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[White III:13-15]. Trois Trios pour deux Violons et Violoncelle... Oeuvre 33. Prix f 2,,45 Xr. [Parts] by VIOTTI, Giovanni Battista 1755-1824 - 1803

by VIOTTI, Giovanni Battista 1755-1824

[White III:13-15]. Trois Trios pour deux Violons et Violoncelle... Oeuvre 33. Prix f 2,,45 Xr. [Parts] by VIOTTI, Giovanni Battista 1755-1824 - 1803

[White III:13-15]. Trois Trios pour deux Violons et Violoncelle... Oeuvre 33. Prix f 2,,45 Xr. [Parts]

by VIOTTI, Giovanni Battista 1755-1824

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Offenbach s/M: J. André [PN 1757], 1803. Folio. Unbound. Violino primo: [1] (title), 2-10, [i] (blank), 12-18 pp.; Violino secondo: [1] (title), 2-13, [i] (blank) pp.; Violoncello: [1] (title), 2-11, [i] (blank) pp. Engraved. Earlier owner's signature, "Simons," in ink to lower right corner of all title pages. Handstamp, "GS," to all title pages. Date in pencil to lower left corner of final page of Violoncello: "Dez. [19]46, Lpzg [= Leipzig]-Zschocher." Somewhat worn, browned, and soiled; occasional dampstaining; several leaves completely or partially detached; outer corner of title of Violoncello part creased. An uncut copy. An early edition, published approximately one year after the first. White III:13-15. Giazotto 102-104 (another edition). Constapel p. 140. RISM V1918 (no copies in the U.S.). WorldCat (1 copy only, at the University of British Columbia). Also published as op. 17 (London: Clementi, Banger, Hyde, Collard & Davis. "Emerging from the Italian violin tradition, Viotti's works became a symbol and model for the French music of his time. The composer succeeded in combining the most virtuosic elements of violin technique with a unique, specifically instrumental cantabile." Massimiliano Sala in MGG2.
  • Seller J & J Lubrano Music Antiquarians LLC US (US)
  • Book Condition Used
  • Quantity Available 1
  • Publisher J. André [PN 1757]
  • Place of Publication Offenbach s/M
  • Date Published 1803
  • Keywords French, France, Paris, violin, viola
[W. IV, 1-3]. Six Duetts for Two Violins ... Book. [1] Op. 4 [Parts]

[W. IV, 1-3]. Six Duetts for Two Violins ... Book. [1] Op. 4 [Parts]

by VIOTTI, Giovanni Battista 1755-1824

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London: Monro & May, 1823. Folio. Unbound. Violino primo: 13 pp.; Violino secondo: 13 pp. Engraved. Early signature (?Geo Moschelland) in ink to upper right corner of both title pages. Notational corrections in blue ink to p. 7 of Violino primo part; illegible annotations to p. 11 of Violino primo part. Reinforced at spine with paper tape. Somewhat browned and soiled; most leaves detached; crudely trimmed; Violino primo part with tape repairs to title. A later edition. White IV: 1-3. Giazotto 1-3. Not in RISM. 1 copy located, at the Royal Academy of Music in London. Monro & May were in business from ca. 1823 to 1848 (see Humphries and Smith p. 236); no other editions of Viotti's works with their imprint have been recorded. These six duets were first published in ca. 1789. "Emerging from the Italian violin tradition, Viotti's works became a symbol and model for the French music of his time. The composer succeeded in combining the most virtuosic elements of violin technique with a unique,… Read More
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Concerto [no. 29 in E minor] pour le Violon. [Violin part only]
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Concerto [no. 29 in E minor] pour le Violon. [Violin part only]

by Viotti, Giovanni Battista. (1755-1824)

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Paris: Paris: Benoit Ainé, [ca. 1860?]. Used; Like New/Used; Like New. Solo part of the composer's 29th and final violin concerto. Edition by L. Massart. Unbound upright folio. Engraved. 16 pp. [PN] A.C. 597. Scattered markings in pencil. Outer bifolium (with title) partly detached; some edges frayed, else in very good condition.The plate number and the name of the editor indicate that Benoît Ainé took over this edition from A. Cotelle, also in Paris, who first published it around 1844. The present issue probably dates from about 1860.Viotti, an Italian violinist and composer, "was the most influential violinist between Tartini and Paganini and the last great representative of the Italian tradition stemming from Corelli. He is considered the founder of the 'modern' (19th century) French school of violin playing, and his compositions, among the finest examples of Classical violin music, exerted a strong influence on 19th-century violin style." (Grove Online)
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[W. IIa, 1]. Quatuor en Sol-mineur [Parts]

