Reinsophy. by Gee Double You. [sic] [G. W. Hinckley] - 1934

New York & Chicago: E. L. Kellogg & Co., 1899. Maroon cloth boards, gilt-stamped cover and spine. Good/No Dust Jacket. Consisting of the Famous Lectures Delivered throughout the United States and England; Much Enlarged, with many Practical Applications. Frontispiece portrait. Discusses mnemonics, memorization tricks and techniques for historical and literary information, passages, foreign languages, etc. Author of other books on language and memory. 147 pages plus advertisements. Name penciled on ffep, slight musty odor, edges soiled/dirty. Ends and corners bumped, lightly worn. Boards slightly warped. Some spotting to beginning and end pages, otherwise unmarked.

New York: Brewer, Warren & Putnam, 1931. Green cloth boards, orange-stamped cover and spine. Very Good/No Dust Jacket. As told to Corey Ford, author of ""Saltwater Taffy"" with 36 Unbelievable Illustrations. 217 pages. Mock photos featuring 1930s personalities, including one of Amelia Earhart on a high-wheeled bicycle. Spine darkened, ends frayed. SIGNED and INSCRIBED on 1/2 title in black ink ""To Sumner Blossom - for perfect attendance in Sunday School - Corey Ford - August 1931."" Sumner Blossom, 1892-1977, was a radio talk show host in the 30s (""Interesting People in the News"") but was best known as editor of The American Magazine from 1929 through 1956. The magazine published short stories by outstanding writers of the day as well as muckraking articles on social issues. Blossom was a ""wonderful, well-respected man"" who wore his hats ""with more distinction than most men."" Corey Ford, 1902-1969, was a humorist, author, screen writer, and world traveler who was friendly with the Algonquin… Read More

New York: Horace Liveright, Inc., 1931. Hardcover in slipcase. Good/No Jacket, as issued. SIGNED Presentation Copy in Slipcase, #524 of the special limited edition (501-550 were for presentation). Signed by O'Neill in black ink. Though not indicated, this volume is from the library of T. R. Smith, chief editor and adviser at Liveright throughout its heyday in the 1920s and responsible for publishing some of O'Neill's works (including an early volume of one-act plays and Strange Interlude in 1928). Trilogy of plays containing Homecoming, The Hunted, and The Haunted. Includes Working Notes and Extracts from a fragmentary work diary, facsimile pages inserted in rear pocket. Stained & spotted white vellum with beveled edges, gilt-stamping and black spine label. Scarce slipcase in fair condition with fragile & cracked edges and old tape repairs. Binding solid and untrimmed/uncut, but covers are rather spotted & darkened. O'Neill was a Puitzer and Nobel Prize winning American playwright, considered one of… Read More

New York: Boni & Liveright Publishers, 1927. Hardcover, black boards & vellum. Good/No Jacket, marbled slipcase in Good condition. Signed Presentation Copy of a Limited Edition. The limitation page indicates the edition consists of 265 numbered and signed copies, of which 250 are for sale. The word 'Presentation' is hand-written on the number line, and it is signed in black ink 'Sherwood Anderson.' Though not indicated, this was in the collection of T. R. Smith, chief editor at Liveright during the 1920s. 118 pages, free verse and prose poems. Slipcase edges worn & rubbed, glassine torn with losses, spine well-spotted and darkened. Some pages unopened, ribbon marker. Although the book and slipcase are a bit worse for wear, it is a unique copy of an unusual work. Anderson, 1876-1941, was an American novelist and short story writer best known for his 1919 masterpiece 'Winesburg, Ohio' about life in a typical Midwestern town. He is remembered for his sympathy for the struggles of the common man. He… Read More

New York: Atheneum, 1974. Hardcover. Good/Dust Jacket condition good. Atheneum. Association copy, signed and inscribed on the first leaf by Keith McDermott to Andrea/Andrew. McDermott, born in 1953, made his Broadway debut (1974-1977) as Alan Strang in Equus opposite Richard Burton as the doctor. This plum role for a young man proved to be McDermott's acting break. The play is a psychological thriller set in a hospital, where a psychiatrist examines a young man who maims horses. Book club edition/BCE. 99 pages. Loss to jacket spine, other darkening and chips.

