Search Results: Prints - German from Alan Wofsy Fine Arts

Germany, ca. 1950s.. Color print measuring 16 x 10 inches.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 21 x 17¾ inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.

Memmingen: Visel, 1983.. Etching. 310 x 220 mm. From the portfolio Graphische Kunst, Heft 20/1 Heft 1983. Signed in pencil and numbered, 112/200, below the plate.

Memmingen: Visel, 1999.. Engraving. 250 x 197 mm. From the portfolio Graphische Kunst. Heft. 53/2. Jahgang. 1999. Signed in pencil. Slight water damage.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 22¾ x 17 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.This portrait of an unknown working class women demonstrates the conflict faced by all employed women in the modern era, the struggle between the requirements of their profession and their role in the family. As a wife and mother, Kollwitz sympathized with such women even though she was one of the lucky few that could afford a domestic servant to help her around the house. This allowed her to work on her art in the mornings and spend time with her family in the evenings. On one hand, Kollwitz expressed the desire to be free of her domestic ties in order to be able to focus more intensely on art. However she also appreciated feeling… Read More

Berlin: Reichsdruckerei, [1890-1910].. Reichsdruckerei Facsimile of the original woodcut. Image Size: 17.5 x 27 cm. Margins: 28 x 37 cm. Bartsch, no 116. Reichsdruckerei Nr. 821.

Memmingen: Visel, 1979.. Etching. 105 x 99. mm. From the portfolio Graphische Kunst. Heft. 13/2 Heft. 1979. Ausgabe B. Signed in pencil. One of 100 impressions.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 23 x 17¾ inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.

Memmingen: Visel, 1979.. Wood engraving. 100 x80 mm. From the portfolio Graphische Kunst. Heft. 13/2 Heft. 1979. Ausgabe B. Signed in pencil.

Germany, ca. 1950s.. Color print measuring 16 x 10 inches.

Memmingen: Visel, 1999.. Linocut. 230 x 310 mm. From the portfolio Graphische Kunst. Heft. 53/2. Jahgang. 1999. Signed in pencil. Slight water damage.

Memmingen: Visel, 1978.. Three color linocut. 232 x 300 mm. From the portfolio Graphische Kunst. Heft. 11/2. Jahgang. 1978. Signed in pencil. Slight water damage.

Germany, ca. 1950s.. Color print measuring 16 x 10 inches.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 22 x 16¾ inches. Very Good+. Protected by transparent sheet and mat board. A study for the woodcut Die Eltern from Kreig (War) cycle.As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary… Read More

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 15 x 21 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.

Memmingen: Visel, 1979.. Woodcut. 210 x 185. mm. From the portfolio Graphische Kunst. Heft. 13/2 Heft. 1979. Ausgabe B. Signed in pencil.

Memmingen: Visel, 1979.. Etching in red. 215 x 130 mm.,From the portfolio Graphische Kunst. Heft. 12/1. Jahgang 1979.Ausgabe B. Signed and numbered as on of 100. Faint water stain.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 17¾ x 20 inches. Very Good+. Protected by transparent sheet and mat board. As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.

Dresden: Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier, [ca 1927].. Large format facsimile of the original drawing 10 x 16 inches. Very Good+. Protected by transparent sheet and mat board. Study of a woman for Zertretene (Downtrodden).As published in Käthe Kollwitz / Handzeichnungen / in originalgetreuen Wiedergaben / Emil Richter Verlag Dresden / Inhaber Dr. R. H. Meier. Directed by Fritz Boettger.Käthe Kollwitz, née Schmidt (German pronunciation: [kɛːtə kɔlvɪt͡s]), (8 July 1867 – 22 April 1945) was a German artist, who worked with painting, printmaking (including etching, lithography and woodcuts) and sculpture. Her most famous art cycles, including The Weavers and The Peasant War, depict the effects of poverty, hunger, and war on the working class. Despite the realism of her early works, her art is now more closely associated with Expressionism. Kollwitz was the first woman to not only be elected to the Prussian Academy of Arts but to also receive honorary professor status.

Memmingen: Visel, 1979.. Woodcut. 145 x 105. mm. From the portfolio Graphische Kunst. Heft. 13/2 Heft. 1979. Ausgabe B. Signed in pencil.