[W. IIa, 1]. Quatuor en Sol-mineur [Parts]: pour deux Violons, Alto et Basse

by VIOTTI, Giovanni Battista 1755-1824

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Bonn et Cologne: N. Simrock [PN 1230], 1816. Folio. Disbound. Violino 1mo: 1f. (title), 9 pp.; Violino 2do: 7 pp.; Viola: 4 pp.; Violoncello: 4 pp. Title lithographed; music engraved. Annotations in pencil: "DHT" to upper right corner of first page of each part; titling to first pages of Violino 2do, Viola, and Violoncello parts; occasional notational corrections. Reinforced at spine. Slightly foxed and soiled; edges browned. Possible First Edition, printed the same year as that of Janet et Cotelle and Andre. White IIa:1. Giazotto 52. RISM V1878 (3 copies listed) Arranged from the Violin Concerto No. 19 (W. I, 19) with slow introduction added. "Emerging from the Italian violin tradition, Viotti's works became a symbol and model for the French music of his time. The composer succeeded in combining the most virtuosic elements of violin technique with a unique, specifically instrumental cantabile." Massimiliano Sala in MGG2.
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[W. IIa, 1]. Grand Quatuor en Sol-mineur [Parts]

[W. IIa, 1]. Grand Quatuor en Sol-mineur [Parts]: Pour deux Violons, Alto & Basso

by VIOTTI, Giovanni Battista 1755-1824

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Offenbach s/M: J. André [PN 3567], 1816. Folio. Unbound. Violino primo: 7 pp.; Violino secondo: 7 pp.; Viola: 5 pp.; Violoncello: 5 pp. Lithographed. Early owner's name in ink to head of title: "[?]Potf: Capit: Falkmann" with facsimile signature handstamp. Some fingering to Violino primo part. Trimmed at upper margin, with slight loss to pagination and header; outer bifolium of Violino 1 part detached; central leaf of Viola and Violoncello parts guarded. Possible First Edition, printed the same year as that of Janet et Cotelle and Simrock. White IIa:1. Giazotto 52. Constapel, p. 218. RISM V1879 (3 copies listed). Arranged from the Violin Concerto No. 19 (W. I, 19) with slow introduction added. "Emerging from the Italian violin tradition, Viotti's works became a symbol and model for the French music of his time. The composer succeeded in combining the most virtuosic elements of violin technique with a unique, specifically instrumental cantabile." Massimiliano Sala in MGG2.
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£141.24
Trente Caprices Pour un Violon seul...Op. 15 - Dedicated to Viotti

Trente Caprices Pour un Violon seul...Op. 15 - Dedicated to Viotti

by [Viotti, Giovanni Battista. (1755-1824)] Libon, Philippe. (1775-1838)

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Paris: Bezzosi [sic; recte "Besozzi"]. Used; Like New/Used; Like New. Disbound upright folio. Engraved. 12.75 x 9.75 inches (32.3 x 24.6 cm). 32 pp. PN 20. Hand stamp "Besozzi" to title (confirming that the publisher's name is misprinted). Some foxing, gutter damp stained, ink stain to title; else in very good condition.A collection of virtuosic studies, dedicated to Giovanni Battista Viotti, for solo violin with increasing degree of difficulty; the final "caprice" is a fugue. The composer was born in Spain (as Felipe Libon), studied with Viotti in London and held positions in Portugal and Spain before he settled in Paris in 1800. The publisher styles himself "1ere Flûte de la Chapelle du Roi et du Théâtre Royal de l'Opéra Comique," which allows to identify him as Henri Besozzi (1775-after 1814), son of the much better known Gaetano Besozzi (1725/27-1798). The Besozzis were a large family of musicians of Italian origin. Little is known about Henri Besozzi and even less about his publishing business.
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[W. IId, 4-6]. Six Quatuors d'Airs Variés ... [2] Partie [Parts]

