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4 ORIGINAL SIGNED PEN & INK WASH DRAWINGS FOR "RIDING BACKWARDS: THE MEMOIRS OF PRINCESS...
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4 ORIGINAL SIGNED PEN & INK WASH DRAWINGS FOR "RIDING BACKWARDS: THE MEMOIRS OF PRINCESS NIRA OF NEWDEAL", SERIALIZED IN THE SATURDAY EVENING POST SATIRIZING MAJOR PLAYERS IN FRANKLIN DELANO ROOSEVELT'S ADMINISTRATION.

by (Roosevelt, Franklin Delano). King, Wyncie (1884-1961); American illustrator and caricaturist.

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[1935]., [1935].. Very good. - sc What is offered here are 4 original pen & ink wash drawings by the caricaturist Wyncie King depicting members of FDR's administration. Each 5-3/4 inch high by 4 inch wide drawing is penned on separate 15 inch high by 10-1/4 inch wide Strathmore art board, two of which bear Strathmore's blind stamp. Each drawing is signed in ink by the artist Wyncie King and additionally captioned in pencil under the image.<p>The drawings respectively depict Secretary of Labor Frances Perkins, here represented as "H.R.G. Grand Duchess Fanny Perkinsova" and depicted seated with a crown perching on her hat with a pearl necklace and military medals and ribbons adorning her dress. Signed by the artist, the drawing is further inscribed and signed "To Katharine Dayton with admiration and best wishes from Wyncie King". <p>Vice President John Garner, here represented as "Prince Garneravitch, the Heir Apparent" is depicted with bushy… Read More
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75 YEARS OF THE COMICS. Introduction by Maurice Horn.

by Horn, Maurice.

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Used - Good
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Boston, MA: Boston Book & Art, Publisher / New York, NY: The New York Cultural Center/Fairleigh Dickinson University, (1971)., (1971).. Good. - Quarto, golden yellow cloth titled in black on the spine, in a dust jacket. There is light soiling & spotting to the edges of the covers. The dust jacket is rubbed with a long tear to the front panel & with tears to & pieces out of the top edge. 109 pages, illustrated with profuse black-and-white comic strips. Very good in a fair dust wrapper.
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THE ADVENTURES OF TOM SAWYER by Mark Twain. Illustrated by Barry Moser. Afterword by Peter...
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THE ADVENTURES OF TOM SAWYER by Mark Twain. Illustrated by Barry Moser. Afterword by Peter Glassman. [SIGNED BY BARRY MOSER].

by (Moser, Barry). Twain, Mark.

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  • first
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Used - Very good
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New York, NY: Books of Wonder / William Morrow & Company, Inc., (1989)., (1989).. Very good. - Quarto, 9-1/4 inches high by 7 inches wide. Hardcover, bound in green cloth titled in gilt on the spine with an image in blind of Tom Sawyer with his paint brush on the front cover, in a price-clipped color dust wrapper illustrated by Barry Moser. [10], 261 & [1] pages, illustrated with a color frontispiece and 16 color plates by Barry Moser. A previous owner's brief inscription is penned on the front endpaper. There is a small red stain on the last advertisement page. Very good. First edition, first printing with a full number line.SIGNED BY BARRY MOSER ON THE TITLE PAGE.
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AESOP IN ENGLAND: The Transmission of Motifs in Seventeenth-Century Illustrations of Aesop's Fables

by (Aesop). Hodnett, Edward

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  • Fine
  • Hardcover
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Used - Fine
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Hardcover
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Charlottesville, VA: The University Press of Virginia, (1979).. (1979).. Fine. - Octavo, green cloth titled in gilt. x & 163 pp., including 33 pp. of B&W illustrations. Tan & black pictorial endpapers & B&W textual illustrations. Near fine.
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AFRICAN MASKS: Brooklyn Museum of Art 2001 Calendar.
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AFRICAN MASKS: Brooklyn Museum of Art 2001 Calendar.

by (Brooklyn Museum of Art).