New York & Chicago: E. L. Kellogg & Co., 1899. Maroon cloth boards, gilt-stamped cover and spine. Good/No Dust Jacket. Consisting of the Famous Lectures Delivered throughout the United States and England; Much Enlarged, with many Practical Applications. Frontispiece portrait. Discusses mnemonics, memorization tricks and techniques for historical and literary information, passages, foreign languages, etc. Author of other books on language and memory. 147 pages plus advertisements. Name penciled on ffep, slight musty odor, edges soiled/dirty. Ends and corners bumped, lightly worn. Boards slightly warped. Some spotting to beginning and end pages, otherwise unmarked.

Zurich: Galerie Kornfeld, 1978. Softcover. Good. Artwork by Anton Bruhin.. Gallery exhibition booklet, covers worn and a bit dingy. SIGNED on title page in thick red permanent marker: G. Blumer / Anton Bruhin / Zurich 21.1.80. Title page reads ""If You Don�t Like Me Leave Me Alone�"" von Giovanni Blumer. Text in German. Reproduces b/w ink drawings done in 1977 by Bruhin, a Swiss artist and musician born in 1949. Biographical information and works list at back. Single side printed, b/w glossy paper. Good condition, solid but covers/corners somewhat bumped and curled. Unusual item from the man known more recently as a musical artist and poet. Blumer is known for his 1960s work The Chinese Cultural Revolution.

New York: Boni & Liveright, 1928. Hardcover, purple paper, white cloth spine, slipcase but missing glassine. Very Good in Good slipcase/No Jacket. Signed, limited edition in slipcase, presentation copy. Purple paper is faded, and there are some small ink (?) spots on back cover, as well as a small smudge on the bottom corner of the limitation page. SIGNED limitation page with 'Dorothy Parker' in blue ink, states �this edition limited to 275 copies, of which 250 are for sale.� This copy is numbered in the same blue ink as 322, and the word �Presentation� in black ink follows. 75 pages, many unopened, printed on Boni & Liveright watermarked paper. Slipcase worn and faded, all edges rubbed, splitting at top and bottom. Label affixed to slipcase states �Autographed Edition. This edition is limited to 275 numbered copies. Each copy is signed by the author.� At the upper right corner is the number 322 in ink, mirroring the number on the limitation page of the volume. From the family of T. R. Smith, who… Read More

New York: Horace Liveright, Inc., 1931. Hardcover in slipcase. Good/No Jacket, as issued. SIGNED Presentation Copy in Slipcase, #524 of the special limited edition (501-550 were for presentation). Signed by O'Neill in black ink. Though not indicated, this volume is from the library of T. R. Smith, chief editor and adviser at Liveright throughout its heyday in the 1920s and responsible for publishing some of O'Neill's works (including an early volume of one-act plays and Strange Interlude in 1928). Trilogy of plays containing Homecoming, The Hunted, and The Haunted. Includes Working Notes and Extracts from a fragmentary work diary, facsimile pages inserted in rear pocket. Stained & spotted white vellum with beveled edges, gilt-stamping and black spine label. Scarce slipcase in fair condition with fragile & cracked edges and old tape repairs. Binding solid and untrimmed/uncut, but covers are rather spotted & darkened. O'Neill was a Puitzer and Nobel Prize winning American playwright, considered one of… Read More

New York: Boni & Liveright Publishers, 1927. Hardcover, black boards & vellum. Good/No Jacket, marbled slipcase in Good condition. Signed Presentation Copy of a Limited Edition. The limitation page indicates the edition consists of 265 numbered and signed copies, of which 250 are for sale. The word 'Presentation' is hand-written on the number line, and it is signed in black ink 'Sherwood Anderson.' Though not indicated, this was in the collection of T. R. Smith, chief editor at Liveright during the 1920s. 118 pages, free verse and prose poems. Slipcase edges worn & rubbed, glassine torn with losses, spine well-spotted and darkened. Some pages unopened, ribbon marker. Although the book and slipcase are a bit worse for wear, it is a unique copy of an unusual work. Anderson, 1876-1941, was an American novelist and short story writer best known for his 1919 masterpiece 'Winesburg, Ohio' about life in a typical Midwestern town. He is remembered for his sympathy for the struggles of the common man. He… Read More