Sweet Pea by Ron Padgett - 1971

London: The Poetry Bookshop, 1916 The author's first book. Internally very good subject to moderate browning and dustiness and a few small stains to the title page (couple mirrored on inside front cover) . Binding firm. Cover is somewhat shelfworn and a little scuffed with a small stain; the Claud Fraser design on the front cover is reasonably bright.

Macmillan & Co. Limited. London. 1906. Reprint of the 1904 Golden Treasury edition. 8vo. (6.4 x 4.2 inches). Engraved frontis illustration of Guinevere, from the marble by Thomas Woolmer, R.A. Finely bound in a contemporary full dark green morocco binding by Ramage of London. Spine with five raised bands, ruled in gilt. The compartments with gilt ruled lines, flower and star designs and lettering. Decorative flower and leaf designs to both boards, within a wavy line border which is surrounded by multiple stars, within a ruled line border, all in gilt. Elaborate gilt tooled stars, flowers and decorative roll borders to the inner boards with off-white moire silk endpapers. All edges gilt. Previous owners neat inscription, dated 1914, to the front blank free endpaper. Spine faded to an attractive tan colour and the front board to a lighter green but still a beautiful fine binding from the library of W. A. Foyle at Beeleigh Abbey, and with his burgundy morocco leather and gilt book plate to the front… Read More

Macmillan and Co. London. 1900. Seventh edition. 8vo. (7.4 x 4.7 inches). Foxing to the blank endpapers and the first and last couple of leaves, otherwise a clean copy in a beautiful fine leather binding, by Bumpus, of full dark blue crushed morocco. Spine with five raised bands, each with three gilt dots. The compartments ruled, lettered and fully decorated with small flower emblems, all in gilt. Both boards with four ruled lines and flower and leaf designs in the middle panel, all in gilt. Board edges double ruled in gilt Turn-ins with double ruled lines and flower and leaf designs, all in gilt. plain white endpapers. All edges gilt. Blue silk bookmarker sewn in. A fine and beautiful binding. --- An early edition of this popular collection of KIpling's poetry. First published in 1896.

Denver, Colorado:: X-Press Books,, 1986.. Edition of 40. 9.25" x 7.25"; 36 pages. Type is Cairo. Japanese calligraphy by Mitzuko Santo. Printed on a 10 x 15" Chandler & Price platen press. Silk screen images. Text paper is Japanese Toyo Kurumi. Cover is Arches. Overlay are UV Ultra II. Tip sheets are Okawara Hand made. Press check masks are printed on Mohawk superfine cover. Two texts: reading from front to middle: second reading from back to middle. Japanese stab binding. Signed and numbered by Anderson. Judy Anderson: "In 1985 I worked in Tokyo, overseeing a large book project designed for the Brooklyn Museum. My presence there, as a young American woman directing the project, was a unique experience for both me and the male printing and publishing personnel. I was fascinated by the Japanese culture, their use of language, the role of alcohol, sleep and women. And how they used their faces as masks, hiding their true feelings. Being polite. Pretend. "One day… Read More

St. Paul, Minnesota:: Bluestem Cottage Press,, 2023.. Edition of 11. Type: Source Sans Pro. 11/19Gatefold format with two spines. Size: 4.75" x 12" folds out to 24". Paper: Rives BFK white and grey. Type: Source Sans Pro. 11/19. Techniques: Alternative print techniques such as ink drawdowns, erasers prints, and stencils. 7 screenprinted images. Housed in a linen dual-colored case. Printed at Minnesota Center for Book Arts. Numbered. Signed by Clapsadle and Baugnet. Julie Baugnet: "'Staying the Winter' is bound in a unique gatefold format, with 2 spines. On the left, a small book with 7 tercet poems are letterpress printed on Rives BFK grey. The right-hand pages open to reveal a variety of abstract images of winter printed on Rives BFK white.  "Illustrations are abstract, using color and texture to convey the emotive qualities of the poems. A family of 5 colors is used to create unity and interest depicting the colors of winter. By making 2 books, I was… Read More

London: The Poetry Bookshop, 1916 The author's first book. Internally very good subject to moderate browning and dustiness and a few small stains to the title page (couple mirrored on inside front cover) . Binding firm. Cover is somewhat shelfworn and a little scuffed with a small stain; the Claud Fraser design on the front cover is reasonably bright.

