Winston Spencer Churchill by Winston Spencer Churchill - 1932

Geo. M. Hill Chicago, 1899. HB NODUSTJACKET, September 1899, 1st edition,1st Issue, Pictorial Tan Cover in Beige & Brown & Orange & white of Father Goose with feather in hand & Goose looking at him, MUCH Rub, Scuff & Wear & small StaiNs & Wrinkling to Covers GOOD- , cover Hinge has nice Tape Reinforcement Restoration Most Likely but has on spine printed Father Goose His Book , with Baum bottom of spine , Cover some chipping near Extremities & Scuff, Othrwise GOOD delicate Condition Cover, Interior Hinge probable white Tape Reinforcement,Few pgs small mended Tears & creases or Scuff, few small INK margin mrks, Minor Fox, OtHerwise Nice, & Tight, Most Plates are Nice & colors Bright, Few Page Repairs in Margins, Few small pencil mrks, Interior VG-, AS-IS, NODJ, UNpaginated. First Edition. Hard Cover.

First Baskerville edition. Printed by John Baskerville, for J. and R. Tonson, at Shakespear's Head in The Strand, London. Birmingham. 1761. 4 volumes. Quarto. Complete with the rare "Directions to the Binder". Text and plates all complete.
Vol. I: I, title, ii blank, iii-v dedication, vi blank, vii-xx Preface, xxi-xxv Poem, xxvi-xxvii Contents, xxvii blank, 1-501 Poems on Several Occasions, 502 blank, 503-37 Poemata, 538 blank, 3z2 blank, 3z2 verso "Directions to the Binder. This leaf is to be cut out". (therefore usually missing) 413-537 Dialogues upon the Usefulness of Ancient Medals, 538 blank, 539-42 index 543-4 blank. 3 engraved plates, plus 6 plates included in pagination.
Vol. II: Title, A1 blank, A2 sub title to Remarks on Several Parts of Italy, A2v blank. A3-A3v Dedication, A4-A4v Preface, 1-171 Remarks on Several Parts of Italy, 172 blank, 173-372 The Tatler, 373-538 The Spectator, 539-40 Index, 550 blank. 7 engraved plates.
Vol. III: Title, blank, 3-579 The Spectator, 580 blank, 581-91… Read More

First edition. Printed for Henry Colburn, Conduit Street, Hanover Square. London. 1816. 4to. xiii, bl., (2), 370pp. Folding map, 5 hand coloured tissue guarded plates. Later half calf, spine in six compartments with raised banding, gilt lettering and motifs, marbled boards, new endpapers. Short detachment of tissue guard and title page to base. Very occasional spotting. A lovely volume.
Richard Tully was the British Consul at Tripoli from 1783 to 1793, and, according to the preface, these letters were written by his sister; and attributed to his sister-in-law in the second and third editions. The author's identity has always been a mystery: there is no record of a sister, nor of another female family member residing in Tripoli apart from Mr Tully's wife and two daughters. The final entry is dated April 30, 1795, Gibraltar. It reads: "Since you must have had my letters with the journal of Tripoli". Louisa Maria Tully (daughter of Richard Tully) married Alexander Simpson on 19 March 1795 in Gibraltar.… Read More

New York: Covici Friede, 1935. Book. Near Fine. Hardcover. 1st Edition. Second Issue. Goldstone & Payne, A3b. Issued in an edition of 900 copies. Book has never been read. Pages uncut. Very slight age toning to book spine. Dust jacket has very light chipping to top of spine. A very presentable copy. Book is protected in a custom cut clear mylar cover. All books are carefully wrapped and shipped in a box..

First edition. Quarto. Printed for T. Cadell jun. and W. Davies, In The Strand. London. 1798. xi, [1] errata, 272p., 15 engraved plates. Folding engraved map of Portugal. Contemporary half calf, marbled boards. Spine in six compartments with double gilt rules, red leather label and gilt lettering. Silk bookmark. Light shelf wear, a couple of nicks to spine, corners rubbed. Occcasional light spotting/offsetting. A handsome volume.
ESTC N1850. Four copies only recorded in the UK: BL, Cambridge University, Bodleian, and MPL Special Collections. One copy held by the National Library of Ireland. Not held at Trinity College Dublin. One copy held at the Houghton Library, Harvard. Not held at Stanford.
Murphy, James Cavanah. Blackrock, Co. Cork, Ireland 1760 – 1814
Born in Cork, and trained in the Dublin drawing schools, Sir James Chatterton first noticed Murphy's artistic skill. He became an architect, and attracted the attention of Hon. William Burton Conyngham under whose patronage Murphy was sent in… Read More

