JAPAN (Sections XIII And XIV) -

Tuscaloosa, Alabama:: Firebrand Press,, 2010.. Edition of 70. 6.75 x 6.875 x 1.25"; 3 books, each a single sheet folded. Two of the books open to 18 x 24" and one opens to 12 x 24". Images created using woodcuts and photopolymer plates. Housed in clamshell box. Text and illustrations by Lauren Faulkenberry. Firebrand Press: "This is a series of three books, titled Smolder, Galvanize, and Devour. With a structure similar to a map fold, each book is printed on a single 18" x 24" sheet that collapses to 6" x 6".  "Based on the mythology of the Greek furies, this trilogy explores themes of heartache, longing, and obsession, and describes how it feels to be set aflame by another." The books and box can be arranged so that the cover drawings on each combine to form the image of a human heart.

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2013.. Edition of 75. 8.75 x 8.25"; 24 pages. Letterpress printed on handmade paper of cotton and abaca fibers. Text and images were printed using photopolymer plates and reduction linoleum blocks. Fonts are Optima Bold and Gill Sans Light. Handbound in quarter-cloth with cover paper of handmade walnut dyed flax. 3.5 x 3.5" illustration inset of quilted papers, which were designed with the artist's mother. Suzanne Sawyer: "The legacy of quilting is ubiquitous in American history, so much so that it has lost some of the meaning it once held. But its history is rich and perhaps best typified in African American culture such as with the quilters of Gee's Bend. The quilters, descendants of former slaves living in rural Alabama, developed a unique, improvisational style of quilting using just remnants of clothing. Their quilts have become world renowned for their simple geometric patterns and have been compared to the work of modern… Read More

Basel, Switzerland:: Studio for Design,, 2013.. Edition of 110 . 8 x 11.75" chipboard slipcase containing Tausend und eine Aufgabe; an Order Book; and "Pictorial Supplement with Translation in American English." Title label on spine. Concept, design, text, hand composing, printing, and binding by Willi Haldemann and Romano Hänni.  Tausend Und eine Aufgabe: 7.5 x 11.5", 14 pages; letterpress printed on hand proofing press in six colors.  An order book: 7.5 x 11.5", 32 pages; digital printing, saddle stitch binding.  "Pictorial supplement with Translation in English": 7.5 x 11.5", 4 pages; inkjet print. Willi Haldemann, "Pictorial Supplement …": "This order book documents my independent work as an engineer for building engineering since 1984. I am very pleased to have this opportunity to present the 1000 tasks, which Haldemann Basel handled successfully until 2012, in the form of this book. This book was hand… Read More

Léon Arnoult: La Variabilité du Gout dans les Arts. Les phases ornamentales de la mode (The variability of taste in the arts. The ornamental phases of fashion). Printed and published by Devambez "À l'enseigne du masque d'Or". Paris, 1921. ARNOULT Léon - William ABLETT (1877-1937 illustrator). Preowned, Signed. A l'Enseigne du Masque d'Or, chez Devambez, 1921, in-4°, 87 pp + 7 plate illustrations, printed in 303 numbered copies. Sewn, original printed stiff wrapper over blind wrapper. Printed wrapper, interior fine, uncut and unopened copy. Two of the illustrations are mixed technique plates by William Ablett, one is signed in pencil by the artist: a circular engraving with a lithographic image printed on it and heightened with gold. Editorial paperback, Jacket with title to the framed flat, beautiful allegorical friezes, endpapers, eyelet, cover page with the same frieze (antique collection stamp). The quantity of circulation - 303 copies justified, and numbering - №120, a preface paper,… Read More

Tuscaloosa, Alabama:: Big Jump Press,, 2023.. Edition of 66 (26 lettered, 40 numbered). 5.5 x 9"; 20 pages. Papers include Red River double side Premium Matte and Colorplan. Text set in Arno, Myriad, and Monaco type. Printed letterpress using polymer plates from Boxcar press. Produced in an edition of 44, of which 26 lettered copies bound individually and 40 bound alongside other collaborative components of the 'Acts of Translation" project. Signed by Allen and Bryant. Lettered. Big Jump Press: "Dr. David Allen studies the ecology of ticks and tick-borne diseases. He uses an integrated theoretical and empirical approach to tease apart the biotic and abiotic drivers of tick populations and tick-borne pathogen persistence. He has published his work in numerous journals, including 'Journal of Medical Entomology, Biological Conservation, Emerging Infectious Diseases, and Northeastern Naturalist'. His research into the Ixodes population has received a grant from the National… Read More

