The Kingdom of the Pearl by Rosenthal, Leonard; Edmund Dulac (illustrator) - N.D.

W. Bromley, Hammersmith, London.,1799FIRST EDITION. Folio.(17.4 x 11.2 inches). 14pp, 9 pages of plates. An early issue of this work, with paper watermarked 1796. Stipple engraved, hand coloured title page and seven full page, hand coloured plates, plus full page engraved speech from As You Like it, titled The ages of Man, featuring one of Shakespeare's most enduring and often quoted lines - All the world's a stage, and all the men and women meerly players- each printed by R. Fenner. The plates are engraved by William Bromley after Stothards drawings. . Fine recent binding of quarter red straight grained morocco, the spine, ruled, decorated and lettered in gilt. Marbled paper on boards. Red morocco tips to corners of boards. Some offsetting from the Illustrations onto the text pages and some staining to the margins only on 5 pages but overall a very good attractive copy of this scarce and beautiful work.

London: Limited Editions Club / Curwen Press. Very Good+ with no dust jacket. 1937. First Edition Thus. First Printing. Hard Cover. Limited Edition (Copy No. 4 of only 1500), signed by the illustrator on the colophon page. Publisher's full cream/white cloth with a single gilt decoration on cover. In slipcase. Illustrated with 12 watercolor plates by Marie Laurentis. Translated from French with an Introduction by Edmund Grosse. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.. Spine mildly soiled, cover lightly marked, former owner's name written on ffep. Slip case has light watermarks and soiled, but sturdy, else very good. VERY GOOD/VERY GOOD. . Watercolors. 4to 11" - 13" tall. (xi), 214 pp. Signed by Illustrator .

Boston: Houghton, Mifflin and Company (Bernard Quaritch, London). Very Good with No dust jacket as issued. 1884. First Edition Thus. First Printing. Hard Cover. Photo-lithograph plates (56) With ornamental Title-page and 56 magnificent full-page Illustrations by Elihu Vedder, reproduced by the Lewis phototype process. Printed at the Riverside Press, Cambridge, Massachusetts. Medium brown flat-weave cloth over beveled boards; front cover with gilt-ruled borders, symbolist design of vase, vine, swirl and stars, and titling 'Rubaiyat of Omar Khayyam' and 'Drawings by Elihu Vedder'; rear cover without decoration; spine with gilt-ruled borders, floral ornaments, and titling 'Rubaiyat of Omar Khayyam'; illustrator's facsimile signature, gilt, on front cover, lower right "V."; grey coated endpapers with grapevine decoration; t.e.g.. Detailed collation: 2 Frontis; 3 Title; 6 Pictorial Imprint; 7 Pictorial dedication; 10 Pictorial Fly-title; 11-103 Text of Third… Read More

Black Sparrow Press: Santa Rosa, CA, 1997. First Edition. Hardcover. Fine. Robert Crumb. Folio. SIGNED BY ARTIST. Fine cream decorated cloth in red cloth slipcase. Number 36 of 175 numbered copies only, with 5 colour serigraphs, each signed by Robert Crumb.120 pp. Bukowski's last book, published three years after his death, in a nice edition in fine condition. The text is excerpts from his diaries, with entries focused on gambling, writing, aging, and everday life.

Dr. George Vanja & Co. Budapest. 1937. SIGNED, LIMITED EDITION. Small 4to. (9.3 x 6.8 inches). Illustrated with ten original coloured etchings by Lidia Farkas and Zoltan Poharnok, printed by hand-press and hand-coloured. One of 250 numbered copies, signed by both artists. This is number 54. Plain red endpapers. Attractive illustrated bookplate fo the front pastedown endpaper. Split to the bottom two inches of the front inner hinge, holding firm, but otherwise a very good clean copy in the original oatmeal coloured linen covered binding with red lettering to the spine and front board, which is also decorated with a multi colour cross stitch design.