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Brooklyn, NY: Brooklyn Museum of Art, (2000)., (2000).. Fine. - A 13 inch high by 12 inch wide quarto-sized illustrated calendar, with 12 full-page color illustrations of African masks displayed in the museum's exhibition. Fine in the original shrink wrap. "For five thousand years and more, masks have played a central part in the ceremonial life of Africa. Their functions are complex and diverse; masks play a part in birth celebrations and funerals, initiations of young people into adulthood, and rituals to protect against witchcraft. They are intercessors with the world of spirits, teachers of social values, and sometimes simple providers of diversion." [Quoted from the rear cover].
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ANNIE, GWEN, LILLY, PAM AND TULIP

by (Fischl, Eric). Kincaid, Jamaica

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  • Fine
  • Hardcover
  • first
Condition
Used - Fine
Binding
Hardcover
ISBN 13
9780394580357
ISBN 10
0394580354
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New York: Alfred A. Knopf/The Whitney Museum of American Art, 1989.. 1989.. Fine. - Small quarto [approximately 12 inches high by 9 inches wide], yellow paper covered boards backed with black cloth with a vignette in black on the front board. The book is housed in a green stiff paper case titled in black & white on the front panel with a color illustration on the rear panel. The binding is lightly bumped with a small area of light soiling to the bottom edge of the front board. The case is bumped with its spine faded & there is some staining & rubbing to the front panel. [18] pages plus colophon. Profusely illustrated in color and black & white by Eric Fischl. Near fine in a good case. <p>First trade edition.
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THE ART OF HUMOROUS ILLUSTRATION

by (Reilly, Donald; Rockwell, Norman; Sendak, Maurice; et al). Meglin, Nick

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  • first
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Used - Very good
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Hardcover
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NY/London: Watson-Guptill Publications/Pitman Publishing, (1973).. (1973).. Very good. - Small 4to, gray cloth titled in black on spine & front cover, in dw. The covers are very lightly bumped with light spotting to the front cover. The spine & extremities are faded. The dw is lightly soiled & chipped. 160 pp. Profuse B&W illustrations. Very good. <p>First edition.<p>The Foreword to the book consists of an interview with Federico Fellini by the author. Meglin considers the work of twelve illustrators: Sergio Aragones, Paul Coker, Jack Davis, Mort Drucker, Gerry Gersten, Johnny Hart, Allan Jaffee, Bob Jones, Donald Reilly, Norman Rockwell, Arnold Roth and Maurice Sendak.<p>Laid in is a carbon copy of a review of the book by pressman Fridolf Johnson.
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THE ART OF THE FRENCH BOOK from early manuscripts to the present time

by Lejard, Andre; editor

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  • good
  • Hardcover
  • first
Condition
Used - Good
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Hardcover
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Paris: Les Editions du Chene, (1947).. (1947).. Good. - Quarto, cloth, in dw. The covers are warped & lightly bumped with some very light staining to the front cover. The dw is soiled & chipped. 166 pp. Profusely illustrated in B&W & color with plates, some printed on tan paper, & full-page & textual illustrations. There is soiling to the rear endpaper & the last page of the text, otherwise the contents are very good. <p>First edition.
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ARTISTS AND ILLUSTRATORS OF THE OLD WEST 1850-1900

by Taft, Robert

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  • good
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Used - Good
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Princeton, NJ: Princeton University Press, (1982).. (1982).. Good. - Octavo, dark blue cloth titled in gilt. Spotting to top edge of front cover. xvii, 3 leaves & 400 pp. Illustrated in B&W. Very good.
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THE ARTS OF THE FRENCH BOOK 1900-1965: Illustrated Books of the School of Paris

by Garvey, Eleanor M.; and Wick, Peter A

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  • Fine
  • Hardcover
  • first
Condition
Used - Fine
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Dallas, TX: Southern Methodist University, 1967.. 1967.. Fine. - Quarto, cloth backed cream boards, in dw. Edges of the boards are slightly darkened. The dw is lightly rubbed. 119 pp. plus colophon. Illustrated in B&W & color. Near fine in a very good dw. <p>First edition.<p>Published for the Friends of the Dallas Public Library.
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AUBREY BEARDSLEY

by (Beardsley, Aubrey). Reade, Brian

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  • good
  • Paperback
  • first
Condition
Used - Good
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Paperback
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London: Her Majesty's Stationery Office, 1966.. 1966.. Good. - Square octavo, pictorial gray wraps. The wraps are lightly soiled with the spine & extremties slightly darkened; the corners of the wraps are lightly creased & a label has been removed from the front wrap. 50 pp. Profusely illustrated in B&W. The bottom page corners are lightly creased. Good. <p>First edition.<p>Published on the occasion of an exhibition held at the Victoria and Albert Museum, London, May-September 1966.
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AUTOGRAPH LETTER SIGNED TO SATURDAY EVENING POST ART DIRECTOR KEN STUART
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AUTOGRAPH LETTER SIGNED TO SATURDAY EVENING POST ART DIRECTOR KEN STUART

