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The Adoration of the Magi.

The Adoration of the Magi.

by Botticelli.

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Switzerland: 1927.. Christmas card. Folio, 10 x 12", with chromalitho., 6 x 5", pasted in. Decorative embossed, four-color printing on cover and int. Inscribed "Flora McCrea Eaton," and dated, int. cover. VG.
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Adoration des Roys.

Adoration des Roys.

by Hortemels, Frederic after Paul Vèronèse.

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Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729.. Engraving by Frederic Hortemels after the painting by Paul Vèronèse. Image size: 300 x 350 mm Sheet size: 540 x 390 mm From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets". Water damage and tears along left edge of paper and along left side of image, as shown. [Cabinet du Crozat].
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Adoration des Roys.

Adoration des Roys.

by Dupuis, Nicolas after Paul Vèronèse.

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Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729.. Engraving by Nicolas Dupuis after the painting by Paul Vèronèse. ISheet size: 513 x 395 mm From “ ecueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets". [Cabinet du Crozat]. Repaired and mounted on a support sheet.
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Adoration des Bergers.

Adoration des Bergers.

by Ravenet, Simon François after Dominique Feti.

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Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729.. Engraving by Simon François Ravenet after the painting by Dominique Feti. Image size: 440 x 310 mm Sheet size: 540 x 390 mm From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets". Water damage and tears along left edge of paper and along left side of image, as shown. Plate 104. [Cabinet du Crozat].
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Agar.

Agar.

by Simonneau, Charles after Andrè Sacchi.

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Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729.. Engraving by Charles Simonneau after the painting by Andrè Sacchi. Image size: 215 x 240 mm Sheet size: 540 x 390 mm From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets". Water damage and tears along left edge of paper but not on the plate image, as shown. Plate 116. [Cabinet du Crozat].
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Alexandre et Roxane.

Alexandre et Roxane.

by Cochin, Charles Nicolas after Raphaël.

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Paris: de l'Imprimerie Royal [Cabinet Crozat], 1729.. Engraving in copper by Charles Nicolas Cochin after the drawing by Raphaël. Image: 232 x 313 mm. Sheet: 542 x 406 mm. Some dappled marking on image. Plate number 37. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets, Tome Premier. [Cabinet Crozat, Volume 1].
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Alexandre at Roxane.

Alexandre at Roxane.

by Cochin, Charles after Raphaël.

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Paris: de l'Imprimerie Royal [Cabinet Crozat], 1729.. Engraving by Charles Cochin after the painting by Raphaël. Image: 250 x 350 mm. Sheet: 540 x 406 mm. Plate number 36. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets, Tome Premier. [Cabinet Crozat, Volume 1].
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Annociation.

Annociation.

by Tardieu, Nicolas after Carte Maratte.

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Paris, de l'Imprimerie Royal [Cabinet du Crozat], 1729.. Engraving by Nicolas Tardieu after the painting by Carte Maratte. Image size: 425 x 295 mm Sheet size: 540 x 370 mm From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets". Water damage and tears along left edge of paper and along left side of image, as shown. Plate 124. [Cabinet du Crozat].
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Bain des Nymphes.

Bain des Nymphes.

by Poilly, François de after Jules Romain.

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Paris: de l'Imprimerie Royal [Cabinet Crozat], 1729.. Engraving by François de Poilly after the painting by Jules Romain. Image: 299 x 343 mm. Sheet: 540 x 406 mm. Water stains on half of image. Plate number 64. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets, Tome Premier. [Cabinet Crozat, Volume 1].
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Bataille d'Azot, défaite d'Apollonius par Jonathas. First edition of the etching.

Bataille d'Azot, défaite d'Apollonius par Jonathas. First edition of the etching.

by Calmet, Augustin (1672-1757)

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Paris; Chez Emery, pere, Emery, fils ... Saugrain, l'aîné ... Pierre Martin ..., 1722-1728. Original etching. 38 x 47.5 cm. Centerfold. Tear in upper margin. As published in: "Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible : enrichi d'un grand nombre de figures en taille-douce, qui représentent les antiquitez judaïques, 1722-1728." OCLC : 13600642
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The Chief Mourner, the Countess of Bedford...

The Chief Mourner, the Countess of Bedford...

by Rigaud, I.F. and Gardiner, W.N.

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London: Menzani, 1791.. Hand-colored stipple engraving after Rigaud, 20 x 25 cm.
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Christ on the Cross surrounded by people. Jesus meurt et sa mort finit tous nos suplices. First...

Christ on the Cross surrounded by people. "Jesus meurt et sa mort finit tous nos suplices." First edition, from an old Spanish collection of original Baroque engravings.

by Gole, Jacob (1660 - 1737), engraver; ); after Vandyck( Van Dyck).

