Coach House Press, 1967. Later Printing. Paperback. Near fine in original printed pictorial wrappers.. Octavo. 5.75 x 8.5 in. 77 pp. Signed by Ondaatje on title page.
Tokyo: The Shunyodo, 1906. First Thus. Paperback. Very good in original illustrated printed paper covers, sewn with string.. Duodecimo. 5.25 x 7.5 in. v; 122 pp. Illustrated throughout with floral vignettes in color. A well preserved and very pretty, delicate edition.
New York: The Limited Editions Club, 1997. First Limited Editions Club Edition. Hardcover. Fine in original red cloth with paper title affixed to upper board and fine red cloth clamshell case with title lettered in black on spine.. Folio. 13.75 x 14.75 in. Unpaginated. Illustrated with four photogravures by Bresson. Afterword by Jean Leymarie. From a limited edition of 300 hand-numbered copies, of which this is number 23. Signed by Henri Cartier Bresson on colophon. Printed LEC Monthly Letter laid in.
New York: McClure, Phillips & Co, 1902. First Edition, First Printing. Hardcover. Very good in original red cloth, lettered and decorated in gilt. Spine frayed and faded, with slight separation; chipped at head of spine. Text tight and clean.. Octavo. 5.5 x 7.75 in. xliv; 687 pp. American artist and conservationist Anne Botsford Comstock's copy, with her charmingly penned ownership signature on front pastedown.
New York: W.W. Norton & Company, 1994. First Edition, First Printing. Hardcover. Fine in original black cloth and fine pictorial dust jacket, price-clipped.. Octavo. 6.5 x 8.5 in. 69 pp. Inscribed by Harjo on half-title.
New York: W.W. Norton & Company, 2002. First Edition, First Printing. Hardcover. Fine in original paper-covered boards and fine pictorial dust jacket.. Octavo. 6.25 x 9.5 in. 241 pp.
Los Angeles: Casa de Poesía, 2009. First Edition, First Printing. Paperback. Fine in original matte pictorial wrappers.. Duodecimo, 5.25 x 8.5 in. 127 pp. Translated by Jack Hirschman. From the 'Poets against War' collection. Inscribed by Hirschman on preliminary page.
New York: W.W. Norton & Company, 2000. First Edition, First Printing. Hardcover. Near fine in original two-tone boards and near fine pictorial dust jacket.. Octavo. 6.5 x 9.5 in. xviii; 551 pp. Illustrated with a suite of reproductions of black & white photographs.
[New York]: The Limited Editions Club (LEC), 1986. First LEC Edition. Hardcover. Fine in full red morocco with black lettering to upper board and spine, and presented in publisher's fine black cloth slipcase.. Robert Mapplethorpe. Quarto. 7.75 x 11.5 in. xii, 87 pp. Translated from the French by Paul Schmidt. Illustrated with eight photogravures and protective tissue guards by Robert Mapplethorpe. From a limited edition of 1,000 hand-numbered copies, of which this is number 783. Signed by Schmidt and Mapplethorpe on colophon. With printed LEC Monthly Letter laid in.
New York: Horizon Press, 1964. First Edition, First Printing. Hardcover. Very good in original cloth backed paper-covered boards, mild foxing to edge of text block with rubbing to edge of boards, and near fine pictorial dust jacket.. zxx. Octavo. 5.5 x 8.25 in. 128 pp. Inscribed to poet, Jonathan Williams, on half-title page by Lowenfels in year of publication. Includes laid in prospectus with a typed note to Williams.
Rome: Edizione Ensemble, 2012. First Edition, First Printing. Paperback. Near fine in original pictorial wrappers.. Small duodecimo, 4.75 x 6.75 in. 81 pp. Bava's first book, with an introduction by Jack Hirschman. Inscribed by Alessandra Bava on preliminary page. La poésie 15.
Madison: Ghost Pony Press, 1996. First Edition, First Printing. Paperback. Fine in original sewn printed wrappers.. Thin octavo, 6 x 9 in. 21 pp. With five reproductions of black & white drawings, including frontispiece. Numbered 14 of 50 copies and signed by Saíz on title page.
New York: Clarkson N. Potter, Inc, 1975. First Edition, First Printing. Hardcover. Very good in original cloth backed boards and very good pictorial dust jacket.. Octavo. 6.25 x 9.25 in. 526 pp. Inscribed by Brand to fellow poet, Jonathan Williams.