by Briggs, Austin. (1908-1973). Cartoonist and illustrator

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  • very good
  • Signed
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Used - Very good
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New York: April 23, 1962.. 1962.. Very good. - 70 words penned in blue ink on 2 sides of a cream sheet of the Tuscany hotel letterhead, 6-3/4 inches high by 5-1/4 inches wide, with the address printed in blue at the top. Signed "Cordially / Austin". There is a paper- clip mark to the top left corner of the letterhead & to the verso. Folded once for maling. Very good. <p>Briggs writes to Ken Stuart, art director of the Saturday Evening Post, to ask him to give copies of manuscripts he is sending to Briggs to a Tom Holloway. "Pushing off tomorrow for the flight to Paris. It was good to see you at the A.D. pre-view, and I look forward to doing that story for the new, new Post...."<p>American cartoonist and illustrator Austin Briggs, after working for a time at a New York City advertising agency, became an assistant to the cartoonist Alex Raymond on Flash Gordon and succeeded him on Secret Agent Corrigan. From 1940 to around 1944 he drew a Flash Gordon Daily strip, then… Read More
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AUTOGRAPH LETTER SIGNED by AUSTIN BRIGGS regarding an illustration he created for John...
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AUTOGRAPH LETTER SIGNED by AUSTIN BRIGGS regarding an illustration he created for John Updike's story "The Lucid Eye in Silver Town".

by Briggs, Austin (1908-1973). Cartoonist & Illustrator.

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  • very good
  • Signed
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Used - Very good
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Redding, Connecticut: [1964]., [1964].. Very good. - sc - Over 90 words penned on his personal 10-1/2 inch high by 7-1/4 inch wide stationery with his monogram embossed in blind at top right above his printed name and address, with an additional 25 word postscript penned by Briggs on the verso of the sheet. Austin Briggs writes about a drawing, which is not here present, illustrating John Updike's story "The Lucid Eye in Silver Town" which is to be published in the May 23, 1964 issue of The Saturday Evening Post". He mentions speaking to John Updike about the drawing "I spoke to him on the phone Friday nite and he was very happy that I was working on it" and goes on to suggest how the picture should be reproduced "I believe very strongly that the picture should 'bleed' only at the top and right side...." Signed "Austin" on the recto. In a fascinating postscript penned on the verso, Briggs then mentions that "I have made the 'boy'… Read More
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An AUTOGRAPH NOTE SIGNED by the AMERICAN CARTOONIST BANDEL LINN penciled by the cartoonist at the...
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An AUTOGRAPH NOTE SIGNED by the AMERICAN CARTOONIST BANDEL LINN penciled by the cartoonist at the bottom of a typed letter requesting one of his sketches together with a CARD SIGNED by him with his sentiments above an ORIGINAL SKETCH.

by Linn, Bandel (d.1988). American cartoonist whose works appeared in leading national magazines and newspapers and who hosted the radio show "At Home with Bandel Linn".

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  • Signed
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Used - Fine
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Sarasota, Florida, January 17, 1944., 1944.. Fine. - Over 20 words written in pencil by the American cartoonist Bandel Linn at the bottom of a typed letter by a school teacher requesting a sketch by him for his class's autograph collection. Bandel Linn has boldly written "Dear" next to the teacher's signature and "It's almost impossible to get original sketches now - due to the War Bond Exhibitions and the demand from army camps" at the bottom of the 11 inch high by 8-1/2 inch wide sheet and signed his name in full. Obviously moved to help young people, Bandel Linn has nonetheless included a 2-3/8 inch high by 3-3/8 inch wide card across which he has penned the following signed sentiments "Best Wishes - / Bandel Linn" above a pen & ink sketch of a man's head peeking out from the edge of the card. Fine together with the original postmarked mailing envelope addressed in his hand. <p>Born in Crawfordville, Indiana, the American cartoonist Bandel… Read More
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THE AUTOGRAPH of PULITZER PRIZE WINNING CARTOONIST DANIEL R. FITZPATRICK BOLDLY PENNED on a card...

