Description:
Wien: Tobias Haslinger's Witwe u. Sohn. [PN T. H. 9651], 1844. Oblong folio. Unbound as issued. 1f. (title), 3-11 pp. Engraved. With small vignette to title. Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29.
La Tonotechnie ou l'Art de Noter les Cylindres, Et tout ce qui est susceptible de Notage dans les Instrumens de Concerts méchaniques. Ouvrage Nouveau, par le Pere Engramelle, Religieux Augustin de la Reine Marguerite by ENGRAMELLE, Joseph 1727-1805 - 1775
by ENGRAMELLE, Joseph 1727-1805
La Tonotechnie ou l'Art de Noter les Cylindres, Et tout ce qui est susceptible de Notage dans les Instrumens de Concerts méchaniques. Ouvrage Nouveau, par le Pere Engramelle, Religieux Augustin de la Reine Marguerite
by ENGRAMELLE, Joseph 1727-1805
- Used
Paris: P.M. Delaguette, 1775. Octavo. Full dark green pebbled cloth with titling gilt to spine, decorative light pink endpapers with embossed floral motif, silk ribbon marker, all edges gilt. 1f. (recto half-title, verso blank), 1f. (recto blank, verso fine frontispiece engraving by Engramelle demonstrating the manufacture of cylinders of mechanical musical instruments, a harpsichord with a cylinder, a cylinder organ, and an automaton playing the flute), 1f. (recto title, verso blank), 2ff. (dedication and explanation of plates), viii ("Avertissement"), ix-xxvii (preface), [xxviii] (errata), 236 pp. + 1f. ("Table"), 1f. ("Approbation" and "Privilége") + plates 2-5 (plate 1 following page 140). With musical examples to 4 folding leaves within text (pp. 43-50).
Woodcut head- and tailpieces throughout; one small woodcut historiated initial; several woodcut tables and diagrams in text.
The 5 large folding plates (one following page 140 and four following end of text), all engraved by Engramelle, include an illustration of the numbered dial (cadran), tools, and numerous notational examples. An additional folding leaf with extensive notes in contemporary manuscript with detailed instructions for playing the instrument follows plate 5.
Faint dampstaining to lower portions of most leaves; very occasional foxing and small stains; several leaves creased; edges of some plates slightly soiled and creased with some very minor tears to blank areas; several small paper repairs. Small former owner's handstamp to front pastedown "A. Van Loock... Bruxelles."
Binding slightly worn, rubbed, bumped, and stained. A very good, crisp and clean copy overall. First Edition. Gregory-Bartlett p. 83. Cortot p. 71. RISM BVI p. 293 (5 copies in the U.S.).
Engramelle was a French builder of mechanical instruments.
"After hearing an Italian musician performing keyboard sonatas at Nancy, Engramelle envisaged a machine which would preserve such performances and repeat them at will on the keyboard. His subsequent experiments resulted in two important developments: a form of shorthand for indicating exactly all forms of musical ornamentation, and the establishment of the principles of mechanical music through the conversion of music to pins and staples on a barrel. By the time Engramelle published his important study La tonotechnie - in which the procedure was explained - in 1775 the craft of barrel pinning was already well established. His 'shorthand' clearly owed much to that used by François Couperin. Although Engramelle's process 'for geometrically dividing the notes' was greeted with mixed opinion (Fétis considered it 'une idée fausse'), the description of his invention of the numbered dial (cadran) and its application in 'notating' the cylinders of mechanical musical instruments represented an important step forward in his time and constitutes an invaluable source of information today on French and late Baroque performing practices. Engramelle's study also provides charts for pinning 12 pieces of music. From this can be drawn several interesting observations: all tempos are strikingly fluid; endings are clearly retarded; the inequality of notes inégales ranges in proportion from 3:1 to 9:7; staccato takes precedence over legato; there are minute gradations of staccato (which is, however, normally extremely short), and there are similarly fine shades of differentiation for legato; grace notes are short and invariably fall on the beat; no trills maintain the same rapidity throughout; and finally all such 'rules' are allowed broad freedom in their application (see illustration). Engramelle's work was subsequently revised and expanded by François Bédos de Celles." Hans-Peter Schmitz and Arthur W.J.G. Ord-Hume in Grove Music Online.