[W. IId, 4-6]. Six Quatuors d'Airs Variés ... [2] Partie [Parts]

by VIOTTI, Giovanni Battista 1755-1824

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Paris: Imbault [PN 622], 1802. Folio. Disbound. Violino 1o: 11 pp.; Violino 2o: 7 pp.; Alto: 7 pp.; Basso: 5 pp. Engraved. Publisher's handstamp to lower right corner of title of Violino Io. Publisher's address: "Rue Honoré No. 200 entre la Rue des Poulies et la Maison d'Aligre," with later (engraved) addition: "Et peristile du Theâtre de l'opéra-Comique rue favart No. 461." The present volume ("deuxième partie") contains the fourth, fifth, and sixth of the six quartets, numbered I, II, and III. The melodies on which the composition is based are identified in engraved caption titles. With overpaste of Le Duc, Paris, with early manuscript addition, "Mr. Sylvain Quilliard."). Number [2] before "Partie," indicating the second volume of the publication, added in ink to Violino 1o part only. Minor soiling and offsetting; closely trimmed, with slight loss to pagination and publisher's handstamp; catalogue pages folded in at foot; small ink stains to title of Violino 1o part; repair to first two… Read More
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Collection of violin duos in early editions
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Collection of violin duos in early editions

by VIOTTI, Giovanni Battista 1755-1824

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1825. Folio. Violino 1o part in dark yellow wrappers, Violino 2o in blue wrappers with small label to spine. Three sets bound together: [W. IV, 1-6]. Six Duos Concertans Pour deux Violons ... Op. 1er. [Parts] Paris: Mme. Joly [PN 112], [1825-9] Violino primo: 27 pp.; Violino secondo: 27 pp. Engraved. Publisher's handstamp to foot of title of Violino primo part. Hole to final three leaves of Violino secondo part. A later edition. White IV:1-6. Giazotto 1-6. Devriès-Lesure II, p. 241. RISM VV 1966c [W. IV, 19-24]. Six Duos Concertans Pour deux Violons ... Op: 5. Nouvelle Edition. [Parts] Paris: Mme. Joly [PNs 142, 148], [1825-29] Violino 1o: 15, 17 pp. Violino 2o: 15, 17 pp. Engraved. Publisher's handstamp to lower right corner of title of Violino primo part. Quartets numbered continuously through both volumes. A later edition. White IV:19-24. Giazotto 106-111. Devriès-Lesure II, p. 241. Not in RISM. [W. IV, 34-36]. Six Sérénades en Duos Concertants Pour deux Violons ... Œuv: 23. 3e Livre.… Read More
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[W. IId, 1-6]. Quatuors d'Airs connus Dialogués & Variés [Parts]

[W. IId, 1-6]. Quatuors d'Airs connus Dialogués & Variés [Parts]: Pour Deux Violons, Taille & Violoncelle ... Livre I [-II]

by VIOTTI, Giovanni Battista 1755-1824

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Berlin: J.J. Hummel [PNs 945, 948], 1796. Folio. Disbound. Violino primo: 21 pp.; Violino secondo: 13 pp.; Viola: 13 pp.; Violoncello: 13 pp. Engraved. Titles printed from small decorative plates. Quartets numbered continuously. The melodies on which the respective movement is based are identified in engraved caption titles. Measure numbers added in pencil in a modern hand throughout. Outer margin uncut. A very good copy overall. An early edition. White IId:1-6. Giazotto 115-117. RISM V 1888; VV 1892a. Scarce. The music of this edition is mostly spurious. The British Library holds a copy of André's edition of the same music with autograph notes by Viotti-to vol. 1: "I have never composed these quartets;" to vol. 2: "These are not by me either except the two polonaises." See RISM V1886/V1891 and BUC p. 1045. The "polonaises" are the final movements of the present "Quartetto I" in B-flat major and "Quartetto III" in A major. According to the caption titles, the former is on the "Aria delle nozze… Read More
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Concerto de Violon Avec Accompagnement

by VIOTTI, Giovanni Battista 1755-1824

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Argosy Book Store
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Paris: Cherubini. hardcover. very good(+). 8 of 9 individual scores littered A - I, missing "G". Slim folio, green boards, leather spine, Ornately gilt itle on cover reads 'Ecole Royale de Musique & de Declamation Concours de 1827 1er Pris de Dolfege...' The first 6 pieces are published by Cherubini, Méhul, Kreutzer, Rode, N. Isouard et Boieldieu and the last 2 by Janet et Cotelle, ca, 1804. Very good (+).<br/><br/>
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