THE AUTOGRAPH of PULITZER PRIZE WINNING CARTOONIST DANIEL R. FITZPATRICK BOLDLY PENNED on a card beneath a SIMPLE STICK FIGURE SKETCH.

by Fitzpatrick, Daniel R. (1891-1969). Editorial cartoonist for the St. Louis Dispatch and two-time Pulitzer Prize winner.

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  • Fine
Condition
Used - Fine
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Saint Louis, MO, August 6, 1945., 1945.. Fine. - Cartoonist Daniel R. Fitzpatrick's autograph boldly penned across a 2-1/2 inch high by 3-1/2 inch wide card. A simple pen & ink stick figure sketch of a man's head and shoulders, with large ears, drawn by Fitzpatrick is penned at top left above the cartoonist's signature. Near fine with the original postmarked St. Louis Post-Dispatch envelope. The two-time Pulitzer Prize winner Daniel Robert Fitzpatrick (1891-1969) was an editorial cartoonist for the St. Louis Dispatch from 1913 to 1958. Sometimes controversial, Fitzpatrick and several other Post Dispatch staff members were cited with contempt of court and served sentences when they criticized the dismissal of an extortion suit against a State Representative. Fitzpatrick's cartoons have been exhibited at the St. Louis Art Museum, the Moscow Museum of Modern Western Painting, and the New York City's Associated American Artists Gallery. St. Louis' Washington University presented Fitzpatrick the honorary… Read More
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AUTOGRAPH LETTER SIGNED TO FRIDOLF JOHNSON OF AMERICAN ARTIST MAGAZINE
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AUTOGRAPH LETTER SIGNED TO FRIDOLF JOHNSON OF AMERICAN ARTIST MAGAZINE

by Links, Marty [aka Martha Arguello]. (1917-2008). American cartoonist, creator of "Emmy Lou"

  • Used
  • very good
  • Signed
Condition
Used - Very good
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San Francisco, CA: [1966].. [1966].. Very good. - 149 words penned in black ink on 1-1/2 sides of a sheet of her cream- colored 8-1/2" X 11" personal illustrated letterhead with her address printed in red in the top left corner & a border of 8 cartoon figures in red. Signed "Best wishes / Marty Links Arguello". The bottom edge of the letterhead is lightly creased. There is some very light stainng to the top edge of the letter with some light stains to the verso. Folded 3 times for mailing. Very good. <p>Marty Links is replying to Fridolf Johnson of American Artist magazine, thanking him for his help concerning pen points she was searching for in vain: "Perhaps I will have to learn to use a new pen point -- Oh, dear -- another adjustment." Johnson had remembered meeting her husband and she goes on to give him various family news. She concludes: "I would be proud to be written up in your fine magazine. But prouder still as a water colorist instead of just a… Read More
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AUTOGRAPH LETTER SIGNED BY CLEVELAND PLAIN DEALER CARTOONIST JAMES H. DONAHEY, ENCLOSING AN...
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AUTOGRAPH LETTER SIGNED BY CLEVELAND PLAIN DEALER CARTOONIST JAMES H. DONAHEY, ENCLOSING AN ORIGINAL SIGNED SKETCH.

by Donahey, James Harrison. (1875-1949). Editorial cartoonist for the Cleveland Ohio Plain Dealer from 1900 to 1949.

  • Used
  • good
  • Signed
Condition
Used - Good
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Cleveland, OH: December 12, 1945., 1945.. Good. - Letter penned in blue ink & filling two-thirds of a cream-colored, 10-7/8 inch high by 8-1/4 inch wide sheet of his Plain Dealer letterhead with his name printed above the address. Signed "J H Donahey". The top left corner of the letterhead has been excised. Folded 3 times for mailing. Together with an original sketch drawn in blue ink on a 2-1/4 inch high by 3-1/2 inch wide card and signed "Donahey". Together with the original "Cleveland Plain Dealer" mailing envelope with the newspaper's banner at top left. Good. Donahey sends an original signed sketch to James Bowman, a teacher who collects autographed items for his class. Donahey writes that he was just off on vacation when Bowman's letter arrived "And later, when I return [I] will try and get to your original cartoon on a subject that might be of interest to your youthful audience". He adds a postscript enclosing the sketch. The drawing depicts a bearded country fellow with a spade or hoe being… Read More
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AUTOGRAPH LETTER TO PAUL WINDELS SIGNED BY HALIFAX ETCHER AND ILLUSTRATOR JACK HEWER ABOUT THE...
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AUTOGRAPH LETTER TO PAUL WINDELS SIGNED BY HALIFAX ETCHER AND ILLUSTRATOR JACK HEWER ABOUT THE AVAILABILITY OF HIS ETCHINGS.

by Hewer, Jack. (b. circa 1889). Etcher and illustrator from Halifax, England.

