WINNIE THE POOH. by MILNE. A. A. Shepard. E. H. Illustrates - 1926

Grove Press, Inc. New York. 1968. LIMITED EDITION. FIRST FRENCH LANGUAGE EDITION. 8vo. (7.6 x 5.6). Copy number 61 of just 92 copies reserved for La Librairie des Éditions, out of 189 copies in the total edition. A fine copy with the page edges still uncut. Publishers white paper wraps printed in blue and black. Original glassine around the wraps. A lovely copy, and scarce in such nice condition, of the first printing of Beckett's translation. Although written during 1944, Watt wasn't published until 1953 and it was another 15 years before he completed this much anticipated French translation.

Jonathan Cape. London. 1963. FIRST EDITION. 8vo. (7.7 x 5.2 inches). The Authors first novel. Neat three line inscription (interestingly from a J. Fowles, but not the author) on the front blank endpaper, otherwise a very good copy in a very good dustwrapper with some light rubbing to the extremities and marking to the rear panel but still overall an acceptable and collectable copy.

Collins. London. 1959. PROOF COPY OF FIRST EDITION. 8vo. (7.9 x 5.5 inches). Illustrated throughout with charming line drawings by Judith Brook, including both sets of endpapers. A very good clean copy in publishers blue marbled paper wraps. In the original full colour illustrated dustwrapper, designed by Selma Nankivell, featuring illustrated adverts for the first two of Michael Bond's Paddington Bear titles on the rear cover. A crease to the lower rear panel and a little rubbing and chipping to the extremities but overall a very good book in a very good dustwrapper. A scarce item.

Constable and Company Limited. London. 1915. FIRST HEATH ROBINSON EDITION. Large 8vo. (8.7 x 7.1 inches). Beautifully illustrated with 8 full colour plates and 95 listed line drawings in the text, many full page, plus a few small vignettes, not in the list of illustrations. Finely bound in recent full dark green Morocco leather binding. Spine with five raised bands. Compartments ruled, lettered and decorated in gilt. Single gilt ruled line border on boards. Marbled endpapers. Top edge gilt. Original illustrated front board and spine bound in. Some offsetting to the half title and the last text page but generally a very good clean and bright copy throughout in an attractive leather binding.

Sylvia Beach. Shakespeare and Company. Paris. 1929. FIRST TRADE EDITION. 8vo. (7 x 5.6 inches). Page edges tanned, as usual, a small stain to the fore edge of the first handful of pages and a few minor chips to the edges of a few leaves, otherwise a very good example in the original cream coloured paper wraps, printed in black to spine and both covers. Some loss to the top of the spine, but not affecting the lettering, and a small closed tear and some minor chipping to the extremities. Paper a bit toned and rubbed but overall a presentable copy. There was also a limited edition of 96 numbered copies on thicker verge d'Arches paper issued simultaneously with this issue. This early critique of Joyce's final work was published some 10 years prior to the publication of the finished novel. Part of the incentive to publish was apparently to raise funds for the perennially impecunious Joyce. A myth surrounding this work is that one or both of the two letters of protest were written by Joyce himself. However… Read More

Grove Press, Inc. New York. 1968. LIMITED EDITION. FIRST FRENCH LANGUAGE EDITION. 8vo. (7.6 x 5.6). Copy number 61 of just 92 copies reserved for La Librairie des Éditions, out of 189 copies in the total edition. A fine copy with the page edges still uncut. Publishers white paper wraps printed in blue and black. Original glassine around the wraps. A lovely copy, and scarce in such nice condition, of the first printing of Beckett's translation. Although written during 1944, Watt wasn't published until 1953 and it was another 15 years before he completed this much anticipated French translation.

Jonathan Cape. London. 1963. FIRST EDITION. 8vo. (7.7 x 5.2 inches). The Authors first novel. Neat three line inscription (interestingly from a J. Fowles, but not the author) on the front blank endpaper, otherwise a very good copy in a very good dustwrapper with some light rubbing to the extremities and marking to the rear panel but still overall an acceptable and collectable copy.

Collins. London. 1959. PROOF COPY OF FIRST EDITION. 8vo. (7.9 x 5.5 inches). Illustrated throughout with charming line drawings by Judith Brook, including both sets of endpapers. A very good clean copy in publishers blue marbled paper wraps. In the original full colour illustrated dustwrapper, designed by Selma Nankivell, featuring illustrated adverts for the first two of Michael Bond's Paddington Bear titles on the rear cover. A crease to the lower rear panel and a little rubbing and chipping to the extremities but overall a very good book in a very good dustwrapper. A scarce item.

Constable and Company Limited. London. 1915. FIRST HEATH ROBINSON EDITION. Large 8vo. (8.7 x 7.1 inches). Beautifully illustrated with 8 full colour plates and 95 listed line drawings in the text, many full page, plus a few small vignettes, not in the list of illustrations. Finely bound in recent full dark green Morocco leather binding. Spine with five raised bands. Compartments ruled, lettered and decorated in gilt. Single gilt ruled line border on boards. Marbled endpapers. Top edge gilt. Original illustrated front board and spine bound in. Some offsetting to the half title and the last text page but generally a very good clean and bright copy throughout in an attractive leather binding.

Sylvia Beach. Shakespeare and Company. Paris. 1929. FIRST TRADE EDITION. 8vo. (7 x 5.6 inches). Page edges tanned, as usual, a small stain to the fore edge of the first handful of pages and a few minor chips to the edges of a few leaves, otherwise a very good example in the original cream coloured paper wraps, printed in black to spine and both covers. Some loss to the top of the spine, but not affecting the lettering, and a small closed tear and some minor chipping to the extremities. Paper a bit toned and rubbed but overall a presentable copy. There was also a limited edition of 96 numbered copies on thicker verge d'Arches paper issued simultaneously with this issue. This early critique of Joyce's final work was published some 10 years prior to the publication of the finished novel. Part of the incentive to publish was apparently to raise funds for the perennially impecunious Joyce. A myth surrounding this work is that one or both of the two letters of protest were written by Joyce himself. However… Read More