Mozart wrote three works for mechanical instruments: K594 Adagio and Allegro in F minor for a clock organ; K608 Fantasy in F minor for mechanical organ; and K616 Andante in F major for a barrel organ. Haydn and Beethoven also composed music for the barrel organ.
Woodcut head- and tailpieces throughout; one small woodcut historiated initial; several woodcut tables and diagrams in text.
The 5 large folding plates (one following page 140 and four following end of text), all engraved by Engramelle, include an illustration of the numbered dial (cadran), tools, and numerous notational examples. An additional folding leaf with extensive notes in contemporary manuscript with detailed instructions for playing the instrument follows plate 5.
Faint dampstaining to lower portions of most leaves; very occasional foxing and small stains; several leaves creased; edges of some plates slightly soiled and creased with some very minor tears to blank areas; several small paper repairs. Small former owner's handstamp to front pastedown "A. Van Loock... Bruxelles."
Binding slightly worn, rubbed, bumped, and stained. A very good, crisp and clean copy overall. First Edition. Gregory-Bartlett p. 83. Cortot p. 71. RISM BVI p. 293 (5 copies in the U.S.).
Engramelle was a French builder of mechanical instruments.
"After hearing an Italian musician performing keyboard sonatas at Nancy, Engramelle envisaged a machine which would preserve such performances and repeat them at will on the keyboard. His subsequent experiments resulted in two important developments: a form of shorthand for indicating exactly all forms of musical ornamentation, and the establishment of the principles of mechanical music through the conversion of music to pins and staples on a barrel. By the time Engramelle published his important study La tonotechnie - in which the procedure was explained - in 1775 the craft of barrel pinning was already well established. His 'shorthand' clearly owed much to that used by François Couperin. Although Engramelle's process 'for geometrically dividing the notes' was greeted with mixed opinion (Fétis considered it 'une idée fausse'), the description of his invention of the numbered dial (cadran) and its application in 'notating' the cylinders of mechanical musical instruments represented an important step forward in his time and constitutes an invaluable source of information today on French and late Baroque performing practices. Engramelle's study also provides charts for pinning 12 pieces of music. From this can be drawn several interesting observations: all tempos are strikingly fluid; endings are clearly retarded; the inequality of notes inégales ranges in proportion from 3:1 to 9:7; staccato takes precedence over legato; there are minute gradations of staccato (which is, however, normally extremely short), and there are similarly fine shades of differentiation for legato; grace notes are short and invariably fall on the beat; no trills maintain the same rapidity throughout; and finally all such 'rules' are allowed broad freedom in their application (see illustration). Engramelle's work was subsequently revised and expanded by François Bédos de Celles." Hans-Peter Schmitz and Arthur W.J.G. Ord-Hume in Grove Music Online.
Mozart wrote three works for mechanical instruments: K594 Adagio and Allegro in F minor for a clock organ; K608 Fantasy in F minor for mechanical organ; and K616 Andante in F major for a barrel organ. Haydn and Beethoven also composed music for the barrel organ.
- Bookseller J & J Lubrano Music Antiquarians LLC (US)
- Book Condition Used
- Quantity Available 1
- Publisher P.M. Delaguette
- Place of Publication Paris
- Date Published 1775
- Keywords 18th century French musical literature, 18th century mechanical musical instruments
[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]
by STRAUSS, Johann, Sr. 1804-1849
- Used
- Condition
- Used
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- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£103.24
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£103.24
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
- Used
- Signed
- Condition
- Used
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- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£1,262.43
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Description:
5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
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Printed ASCAP form relative to Foss's choral composition "We Sing," signed and completed in manuscript by the composer
by FOSS, Lukas 1922-2009
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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-
Syosset, New York, United States
- Item Price
-
£210.54
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Description:
2 pp. Quarto. Foss identifies this work as having been composed in 1941 with a performance time of 3 minutes, with copyright held by Ruth Yorek and performance rights being controlled by the composer. The "singers required" are noted as "any number of school children voices and a teacher..." and the instrumentation as "piano 4 hands or piano 2 hands, drum ad. lib. (played by a child)." The program is identified as "a bunch of children making a lot of noise. The teacher convinces them after some struggle to turn their noise into music, into singing." "For all their diverse styles, Foss's works spring from a distinct personality: enthusiastic, curious and receptive to every kind of musical idea. Not coincidentally, these are the same attitudes he instilled in audiences with his performances of the classical repertory and new music. In short, he was one of his era's most communicative and representative composer-performers." Gilbert Chase and David Wright in Grove Music Online. An interesting…
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£210.54
[K. 621]. La Clemenza di Tito [Piano-vocal score]: Opera seria ... Ernsthafte Oper in Zwey Akten ... Klavierauszug von A.E. Müller.