Mythologiae sive explicationis Fabularum Libri Decem, inquibus omnia prope Naturalis et Moralis philosophiae dogmata in veterum fabulis contenta fuisse perspicue demonstrator: Oput cuissuis facultatis studiosis perutile ac prope necessarium. Accessit G. Linocerii Musarum Mythologia, & anonymi observationum in totam de dijs gentium narrationem Libellus. Adiectae sunt insuper nouissimae huic, post Germanica & Gallicam, edition elegantissimae Deorum imagines, & eruditissimae mythologiae M. Antonij Tritonij Utinensis, Omnia summon studio, & exquisite labore emendate. First illustrated edition. Patavii, apud Petrumpaulum Tozzium. Extypographeio Laurentij Pasquati. 1616. [Imprim. Typographum Cameralem. 1615. Patauij ex Typographia Camer. 1616] Small Quarto. Title page in red and black, (5), (5) Catalogus, (28) Index, 614, (1), 60pp. 2 full page engraved plates, folding astrological plate, numerous further engravings, engraved headpieces, tailpieces and historiated initials. Text in Latin and Greek.… Read More

Florence: Barbèra, 1923. Very Good. 9 volumes. Prestigious 19th century "Diamond" edition of the works of Alessandro Manzoni, including I Promessi Sposi (The Betrothed), etc, all housed in a hand-made wooden box of Milanese craftsmanship of the 1920s, decorated with bas-relief figures, with the title carved in relief on the front panel. The box is open to the front exhibiting the gilt-titled spines of the small volumes, and the upper panel is hinged so it can be tilted up for access to the volumes. Some discoloration, and loss of the bas-relief carving on the upper surface. Reference: Parenti, Rarità bibliografiche dell'ottocento, I, p. 61, #122-128, and illustration p. 59 For the 50th anniversary of Manzoni's death, the house of Barbèra issued this collection in carved wooden housing to close out the entire "Diamante" series launched by Gasparo Barbèra in 1856. The "Diamante" editions were immensely popular Italian classics (with some oddballs too), edited by principal scholars, and… Read More

115 Nassau St NY: Currier & Ives, [ca.1893-4]. Illustrated by colored print. First edition. Black with silver trim hardwood and glass frame by Goodspeed's Book Shop, Inc 18 Beacon Street, Boston. Medium Folio Image size: 8.5 x 14.9-inches, 14 x 19 framed. Very Good/Very Good. Faint waterstain on print bottom can be restored. "Length over all 620 ft, Depth of Hold 43 Ft, Breadth 65 Ft, Tonnage 12,500 - Horse Power 30,000.Identification by address: at No. 115 Nassau from 1877-94 and both Cunard Line Twin-screws were in the New York World's Fair 1893. Cunningham 6260 except his is image size is 8.9x14.15..

New York: Doubleday & Company, 1965. Stated first edition, 1965, inscribed "For Ann with my very best wishes" and signed by the author on the half-title. Very good in good to very good dustjacket. Author's first novel. Blue and yellow cloth with dustjacket illustrated by Roy Lichtenstein on the front and Andy Warhol on the back. Light edgewear, good hinges, firm text block, name and address written inside front cover beneath the dustjacket flap, embossed stamp with the same address at lower corners of front free endpaper and half-title, no other markings. The mylar protected dustjacket has edgewear and a slightly darkened but legible spine, some light shelf soil to the white background, chips to spine ends and lower corner of rear panel, none of the chips interfering with dustjacket design. . Inscribed by The Author. First Edition. Hard Cover. Very Good/Good. 8vo - over 7¾" - 9¾" tall.

SMALL COLOR PRINT IS APPROX 7 1/4 X 5 3/4 , 1st edition, SIGNED MATTED ,2003, VG Condition , Listed on the "Who's Who List of the Most Collected Artists of Our Time," his works are original, bold and outspoken., He is famous for depicting recognizable characters and faces in bizarre environments. He began in the early 1980's and became recognized for his original, iconic pop culture pieces that included Monopoly, board games, pin ups, Chanel, nostalgia and pop references to living the good life. He took pop art far beyond where its roots began and made it all his own.