Sergei Rachmaninov. by [Rachmaninow, Sergei / Pastene, Jerome] Culshaw, John - 1949

1949. First edition. London, Denis Dobson, 1949. 14 cm x 22 cm. 174 pages. With plates, including portraits and facsimiles, musical notes and a list of his works. Original hardcover. Very good condition with only very minor signs of external wear, for example some light fading of the spine. Inscribed and signed by the author to the Strauss - specialist Jerome Pastene. Jerome Pastene's name to endpaper. [Contemporary composers]. Sergei Vasilievich Rachmaninov (1st Apri 1873 – 28 March 1943) was a Russian pianist, composer, and conductor of the late Romantic period, some of whose works are among the most popular in the romantic repertoire. Born into a musical family, Rachmaninoff took up the piano at age four. He graduated from the Moscow Conservatory in 1892 and had composed several piano and orchestral pieces by this time. In 1897, following the critical reaction to his Symphony No. 1, Rachmaninoff entered a four-year depression and composed little until successful therapy allowed him to complete his enthusiastically received Piano Concerto No. 2 in 1901. After the Russian Revolution, Rachmaninoff and his family left Russia and resided in the United States, first in New York City. Demanding piano concert tour schedules caused his output as composer to slow tremendously; between 1918 and 1943, he completed just six compositions, including Rhapsody on a Theme of Paganini, Symphony No. 3, and Symphonic Dances. In 1942, Rachmaninoff moved to Beverly Hills, California. One month before his death from advanced melanoma, Rachmaninoff acquired American citizenship. Early influences of Tchaikovsky, Rimsky-Korsakov, Balakirev, Mussorgsky, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors. The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument. (Wikipedia)