by MOZART, Wolfgang Amadeus 1756-1791
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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-
Syosset, New York, United States
- Item Price
-
£200.79
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Description:
Leipzig: Breitkopf & Härtel [PN 3610], 1824. Oblong folio. Contemporary paper boards. 1f. (title), 88 pp. Lithographed. With label of the late 19th century lending library of Fritz Möller of Hamburg, Germany to upper board and advertising to front pastedown. Binding worn and rubbed; partially detached; spine chipped; joints split; endpapers lacking. Moderately foxed throughout; title browned. Köchel 8, p. 720. Hirsch IV, 1227. RISM M5105. La Clemenza di Tito, an opera seria in two acts to a libretto by Pietro Metastasio adapted by Caterino Mazzolà, was first performed in Prague at the National Theatre on September 6, 1791, approximately 3 months before Mozart died on December 5, 1791. He had arrived in Prague on August 28 and, despite his illness, finished work on the opera on the eve of the performance. "Although mostly composed after Die Zauberflöte, La clemenza di Tito was performed first... The reception was modest until a triumphant last night was reported to Mozart (who had left…
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[Op. 95]. Le Petit Chaperon Rouge Double choeur pour voix de femmes et d'enfants. Avec acct de piano ou d'orchestre Pour le chorale des lycées de jeunes filles de Paris Poème de Guy de Teramond ... op. 95. Chez Alphonse Leduc: Paris. Autograph musical manuscript signed
by BUSSER, Henri 1872-1973
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- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
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Syosset, New York, United States
- Item Price
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£1,682.70
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Description:
Folio (ca. 360 x 273 mm). [i] (title), 20, [i] (blank) pp. Notated in black ink on music paper with 20 printed staves per page. Scored for double choir and piano. The work begins in A minor, in 3/4, Très Allant (quasi Allo). Textual incipit: "Dans la forêt où rien ne bouge ..." The engraver's copy, prepared for the publishing house Alphonse Leduc et Cie. With the composer's autograph signature ("Henri Busser") and date ("Paris, Août 15") to p. 20. Occasional erasures and corrections in black ink in the composer's hand. Lower edge of title with publisher's handstamps and manuscript date ("[19]35") and plate number ("A.L. 19,198") in an early hand. Numerous editorial markings, minor annotations, and occasional corrections in one or more early hands in pencil and red crayon. Slightly worn and soiled; minor ink smudges to three pages slightly affecting notation. A piano-vocal edition of Le Petit Chaperon, with plate number A.L. 19,198, was published by Alphonse Leduc in 1935. Not in the Grove…
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£1,682.70
[Op. 166]. Rosen ohne Dornen. Walzer fur das Pianoforte. [Piano score]
by STRAUSS, Johann, Sr. 1804-1849
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
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Syosset, New York, United States
- Item Price
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£103.24
Show Details
Description:
Wien: Tobias Haslinger's Witwe u. Sohn. [PN T. H. 9651], 1844. Oblong folio. Unbound as issued. 1f. (title), 3-11 pp. Engraved. With small vignette to title. Spine reinforced. Slightly foxed and dampstained. First Edition. Weinmann p. 29.