W. Bromley, Hammersmith, London.,1799FIRST EDITION. Folio.(17.4 x 11.2 inches). 14pp, 9 pages of plates. An early issue of this work, with paper watermarked 1796. Stipple engraved, hand coloured title page and seven full page, hand coloured plates, plus full page engraved speech from As You Like it, titled The ages of Man, featuring one of Shakespeare's most enduring and often quoted lines - All the world's a stage, and all the men and women meerly players- each printed by R. Fenner. The plates are engraved by William Bromley after Stothards drawings. . Fine recent binding of quarter red straight grained morocco, the spine, ruled, decorated and lettered in gilt. Marbled paper on boards. Red morocco tips to corners of boards. Some offsetting from the Illustrations onto the text pages and some staining to the margins only on 5 pages but overall a very good attractive copy of this scarce and beautiful work.

London: Limited Editions Club / Curwen Press. Very Good+ with no dust jacket. 1937. First Edition Thus. First Printing. Hard Cover. Limited Edition (Copy No. 4 of only 1500), signed by the illustrator on the colophon page. Publisher's full cream/white cloth with a single gilt decoration on cover. In slipcase. Illustrated with 12 watercolor plates by Marie Laurentis. Translated from French with an Introduction by Edmund Grosse. Marie Laurencin (1883 – 1956) was a French painter and printmaker. She became an important figure in the Parisian avant-garde as a member of the Cubists associated with the Section d'Or.. Spine mildly soiled, cover lightly marked, former owner's name written on ffep. Slip case has light watermarks and soiled, but sturdy, else very good. VERY GOOD/VERY GOOD. . Watercolors. 4to 11" - 13" tall. (xi), 214 pp. Signed by Illustrator .

Boston: Houghton, Mifflin and Company (Bernard Quaritch, London). Very Good with No dust jacket as issued. 1884. First Edition Thus. First Printing. Hard Cover. Photo-lithograph plates (56) With ornamental Title-page and 56 magnificent full-page Illustrations by Elihu Vedder, reproduced by the Lewis phototype process. Printed at the Riverside Press, Cambridge, Massachusetts. Medium brown flat-weave cloth over beveled boards; front cover with gilt-ruled borders, symbolist design of vase, vine, swirl and stars, and titling 'Rubaiyat of Omar Khayyam' and 'Drawings by Elihu Vedder'; rear cover without decoration; spine with gilt-ruled borders, floral ornaments, and titling 'Rubaiyat of Omar Khayyam'; illustrator's facsimile signature, gilt, on front cover, lower right "V."; grey coated endpapers with grapevine decoration; t.e.g.. Detailed collation: 2 Frontis; 3 Title; 6 Pictorial Imprint; 7 Pictorial dedication; 10 Pictorial Fly-title; 11-103 Text of Third… Read More

Macmillan & Co. New York. 1889. New edition. 12mo. (7.5 x 5.2 inches). xii, 192, 12 pp publishers catalogue. Also an extra gathering bound in so that pages 117 to 124 appear twice. One gathering slightly sprung. Publishers dark green cloth with gilt and black decorative band across the top of the front board and the top and bottom of the spine. Black decorative roll to the bottom of the front board. Title on gilt to the middle of the front board. Spine lettered and decorated in gilt. Rear board with blind stamped floral roll to the top and bottom. Floral decorative endpapers. Neat two line inscription to the front free endpaper. The rear endpapers have an early previous owner's name and address written in red crayon to the free endpaper and a few short lines to the pastedown. Cloth a bit rubbed to the edges and a couple of small marks to the boards but overall a very good copy. An uncommon and attractive nineteenth century edition, printed in New York by J. J. Little and Co. This 1889 new edition was… Read More

Dr. George Vanja & Co. Budapest. 1937. SIGNED, LIMITED EDITION. Small 4to. (9.3 x 6.8 inches). Illustrated with ten original coloured etchings by Lidia Farkas and Zoltan Poharnok, printed by hand-press and hand-coloured. One of 250 numbered copies, signed by both artists. This is number 54. Plain red endpapers. Attractive illustrated bookplate fo the front pastedown endpaper. Split to the bottom two inches of the front inner hinge, holding firm, but otherwise a very good clean copy in the original oatmeal coloured linen covered binding with red lettering to the spine and front board, which is also decorated with a multi colour cross stitch design.