Portland, Maine:: Rebecca Goodale,, 2001.. Edition of 10. 9.625 x 9.5 x .75"; 4 leaves. Silkscreen printed accordion onto which are tipped handcut inkjet-printed butterflies. Clothbound portfolio case closed with an elastic band. Linda J. Docherty, Catalog of the Exhibition: Threatened and Endangered: Artists' Books Created by Rebecca Goodale, 2004: "Four Maine Butterflies illuminates the fragile beauty of the natural world. It invites contemplations of differences among insects that appear, at first glance, similar. Goodale shows the intricate silhouettes and subtle markings that distinguish Edwards' hairstrea, Clayton's copper, hessel's hairstreak, and Katahdin Arctic. The butterfly forms are cut out and placed on decorative backgrounds inspired by their individual host plants. In the history of art, the butterfly symbolizes resurrection, and Goodale captures this hopeful quality. The insects pop up and hover over the pages, vibrating with life despite their endangered status.

Portland, Maine:: Rebecca Goodale,, 2014.. Edition of 15. 8.5 x 6.5" closed; 5 leaves. Screen printed on a Gocco printer, hand-colored, and hand-cut. Fan book structure with tie closure at the handle/spine. In stiff green paper open-ended envelope. Signed and numbered by the artist. Each book varies slightly because of the handcoloring. Goodale continues her documentation of imperiled fauna with Maine's Alpine Marsh Violet. The viola palustris in Maine is "critically imperiled because of extreme rarity or vulnerability to extirpation."

Cedar Falls, Iowa:: Islam Aly,, 2017.. Edition of 30. 2 x 2 x 1.5" miniature book. Laser-cut mould-made Johannot paper. Twenty sections of 2 folios per section. Handbound in laser cut and engraved wooden boards with Coptic binding of linen thread. Signed and numbered by the artist. Islam Aly: "In the Metamorphoses series, I am focusing on Islamic art and design. I want to reveal how patterns develop and morph in a book that makes the viewer experience their beauty, elegance, harmony, intricacy, and complexity. "Metamorphoses 5 represents a square that morphs into a star. The patterns in the book are combined, duplicated, interlaced, and arranged in multiple combinations that are precise, beautiful, and symbolic.

[Salt Lake City]:: Marnie Powers-Torrey,, 2017.. Edition of 50. 5.5 x 5.75" folded cotton wrapper with pockets and tie closure. Text and textural elements printed letterpress from polymer plates. Pockets contain instruction pamphlet/travel journal, items for completing project, and completed boustrophedon of the poetry. Signed by poet and artist. Numbered. Marnie Powers-Torrey: "In November 2018, Amie Tullius invited Marnie to contribute to the production and dissemination of a traveling literary journal 'Train Tracts', a collaborative effort led by Amie and Stefanie Dykes of Saltgrass Printmakers. Marnie was paired with writer Rachel Marston, Assistant Professor English at the College of Saint Benedict and Saint John's University in Minnesota, who offered a challenging text for interpretation and visual translation. The final edition of thirteen was due to the post office by January 31, 2019 so that the tracts, twelve editions of collaborative artists books by printmakers/book… Read More

John Murray. London. 1977. FIRST EDITION. SIGNED BY STONE, and with 8 ephemeral items of his of printed work. 4to. Fully illustrated with 151 pages of designs, most with several images to each page. Signed by Stone in black ink on the title page. Also there are 8 pieces of his printed work, one inscribed by Stone on the back, loosely inserted; Prospectus for The Old rectory suite of engravings, Bookplate for David Potter, vignette view with 'keepsake from Reynolds Stone' motif below, Waterfall view on single sheet, Bookplate for Iain Bain, Prospectus for Boxwood suite of engravings, Artist in the woods illustration on single sheet, and A child in the woods illustration printed onto card and inscribed by Stone on the rear 'Dear Norah. My spelling gets worse, please forgive dropt H which I realised the moment I posted jacket. Yours Reynolds' and an ink date stamp, 3 Mar 1975. A little minor rubbing to the extremities of the boards but still a near fine copy in a very good dustwrapper which has a crease… Read More