Making a Photograph: An Introduction to Photography by ADAMS, Ansel - 1935

The Studio Ltd, 1939. Hardcover. Acceptable/Acceptable. 1939. 104 pages. Grey pictorial dust jacket and boards. Contains black and white tipped photographs. Inscription to front pastedown. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges. Book has a forward lean. Boards are bowed. The unclipped dust jacket has heavy edge wear, with tears, chips and areas of loss. Light tanning to spine and edges.

34 plates, tipped in, color and B&W. Dent in upper right corner front cover and several pages after.. Book ahs been read. Previous owners name in ink upper right corner verso end paper. Lower rear an upper corners bent.. Spine a little faded. Seven plans and diagrams

Studio Publications, 1948-01-01. Revised Edition Perr. Hardcover. Used - Acceptable. *Copyright 1935* Book shows wear. in a Worn jacket. Stains and tear. Still readable copy.

The Studio, 1935. Hard cover. Fair/No jacket. First printing. Number 8 of the How to Do It series. Introduction by Edward Weston. Covers edgeworn. Name written on front endpaper. Missing plates IX & XXIV, but all other plates are present. As is.

Studio, 1939. 2nd Edition . Hardcover. Good. 4to - over 9¾ - 12" tall. Revised edition.Cover worn and with blade cuts across front - see photos. Some creasing damage to plate vii.

UsedGood. Text block firm and clean, binding unblemished, boards straight, without highlights or underlining. Without dust wrapper. Bumping to corners. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

London: The Studio Limited. Very Good with no dust jacket. 1935. First Edition. Hardcover. Cloth-backed pictorial boards. "How to do it" series #8. Foxing to page edges, and to some margins. 32 tipped in plates, 7 diagrams. All plates present; some offset toning from laid in papers. Slight rubbing to board edges and faces. ; Large 8vo 9" - 10" tall .

New York: Studio Publications, 1948. 104pgs. Blue cloth boards, titles in white on spine. Binding tight, spine straight, corners square. 34 glossy black and white plates tipped-in. Toning to front endpapers but much slighter toned cast to the pages. The plates are in excellent condition. Unclipped pictorial jacket has a triangular chip on the upper left edge of the jacket, with the original 12s 6d price on the front flap. in mylar sleeve. This is No. 8 in The Studio "How to Do It" series. foreword by Edward Weston. 4th printing of revised edition. . Revised Edition Perry. Hardcover. Very Good/Very Good-. Octavo.

New York: Studio Publications, 1939. 104pgs. Review copy with the review slip tipped in.1 color plate, and 34 glossy black and white plates tipped-in. attractive prev. owner bookplate on the front pastedown. Rubbing to the edges of the boards, toning to the pages. The plates are in excellent condition. Unclipped pictorial jacket has a triangular chip on the bottom of the spine, with the original $3.50 price on the front flap. in mylar sleeve. This is No. 8 in The Studio "How to Do It" series. foreword by Edward Weston. . Revised Edition. Hardcover. Very Good/Very Good-. Octavo.

London: The Studio Limited, 1935. First Edition. 4to. 96pp. 32 tipped-in photographs by Ansel Adams; diagrams; drawings. Quarter black cloth under glossy photo-illustrated paper covered boards; gilt titles to the spine; in surprisingly scarce photo-illustrated dustjacket. Shelf-wear; light wear to corner tips; else a near fine copy in near fine dustjacket (short closed tear to upper & lower front edge; short closed tear to lower rear edge; minor wear to extremities). In this volume, No. 8 in The Studio Publications "How To Do It Series", Ansel Adams educates photographers how to not just take a photograph, but to take a good one. He identifies the necessary equipment, the technique of each operation from exposure of the negative to completion of the print, and he explains the important part played by the eye of the photographer in selecting his point of view.