Description:
London, ca. 1800.. Line etching measuring approx. 6 x 10 inches. Four-line quote from Bride of Abydos. Light foxing chiefly in margins.
Search Results: Prints - British - 18th Century from Alan Wofsy Fine Arts
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Ah! Were I sever'd from thy side...
by Finden, William, after H. Richter.
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Andrew Lumisden.
by Ridley, William.
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London: J. Sewell, 1798.. Andrew Lumisden (1720-1801), Jacobite. Stipple engraving measuring 6 x 9 inches. From European Magazine.
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Aurora. #40.
by Cipriani, Giovanni Battista & Earlom, Richard.
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London: John & Josiah Boydell, 1787. . An original aquatint engraving by Richard Earlom after a Giovanni Battista Cipriani painting. Good condition, mild discoloration on margins does not affect image. Plate size 8.5x10 inches, paper size 13x19 inches.Giovanni Battista Cipriani (1727–85). Italian artist Giovanni Battista Cipriani was noted for his historical paintings and murals and especially for his pen and ink drawings. He was one of the first exponents in England of neoclassicism and played an important part in directing 18th-century English artistic taste.Richard Earlom (London, 1743 - 1822): One of the greatest eighteenth century mezzotint and stipple engravers, Richard Earlom was apprenticed to the London based engraver, Cipriani, in his youth. He began work for John Boydell in 1774, taking five years to create the two hundred plates which comprise the Liber Veritas set. These engravings showed the world the remarkable effects a combination of mezzotint and etching could produce on…
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Bambridge on Trial for Murder by a Committee of the House of Commons, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Engraving on thick wove paper. 15 1/2 x 20 1/2 inches. Engraved by Thomas Cook after a painting by William Hogarth. Very good condition, some foxing. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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Baron de Montesquieu.
by London School (after).
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London, ca. 1780s.. Line etching measuring 4 x 6 inches. Light discoloration bottom left.
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Beer Street.
by Hogarth, William.
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London: Baldwin, Craddock and Joy, 1822.. Engraving on Whatman paper. 14 inches x 12 inches. Good condition, some foxing. Paulson Print No. 185. Printed from the original plates.
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Beggar's Opera Burlesqued and A Just View of the British Stage, or, Three Heads are Better than One, Scene Newgate, two plates from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William (attributed).
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London: Baldwin and Cradock, 1822.. 2 engravings on thick wove paper. 7 1/2 x 9 3/4 inches and 7 inches x 8 1/4 inches. No longer attributed to Hogarth by Paulson: no. 9 at p. 34. Now to Sympson, Very good condition, some foxing. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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Beggar's Opera, Act III, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Blake, William.
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London: Baldwin and Cradock, circa 1838.. Engraving on thick woven paper. 15 3/4 inches x 21 inches. Some foxing.
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Beluga. Grampus. Whales.
by White.
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London: G. Kearsley, 1801.. Copper engraving of a Beluga and a Grampus whale. Mounted on cardboard with yellow mat. Image size: 14 x 20 cm. Mat size: 30 x 36 cm. In plastic wrap.
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Bishop Hoadly, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Engraving on thick wove paper. 14 x 11 1/4 inches. Very good condition, some foxing. Paulson Print No. 226. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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Boys With Musical Instruments. #19.
by Cipriani, Giovanni Battista & Earlom, Richard.
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London: John & Josiah Boydell, 1787. . An original aquatint engraving by Richard Earlom after a Giovanni Battista Cipriani painting. Good condition, mild discoloration on margins and image as shown. Plate size 10x8 inches, paper size 13x19 inches.Giovanni Battista Cipriani (1727–85). Italian artist Giovanni Battista Cipriani was noted for his historical paintings and murals and especially for his pen and ink drawings. He was one of the first exponents in England of neoclassicism and played an important part in directing 18th-century English artistic taste.Richard Earlom (London, 1743 - 1822): One of the greatest eighteenth century mezzotint and stipple engravers, Richard Earlom was apprenticed to the London based engraver, Cipriani, in his youth. He began work for John Boydell in 1774, taking five years to create the two hundred plates which comprise the Liber Veritas set. These engravings showed the world the remarkable effects a combination of mezzotint and etching could produce on…
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The Bruiser, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Engraving on thick wove paper. 13 1/2 x 11 inches. Paulson Print No. 215. Very good condition, some foxing. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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A Burlesque on Kent's Alterpiece at St. Clement Danes and Masquerades and Operas, two plates from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Two engravings on thick wove paper. 11 x 7 inches, and 5 inches x 6 3/4 inches. Very good condition, some foxing. Paulson Print Nos. 63 and 44. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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Cascade of Tivoli. Plate 48 from A Select Collection of Views and Ruins in Rome.
by Merigot, J.
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London: Edwards, 1798.. Color aquatint. 275 x 210 mm. 51 in ink in upper right corner. Framed and glazed. Abbey, Travel, no. 178.
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Cephalus and Procris.
by Cipriani, Giovanni Battista & Earlom, Richard.
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London: John & Josiah Boydell, 1787. . An original aquatint engraving by Richard Earlom after a Giovanni Battista Cipriani painting. Good condition, mild discoloration on margins and image as shown. Plate size 9x10 inches, paper size 13x19 inches.Giovanni Battista Cipriani (1727–85). Italian artist Giovanni Battista Cipriani was noted for his historical paintings and murals and especially for his pen and ink drawings. He was one of the first exponents in England of neoclassicism and played an important part in directing 18th-century English artistic taste.Richard Earlom (London, 1743 - 1822): One of the greatest eighteenth century mezzotint and stipple engravers, Richard Earlom was apprenticed to the London based engraver, Cipriani, in his youth. He began work for John Boydell in 1774, taking five years to create the two hundred plates which comprise the Liber Veritas set. These engravings showed the world the remarkable effects a combination of mezzotint and etching could produce on…
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Cervantes.
by Mackenzie, E., after D. F. Selma.
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London: William S. Orr & Co., ca. 1800.. Stipple engraving measuring 7 x 10 inches.
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Characters and Caricaturas (Subscription ticket) and The Battle of the Pictures, two plates from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin, Craddock and Joy, 1822.. 2 engravings on Whatman paper. 7 3/4 inches x 8 inches and 7 inches x 8 inches. Good condition, some foxing. Paulson Print Nos. 156 and 157. Printed from the original plates.
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Charity in the Cellar, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Engraving on thick wove paper. 12 1/2 x 15 1/2 inches. Very good condition, some foxing. Engraved by Leney after a painting by William Hogarth. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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A Chorus of Singers (Subscription ticket for Midnight Modern Conversation) and The Laughing Audience, or A Pleased Audience (Subscription ticket for A Rake's Progress).
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Two engravings on thick wove paper. 6 1/2 x 6 inches and 7 inches x 6 inches. Two plates from The Works of William Hogarth from the Original Plates restored by James Heath, &c. Paulson Print Nos. 127 and 130. Very good condition, some foxing. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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The Cockpit, a plate from The Works of William Hogarth from the Original Plates restored by James Heath, &c.
by Hogarth, William.
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London: Baldwin and Cradock, 1822.. Engraving on thick wove paper. 11 3/4 x 14 3/4 inches. Very good condition, some foxing. Paulson Print No. 206. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.
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