I Didn't Get Over", two draft typescripts, with holograph corrections, for the short story.

[Asheville, NC: Grove Park Inn, summer, 1936]. The first and last draft manuscripts for a published short story, given by Fitzgerald as a gift to his obliging young typist Two original drafts, the first draft and the second and final draft, for Fitzgerald's short story "I Didn't Get Over", written in summer 1936 and published in Esquire magazine that October. The most noticeable differences between the two drafts are at the beginning and end of the piece. The title is slightly changed: in the first draft, it is "I Never Got Over"; in the second, that is amended in manuscript to "I Didn't Get Over". In the story, a former army captain who failed to make it to the front in the First World War confesses his responsibility for a training-camp accident that claimed the lives of several soldiers. At the end, the second draft, Fitzgerald adds in pencil the coda that makes the identity of the army captain clear: "I was that captain, and when I rode up to join my company he acted as if he'd never seen me before. It kind of threw me off - because I used to love this place. Well - good night." The summer of 1936 was a difficult one for Fitzgerald. From February to April 1936, he had published the essays in Esquire magazine that are now well known as The Crack-Up, the articles that helped invent confessional journalism, in which he revealed the collapse of his life and his hopes, and his determination to save himself with his art. A year or so later, he would begin work on his last, unfinished novel, The Last Tycoon. The two drafts were given by Fitzgerald to James B. Hurley, who had answered a classified ad to do some typing and found himself employed by F. Scott Fitzgerald. In 1936, having just graduated from Brown University with a BA in English, Hurley left his hometown of Providence, RI, and went to North Carolina looking for work. Hurley typed Fitzgerald's manuscripts, which were written in longhand, on a Remington portable designed for double-spaced work. Fitzgerald wanted his first drafts triple-spaced in order to edit between the lines, so Hurley had to turn the roller by hand at the end of each line to provide the extra space. Hurley worked for Fitzgerald for nine months, at the end of which Fitzgerald inscribed three of his novels to Hurley and presented him with the manuscripts of two short stories, this and the Civil War story, "The End of Hate". Both were sold at auction, Sotheby's New York, 4 Dec. 1996, the present two drafts as lot 88. The story was first published in book form in the posthumous collection Afternoon of an Author (1957). First draft: 20 leaves, various sizes (largest 330 x 214 mm), partly triple-spaced typescript with pencil holograph amendments, completed in pencil manuscript. Second draft: 9 pages (US Letter: 11 x 8.5 ins), double-spaced typescript with pencil holograph amendments. Minor rusting from paper clips, clips retained separately; notably well-preserved. Bruccoli C266.