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Circa late 17th- early 18th Century.. Mezzotint. 29.2 x 20.1 cm. Lettered in black ink, lower left: A.V. Dye p./ J. Golde fec et exc. Title in lower center.; lower right: cum Privil. Amstelodami... J.E. Wessely, Jacob Gole, Verzeichnis seiner Kupferstiche und Schabkunstblaetter does not appear to have this print, but no. 154 is similar.
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Christus Crucifixus.  First edition, from an old Spanish collection of original Baroque...

Christus Crucifixus. First edition, from an old Spanish collection of original Baroque engravings.

by Sarrabat, Isaac (circa 1667-1705 ) etcher [?]; I.S.; J.S

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Circa late 17th- early 18th Century.. Mezzotint.19 x 10.2 cm. Titled and initialed lower right: J. Sarrabat fecit et excudit. Rare.
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Classical Landcape.

Classical Landcape.

by Poilly, N. after Nicolas Poussin.

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Poilly, ca. 18th cent. . Engraving. 12 x 17 inches.
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Cleopatra with the snakes. First edition, from an old Spanish collection of original Baroque...

Cleopatra with the snakes. First edition, from an old Spanish collection of original Baroque engravings.

by Brouwer, Jan (1652 - 1688); after Eurymedon

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Circa late 17th- early 18th Century.. Mezzotint. 24.5 x 17.8 cm. Repaired tear upper right. Impression on old laid paper. in the Rijksmuseum, Objectnumme RP-P-1906-3009: Cleopatra, queen of Egypt, ends her life by being bitten by a poisonous snake. Two snakes in her hands. She decides to kill herself because she doesn't want to be captured by the Romans.... Rare.
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Das lustige Wirthin. (A lusty tavern  scene). Moy Niesje op Eelhardts schoot schenkt hem een...

Das lustige Wirthin. (A lusty tavern scene). Moy Niesje op Eelhardts schoot schenkt hem een helder glas En hoopt daar voor wat soets te krijgen uyt sijn tas . First edition, from an old Spanish collection of original Baroque engravings.

by Gole, Jacob (1660 - 1737), engraver; after after Vandyck ( Van Dyck).

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Circa late 17th- early 18th Century.. Mezzotint. 23.1 x 17.1 cm. Lettered in black ink, lower left: R.B. p. J. Gole fec et exc. Amstelod"; lower right: "I. Gole fec. et Exc. cum Privil. Amstelodami."Hollstein 175; J.E. Wessely, Jacob Gole, Verzeichnis seiner Kupferstiche und Schabkunstblaetter Nr. 175...; Yale Center for British Art, Paul Mellon Fund Accession Number:B1970.3.920 (but clueless). Rare,
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Des Malades invoquans un Saint Evêque.

Des Malades invoquans un Saint Evêque.

by Caylus, Anne-Claude-Philippe de Tubières after Hyacinte Brandi.

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Paris: de l'Imprimerie Royal [Cabinet Crozat], 1742.. Engraving by le Compte de Caylus after the drawing by Hyacinte Brandi. Image: 411 x 277 mm. Sheet: 544 x 404 mm. Water stains in left margin and on left side of image. Plate number 125. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets, Tome Second. [Cabinet Crozat, Volume 2].
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Défaite des Amalecites au Camp de Raphidim. First edition of the etching.

Défaite des Amalecites au Camp de Raphidim. First edition of the etching.

by Calmet, Augustin (1672-1757)

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Paris; Chez Emery, pere, Emery, fils ... Saugrain, l'aîné ... Pierre Martin ..., 1722-1728. Original etching. 38 x 47.5 cm. Centerfold. Hole in lower margin. As published in: "Dictionnaire historique, critique, chronologique, geographique et litteral de la Bible : enrichi d'un grand nombre de figures en taille-douce, qui représentent les antiquitez judaïques, 1722-1728." OCLC : 13600642
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Dutch Scene after Rembrandt.

Dutch Scene after Rembrandt.

by Chatelain, Jean-Baptiste Claude.

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England: Ar. Pond, 1744.. Etching after Rembrandt in the Collection of Peter Delmé. 31 x 40 cm.
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Façade d'Église.

Façade d'Église.

by Caylus, Anne-Claude-Philippe de Tubières after Raphaël.

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Paris: de l'Imprimerie Royal [Cabinet Crozat], 1729.. Engraving by Le Compte de Caylus after the drawing by Raphaël. Image: 272 x 210 mm. Sheet: 540 x 406 mm. Plate number 48. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy, dans celuy de Monseigneur le Duc d'Orleans, & dans d'autres Cabinets, Tome Premier. [Cabinet Crozat, Volume 1].
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