  • Used
  • very good
  • Signed
Condition
Used - Very good
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Halifax, U.K.: August 27th, 1929., 1929.. Very good. - Letter penned in black ink & filling 1-1/2 sides of a sheet of gray notepaper folded to form 4 sides, each 7 inches high by 4-1/2 inches wide. Signed "Jack Hewer". There is a light paperclip impression & a tiny brown mark to the top edge of the first side. Near fine. Hewer writes to Paul Windels that Messrs. Kennedy & Co. are his sole agents in New York and will be happy to supply him with proofs. "The price is 18 dollars per proof and 100 dollars for the set of six etchings. "Your esteemed order through Messrs. Kennedy & Co. I shall greatly appreciate".Etcher and illustrator Jack Hewer [b. circa 1889] lived in Halifax, England. He exhibited in the 1920s at the Royal Cambrian Academy, the Walker Art Gallery in Liverpool and the Royal Scottish Academy. In 1931 the Shakespeare Head Press at Oxford published a collection of the novels of the Bronte sisters with 32 illustrations by Hewer.
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BARNEY GOOGLE AND SNUFFY SMITH: Observing Loweezy putting out pies to cool, Jamey & Jughaid...
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"BARNEY GOOGLE AND SNUFFY SMITH": Observing Loweezy putting out pies to cool, Jamey & Jughaid request their moms post a daily menu. ORIGINAL SUNDAY COMIC STRIP ART by JOHN ROSE, SIGNED by the artist.

by Rose, John.

  • Used
  • Fine
  • Signed
Condition
Used - Fine
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King Features Syndicate, Inc., 2003., 2003.. Fine. - An original pen & ink drawing consisting of 7 panels, including the title panel, drawn in three rows on 11-7/8 inch high by 17 inch wide art paper. The strip is drawn by John Rose from a gag written by Mike Marland. After observing Loweezy putting pies out to cool, Jughaid and Jamey discuss at whose house they'd stay over for supper. Neither know what the other is having. The strip concludes with Loweezy telling Jamey's mom that "Fer some reason Jughaid asked me to start posting a menu!!", to which her neighbor replies "must be fer a school project--Jamey asked me to do that, too!!" The strip is inked in black with some apparent corrections made with white out. King Features Syndicate's credits are printed on a strip of paper mounted vertically between the two middle panels. The strip is signed by the artist John Rose at the bottom left of the middle panel and dated "6-15" within the last panel. Near fine. Created by Billy De Beck as "Barney… Read More
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BARNEY GOOGLE AND SNUFFY SMITH: Jughaid and Jamey's tree house fell off the edge of the cliff....
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"BARNEY GOOGLE AND SNUFFY SMITH": Jughaid and Jamey's tree house fell off the edge of the cliff. ORIGINAL SUNDAY COMIC STRIP ART by JOHN ROSE, SIGNED by the artist.

by Rose, John.

  • Used
  • Fine
  • Signed
Condition
Used - Fine
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King Features Syndicate, Inc., 2010., 2010.. Fine. - An original pen & ink drawing consisting of 7 panels, including the title panel, drawn in three rows on 12-1/2 inch high by 17 inch wide art paper. The strip, drawn by John Rose from a gag written by Mike Marland, portrays Aunt Loweezy running to tell Jughaid and Jamey that their tree house fell off the cliff into the gully. Hugging them in relief as "you an' Jamey could'a been in thar!", Loweezy is startled by Jughaid's response: "Yeah! darnit! We always miss th' fun stuff!!" The strip is inked in black within light gray graphite editorial lines and the text is drawn in ink on strips of paper mounted within the balloons. King Features Syndicate's credits are printed on a strip of paper mounted vertically between the two middle panels and the strip is signed by the artist John Rose along the right edge of the fifth panel. Near fine. Created by Billy De Beck as "Barney Google", the strip became known as "Barney Google and Snuffy Smith" soon after… Read More
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