Chicago, Illinois: The Bookfellows. Very Good with No Dust Jacket as issued. 1919. First Edition: First Printing. Hard Cover. 142 pages: 5.5 x 8 in.: 1.2: Signed by Editor: KB#010258: First edition limited to 325 copies. Boards now protected by a new Brodart Archival Mylar Cover. DOUBLE INSCRIBED COPY. Book is SIGNED BY EDITOR (Vincent Starrett), with inscription, "Dear P. J. J - Kind regard, and gratitude for your interest. Vincent Starrett 10 March 1920" on front flyleaf, and SIGNED BY DEDICATEE (Walter M. Hill) to whom the book was dedicated, "With best wishes from one booklover to another, Walter M. Hill March 13th 1920", on dedication page. Lastly, it has an biographical newspaper article on Charles Vincent Emerson Starrett (dated 3-28-20 The Line) affixed at the bottom of the half title page. Boards are dark green with light brown spine binding, and paper author and title labels on spine and front cover. Boards and pages are clean, unmarked (except as… Read More

Macmillan & Co. Limited. London. 1906. Reprint of the 1904 Golden Treasury edition. 8vo. (6.4 x 4.2 inches). Engraved frontis illustration of Guinevere, from the marble by Thomas Woolmer, R.A. Finely bound in a contemporary full dark green morocco binding by Ramage of London. Spine with five raised bands, ruled in gilt. The compartments with gilt ruled lines, flower and star designs and lettering. Decorative flower and leaf designs to both boards, within a wavy line border which is surrounded by multiple stars, within a ruled line border, all in gilt. Elaborate gilt tooled stars, flowers and decorative roll borders to the inner boards with off-white moire silk endpapers. All edges gilt. Previous owners neat inscription, dated 1914, to the front blank free endpaper. Spine faded to an attractive tan colour and the front board to a lighter green but still a beautiful fine binding from the library of W. A. Foyle at Beeleigh Abbey, and with his burgundy morocco leather and gilt book plate to the front… Read More

"Death of a Naturalist" by Seamus Heaney. London: Faber and Faber Ltd., [1966]. First Edition, second impression. pp. 57. Hardcover, green cloth with gilt title on spine (top corners bent, corners bit worn, spine bumped & worn, several marks on front cover, top edge has couple spots of foxing, inscription on front free endpaper. dj., clipped (spine faded, bottom of spine chipped, otherwise worn, soiled on back cover, marks to both front & back covers). Very Good condition.Size: 8 3/4" x 5 5/8" (22cm x 14.5cm).
**This book may also be mailed by Xpresspost (Canada & U.S.A. Only). Contact us if you prefer this. Postage would be extra, but includes tracking, insurance and signature upon delivery.

Macmillan and Co. London. 1900. Seventh edition. 8vo. (7.4 x 4.7 inches). Foxing to the blank endpapers and the first and last couple of leaves, otherwise a clean copy in a beautiful fine leather binding, by Bumpus, of full dark blue crushed morocco. Spine with five raised bands, each with three gilt dots. The compartments ruled, lettered and fully decorated with small flower emblems, all in gilt. Both boards with four ruled lines and flower and leaf designs in the middle panel, all in gilt. Board edges double ruled in gilt Turn-ins with double ruled lines and flower and leaf designs, all in gilt. plain white endpapers. All edges gilt. Blue silk bookmarker sewn in. A fine and beautiful binding. --- An early edition of this popular collection of KIpling's poetry. First published in 1896.