Item Price
£103.24
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Bluebird, a setting of Herman Melville's poem for two female voices with instrumental accompaniment. Autograph musical manuscript. Signed and dated 2007. A complete working draft
by TSONTAKIS, George b. 1951
- Used
- Signed
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£1,262.43
Show Details
Description:
5 pp. Folio (355 x 280 mm.). Notated in pencil with additional markings in coloured ink. Signed and dated 2007. Tsontakis studied with Hugo Weisgall, Felix Greissle, and Roger Sessions. His honours include the Charles Ives Living Award, the Grawemeyer, two Kennedy Center Friedheim Awards (1989, 1992), a lifetime achievement award from the American Academy of Arts and Letters (1995), a Guggenheim Memorial Fellowship, (1996) and numerous commissions. "[His] early works are written in a dissonant chromatic idiom not unlike that of Sessions. His musical language soon shifted, however, towards a classically-influenced style characterized by large-scale harmonic prolongations and what he calls 'the timeless gesture', a reference to the past through evocation rather than quotation. With the String Quartet no. 3 'Carragio' (1986) he arrived at an idiosyncratic tonal language propelled by a non-minimalist, Beethovenian use of repetition. Another primary feature of his work, particularly notable in the…
Read More Item Price
£1,262.43
Printed ASCAP form relative to Foss's choral composition "We Sing," signed and completed in manuscript by the composer
by FOSS, Lukas 1922-2009
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£210.54
Show Details
Description:
2 pp. Quarto. Foss identifies this work as having been composed in 1941 with a performance time of 3 minutes, with copyright held by Ruth Yorek and performance rights being controlled by the composer. The "singers required" are noted as "any number of school children voices and a teacher..." and the instrumentation as "piano 4 hands or piano 2 hands, drum ad. lib. (played by a child)." The program is identified as "a bunch of children making a lot of noise. The teacher convinces them after some struggle to turn their noise into music, into singing." "For all their diverse styles, Foss's works spring from a distinct personality: enthusiastic, curious and receptive to every kind of musical idea. Not coincidentally, these are the same attitudes he instilled in audiences with his performances of the classical repertory and new music. In short, he was one of his era's most communicative and representative composer-performers." Gilbert Chase and David Wright in Grove Music Online. An interesting…
Read More Item Price
£210.54
[K. 621]. La Clemenza di Tito [Piano-vocal score]: Opera seria ... Ernsthafte Oper in Zwey Akten ... Klavierauszug von A.E. Müller.
by MOZART, Wolfgang Amadeus 1756-1791
- Used
- Condition
- Used
- Binding
- Unknown
- Quantity Available
- 1
- Seller
-
Syosset, New York, United States
- Item Price
-
£200.79
Show Details
Description:
Leipzig: Breitkopf & Härtel [PN 3610], 1824. Oblong folio. Contemporary paper boards. 1f. (title), 88 pp. Lithographed. With label of the late 19th century lending library of Fritz Möller of Hamburg, Germany to upper board and advertising to front pastedown. Binding worn and rubbed; partially detached; spine chipped; joints split; endpapers lacking. Moderately foxed throughout; title browned. Köchel 8, p. 720. Hirsch IV, 1227. RISM M5105. La Clemenza di Tito, an opera seria in two acts to a libretto by Pietro Metastasio adapted by Caterino Mazzolà, was first performed in Prague at the National Theatre on September 6, 1791, approximately 3 months before Mozart died on December 5, 1791. He had arrived in Prague on August 28 and, despite his illness, finished work on the opera on the eve of the performance. "Although mostly composed after Die Zauberflöte, La clemenza di Tito was performed first... The reception was modest until a triumphant last night was reported to Mozart (who had left…
Read More Item Price
£200.79
Thurber's Dogs. Suite for Orchestra after Drawings by James Thurber. Movement VI: Hunting Hounds. Autograph musical manuscript sketches in condensed score of almost the entire final movement of the work, consisting of music for sections B-N, i.e., pp. 111-137 of the published full score
by SCHICKELE, Peter b. 1935
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- Used
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- Quantity Available
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Syosset, New York, United States
- Item Price
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£2,617.54
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Folio (ca. 356 x 278 mm.). Unbound. 9 leaves notated in pencil on one side of each leaf of 18-stave AZTEC C-18 music manuscript paper. A working manuscript, with erasures, alterations and cancellations. Together with: A copy of the published full score of the movement, i.e., pp. 107-138, and a 1-1/2 page printed commentary by the composer discussing the background of the work and briefly describing the music: "I should say, however, that as I was working on the last movement, I found myself thinking as much about the fox as about the hunting hounds. This, coupled with the fact that I recently acquired a recording of background music from the old movie serials that I used to go to as a kid, probably accounts for the quite ungentlemanly, almost lurid quality of the chase music." "Thurber's Dogs was commissioned for the ProMusica Chamber Orchestra of Columbus and the Thurber House to commemorate the 100th birthday anniversary of author James Thurber. It was completed on August 13, 1994. The first…
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£2,617.54
Trial by Jury
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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£17.88
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Description:
69 pp. + ads. Plate 17453. Vocal score, wraps, quarto 8.5 x 11 in. Front cover reattached with Japan paper, some wear to spine and edges, yet very good. Likely a printing from 1992-, given the 62 W. 45th St. address on the wraps. Printed in England. Trial by Jury is a one-act comic opera that could be considered a seminal venture in their partnership. It premiered at the Royalty Theatre in London in March, 1875.
