October 59: Art, Theory, Criticism, Politics (Winter 1992) by Copjec, Joan (Ed.); Krauss, Rosalind (ed.); Michelson, Annette (ed.); Deleuze, Gilles; Joselit, David; Casarino, Cesare; Kasher, Steven; Lant, Antonia - 1992

Cambridge, Mass: MIT Press, 1993. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear. Contents: The politics of the signifier: a conversation on the Whitney biennial. Armstrong, Biology, destiny, photography: difference according to Diane Arbus. Lawler, Levine, Prince, Sherman, Simmons, Welling, October Portfolio One. Hayles, Virtual bodies and flickering signifiers. Pelzer, The insistent detail. Gintz, Michael Asher and the transformation of "situational aesthetics." ; 9.0" tall; 131 pages.

Cambridge, Mass: MIT Press, 1993. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. Contents: Mulvey, Some thoughts on theoris of fetishism in the context of contemporary culture. Lamoureux, Underlining the legend of the gallery space. Kolbowski, Once more, with feeling...already. Pierre Boulez and John Cage, The Boulez-Cage correspondence: selections. Rouan, Circling around a void. Marin, Picasso: image witing in process. Marin, Narrative theory and Picasso as history painter. ; 9.0" tall; 132 pages.

Cambridge, Mass: MIT Press, 1992. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. Contents: Hollier, The use-value of the impossible. A Documents dossier: essays by Georges Bataille, Cal Einstein, Marcel Griaule, Michel Leiris, Georges Limbour, Georges Monnet, George Ribemont-Dessaignes, Georges, Henry Rivière, André Schaeffner. Nixon, "You thrive on mistaken identity." Buskik, Commodification as censor: copyrights and fair use. Bruno, Streetwalking around Plato's cave. ; 9.0" tall; 130 pages.

Cambridge, Mass: MIT Press, 1990. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Melville, The temptation of new perspectives. Michelson, The kinetic icon in the work of mourning: prolegomena to the analysis of a textual system. Krauss, Bachelors. de Duve, Marcel Duchamp, or the Phynancier of modern life. Min-ha, Documentary is/not a name. 9.0" tall; 100 pages.

Cambridge, Mass: MIT Press, 1989. Softcover. Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wraps have edge rubbing, light shelf and handling wear, light soiling. ; Contents: de Duve, Andy Warhol, or the machine perfected. Koch, The aesthetic transformation of the image of the unimaginable: notes on Claude Lanzmann's Shoah. Huyssen, Anselm Kiefer: the terror of history, the temptation of myth. Rentschler, Fatal attractions: Leni Riefenstahl's The Blue Light. Crimp and Deutsche, Hans Haacke's contribution to Points of Reference 38/88. Werner Fenz, Protocols of the exhibition Points fo Reference 38/88; The monument is invisible, the sign visible. Haacke, Und ihr habt doch gesiegt, 1988. Buchloh, A note on Gerhard Richter's October 18, 1977; Correction to October 45. ; 9.0" tall; 110 pages.

Cambridge, Mass: MIT Press, 1991. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. Contents: Koch, Satre's screen projection of Freud. Foster, Convulsive identity; Bukatman, There's always tomorrowland: Disney and the hypercinematic experience. Condee and Padunov, "Makulakul'tura": reprocessing culture. Fraser, Museum highlights: a gallery talk. Frow, Tourism and the semiotics of nostalgia. Kosuth and Siegelaub, Replies to Benjamin Buchloh on conceptual art. Buchloh, Reply to Joseph Kosuth and Seth Siegelaub. ; 9.0" tall; 161 pages.

Cambridge, Mass: MIT Press, 1994. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear. Contents: Foster, What's new about the neo-avant-garde? Buchloh, Three conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris. Armstrong, Interviews with Ed Ruscha and Bruce Conner. de Duve, Echoes of the readymade: critique of pure modernism. Buskirk, Interviews with Sherie Levine, Louise Lawler, and Fred Wilson. Buskirk, Thoroughly modern Marcel. Round table: conceptual art and the reception of Duchamp. ; 9.0" tall; 146 pages.

Cambridge, Mass: MIT Press, 1989. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Modleski, Some functions of feminist criticism, or the scandal of the mute body. Michaud, Van Gogh, or the insufficiency of sacrifice. Hollier, French customs, literary borders. Copjec, The orthopsychic subject: film theory and the reception of Lacan. de Duv, Yves Klein, or the dead dealer. Miller, Sontag's urbanity. Weiss, A new history of the passions. ; 9.0" tall; 112 pages.

Cambridge, Mass: MIT Press, 1990. Softcover. Very Good with No dust jacket as issued. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Hollier, On equivocation (between literature and politics). Levin, For the record: Adorno on music. Adorno, The curves of the needle; The form of the phonograph record; Opera and the long-playing record. Kahn, Track organology. Diawara, Reading Africa through Foucault: V. Y. Mudimbe's reaffirmation of the subject. Mudimbe, Which idea of Africa? Herskovits's cultural relativism. Buchloh, Conceptual art 1962-1969. ; 9.0" tall; 144 pages.

MIT, 1989. Soft cover. Good/No jacket. Spine is faded. Cover is faded and has dust smudges. Back cover has a few dents. Edge wear. Inside pages are largely clean and unmarked.