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Southern Illinois University Press, 1999-06-01. Paperback. Good.
THESE WERE THE HOURS: Memories of My Hours Press, Reanville and Paris, 1928-1931. Edited with a Foreword by Hugh Ford. [Presentation Copy] by Cunard, Nancy - 1969
by Cunard, Nancy
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THESE WERE THE HOURS: Memories of My Hours Press, Reanville and Paris, 1928-1931. Edited with a Foreword by Hugh Ford. [Presentation Copy]
by Cunard, Nancy
- Used
- Fine
- Signed
- first
Carbondale: Southern Illinois U Press, 1969. First Edition. Original Cloth. Fine/Very Good. pp: xxiii, 216 with index; 10 plates on text stock. Bound in black and rust cloth, gilt spine lettering, in the pictorial dust wrapper with fading shelfback. 8.5" x 5.5" [This presentation copy to Ford's "Mother and Dad" is inscribed on the free endpaper in black ink: "...This is the book that almost wasn't, but now it is--and I'm relieved and happy. Nancy would be, too...." Signed, "Hugh, Trenton, June 1969." [Among his many activities, Hugh Ford once taught at Trenton State College.].
- Bookseller R & A Petrilla (US)
- Format/Binding Original Cloth
- Book Condition Used - Fine
- Jacket Condition Very Good
- Quantity Available 1
- Edition First Edition
- ISBN 10 0809321637
- ISBN 13 9780809321636
- Publisher Southern Illinois U Press
- Place of Publication Carbondale
- Date Published 1969
- Keywords private press; hours press; paris
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Asylum, Prison, and Poorhouse: The Writings and Reform Work of Dorothea Dix in Illinois
by David L. Lightner
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Asylum, Prison, and Poorhouse: The Writings and Reform Work of Dorothea Dix in Illinois
by David L. Lightner
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Southern Illinois University Press, 1999-06-01. Paperback. Used:Good.
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These Were The Hours: Memories of My Hours Press Reanville and Paris, 1928-1931
by CUNARD, Nancy
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Carbondale: Southern Illinois University Press, 1969. Hardcover. Fine/Near Fine. First edition. 216pp. Illustrated from black and white photographs. Fine in a near fine dust jacket with tiny nicks at the crown.
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These Were The Hours: Memories of My Hours Press Reanville and Paris, 1928-1931
by CUNARD, Nancy
- Used
- Fine
- Hardcover
- first
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- Fine
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- Hardcover
- ISBN 13
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Carbondale: Southern Illinois University Press, 1969. Hardcover. Fine/Fine. First edition. Fine in fine dustwrapper.
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These Were the Hours: Memories of My Hours Press, Réanville and Paris, 1928-1931
by Cunard, Nancy
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Carbondale: Southern Illinois University Press, 1969. First Edition. Cloth. Fine/Fine. 8vo. xxiii, 216 pp., illus. Edited and with a Foreword by Hugh Ford. With a complete bibliography of the Hours Press publications. A fine copy.
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Asylum, Prison, and Poorhouse: The Writings and Reform Work of Dorothea Dix in Illinois
by Dix, Dorothea Lynde/ Lightner, David L
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Southern Illinois Univ Pr, 1999. Paperback. New. 161 pages. 8.75x6.00x0.50 inches.
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Asylum, Prison, and Poorhouse: The Writings and Reform Work of Dorothea Dix in Illinois
by Lightner, David L
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Southern Illinois University Press, 1999-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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These Were The Hours: Memories of My Hours Press, Reanville and Paris 1928-1931.
by [Expatriate Publisher] Cunard, Nancy
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- Hardcover
- first
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- Used
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- First Printing of the First US Edition
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- Hardcover
- ISBN 13
- 9780809321636
- ISBN 10
- 0809321637
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Langley, Washington, United States
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Carbondale:: Southern Illinois University Press,, 1969.. First Printing of the First US Edition. A Fine tight copy in a Near Fine bright unclipped dj with a touch of wear to the head of the spine. In 1927, Nancy Cunard took up hand printing and shortly thereafter she founded the Hours Press outside of Paris. She published 23 books in the three years she operated the press including works by Richard Aldington, George Moore, Louis Aragon, Samuel Beckett, Robert Graves and Ezra Pound. Cunard was one of the most flamboyant inhabitants of the Bohemian art crowd in Paris in the Twenties, with the apex of her artistic achievements being the production and publishing of the comprehensive anthology "Negro" in 1934. In this book, Cunard recounts her experiences as a small press printer and publisher in the late 1920s and early 1930s in Paris.
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