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£17.88
PIOBAIREACHD AND ITS INTERPRETATION: CLASSICAL MUSIC OF THE HIGHLAND BAGPIPE
by MacNEILL, SEUMAS & FRANK RICHARDSON
- Used
- very good
- Paperback
- first
- Condition
- Used - Very Good
- Jacket Condition
- No Jacket, As Issued
- Edition
- 1st Edition
- Binding
- Paperback
- ISBN 13
- 9780859764407
- ISBN 10
- 0859764400
- Quantity Available
- 1
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Uxbridge, Ontario, Canada
- Item Price
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£23.54£18.84Save £8.00!
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Edinburgh: John Donald Publishers, 1996. 1st Edition . Soft cover. Very Good/No Jacket, As Issued. 8vo - over 7¾ - 9¾" tall. pp: 130. FIRST PAPERBACK EDITION. The author, an acknowledged authority on the subject, describes the structure and history of Piobaireachd. A very good copy with moderate edge wear on the covers and some fading of the colour on the rear panel.
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£23.54£18.84
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Nijinsky and the Last Years of Nijinsky
by Nijinsky, Romola
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- Very Good
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 13
- 9780671411237
- ISBN 10
- 0671411233
- Quantity Available
- 1
- Seller
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Salem, Oregon, United States
- Item Price
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£32.52£19.51Save £16.00!
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Nijinsky, Romola. Nijinsky and the Last Years of Nijinsky. The Definitive Biography Copyright 1980. Simon and Schuster stated First Impression Thus. Number line starts with 1. EXLIB. Good Condition/ VG original dust jacket. 260 pages, indexed. ISBN0671411233. PERFORMING ARTS, RUSSIA, BALLET, VASLAV NIJINSKY. Summary: "The life of Vaslav Nijinsky is not merely a record of a great dancer's artistic triumphs; it is one of the strangest stories ever written. There is madness everywhere. From the child's first appearance with a troupe of wandering Russians to that last terrible performance, his "Marriage With God" , it is a growing chaos of madness, abnormality, distortion, genius and beauty." 260 pages, indexed. 5 3/4 X 8 3/4.
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£32.52£19.51
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SKIFFLE:; The Story of Folk-song with a Jazz Beat. With a Foreword by Lonnie Donegan (The King of Skiffle)
by Bird, Brian
- Used
- very good
- Hardcover
- first
- Condition
- Used - Very Good
- Jacket Condition
- Good +
- Edition
- First Edition
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
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Roosevelt, New Jersey, United States
- Item Price
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£20.32
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London: Robert Hale, 1958. First Edition. Hardcover. Very Good/Good +. 119pp, index; 13pp illus from photographs. Bound in pictorial boards, dust jacket. 8" x 5.25" This first book on the subject traces the history of skiffle from its slave and jazz roots through the 1950s. The second part of the book is a how-to for forming a skiffle band as well as a look at the "origins, progress and personalities" of Britain's most popular skiffle bands.
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£20.32
The Pirates of Penzance in Full Score: New Edition by Carl Simpson and Ephraim Hammett Jones
by W. S. Gilbert, Sir Arthur Sullivan
- Used
- near fine
- Paperback
- Condition
- Used - Near Fine
- Binding
- Paperback
- Quantity Available
- 1
- Seller
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Lake Huntington, New York, United States
- Item Price
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£22.76
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272 pp. Quarto, 9 x 12 in. Illustrated wraps, near fine, only the slightest wear covers. Full score. New edition by Carl Simpson and Ephraim Hammett Jones. Official Premiere: December 31, 1879, Fifth Avenue Theater, New York, New York, USA; London Premiere: April 3, 1880, The D'Oyly Carte Opera Company, Orchestra and Chorus Opera Comique, Arthur Sullivan, conductor.
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Bob Dylan: From a Hard Rain to a Slow Train
by Barry; Dowley, Tim Dunnage
- Used
- Hardcover
- first
- Condition
- Used - Very Good+
- Jacket Condition
- Very Good+
- Edition
- First Edition
- Binding
- Hardcover
- ISBN 13
- 9780859362597
- ISBN 10
- 0859362590
- Quantity Available
- 1
- Seller
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St. Paul, Minnesota, United States
- Item Price
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£26.01
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Description:
Turnbridge Wells: Midas Books; New York: Hippocrene Books, [1982], First Edition, 8vo, [11] 176pp [2], photos on 2 plates. Hardcover, red cloth covered boards with dust jacket. Very Good + condition. Pages are unmarked with slight toning and slight foxing to top page edges. Slight shelf wear to dust jacket. Please see photos for specifics. A portion of all book sales from Babcock & 68th are donated to charity.
Item Price
£26.01
The Influence Of Music On History And Morals: A Vindication Of Plato
by Scott, Cyril
- Used
- good
- Hardcover
- first
- Condition
- Used - Good
- Jacket Condition
- No Jacket
- Edition
- 1st Edition 1st Printing
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
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Pasadena, California, United States
- Item Price
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£24.39
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Description:
London: The Theosophical Publishing House Ltd., 1928. 1st Edition 1st Printing. Hardcover. Good/No Jacket. X, 245 Pp. First Printing. Blue Cloth, Gilt, With Blindstamped Border On Front Cover. Lightly Used, Pinpoint Fray At Each Of Two Lower Tips, But Spine Frayed Across Top Down To Edge Of Page Block, 1/2" Fray Along Top Spine Edges And Bottom Rear Spine Edge, Hinges Tight, No Names Or Marks, Very Light Foxing To Endpapers, Title Page, And To Edges Of The Page Block. Quite Scarce In The Trade.
Item Price
£24.39
The Sorcerer: An Original Modern Comic Opera
by W. S. Gilbert, Arthur Sullivan
- Used
- very good
- Paperback
- Condition
- Used - Very Good
- Binding
- Paperback
- Quantity Available
- 1
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Lake Huntington, New York, United States
- Item Price
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£28.45
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Description:
137 pp. Vocal score, a slight tilt to spine, light wear to wraps, else fine. Quarto, 8.5 x 11 in. "New Edition." An original modern comic opera in two acts, words by W. S. Gilbert, music by Arthur Sullivan. G&S's third production. Based on a story, The Elixir of Love, that Gilbert published in 1876 in The Graphic.
Item Price
£28.45
OH BOYS, CARRY ME LONG:; A Plantation Melody. Written & Composed by Stephen C. Foster
by Oh Boys...sheet music
- Used
- very good
- Condition
- Used - Very Good
- Edition
- 20th Edition
- Quantity Available
- 1
- Seller
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Roosevelt, New Jersey, United States
- Item Price
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£32.52
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Description:
NY: Firth, Pond, 1851. 20th Edition. Decorative Wraps. Very Good. 6pp; embellished cover title; spine reinforced. Contains words and music to four verses and a chorus. 13" x 10.25" In part: "Oh! carry me 'long; Der's no more trouble for me: I's gwine to roam In a happy home Where all de niggas am free...." First published in 1851.
Item Price
£32.52
Whitney's Rapid Method for the Piano-Forte: Foreign Fingering Edition
by W. W. Whitney
- Used
- Hardcover
- Condition
- Used - Fair Condition
- Jacket Condition
- No Dust Jacket
- Binding
- Hardcover
- Quantity Available
- 1
- Seller
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Oak Point, Texas, United States
- Item Price
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£32.52
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Description:
D. W. Crist, Alliance, OH, 1902. Hardcover. Fair Condition/No Dust Jacket. Size: 4mo - over 9 3/4" - 12" tall. 182 pp. Pages are yellowed, but are tight and clean. Heavy shelfwear to the cover. Quantity Available: 1. Shipped Weight: 2 - 3 pounds. Category: Music; Pictures of this item not already displayed here available upon request. Inventory No: 001390. . Additional shipping charges may apply.
Item Price
£32.52