Hore ab Usum Romanum totaliter ad lungum sine require cum multis suffragijs et orationibus. Tout pour le mieulx by HOURS. Use of Rome. 1508 - 1508

Paris: Gillet Hardouin, 1516 [calendar covering the years 1516-27]. 197 x 120 mm. (7 3/4 x 4 1/2"). 104 leaves. FINE CONTEMPORARY BLIND-TOOLED CALF, covers with multiple rules and floral rolls, raised bands, gilt lettering in two compartments, skillfully rebacked in the style of the period, four brass clasps and catch plates (possibly renewed), original vellum endleaves. In a vellum clamshell box. WITH 23 VIGNETTES AND 16 FULL-PAGE METAL CUTS within architectural borders, BEAUTIFULLY ILLUMINATED IN COLORS AND GOLD BY A CONTEMPORARY HAND. Front pastedown with engraved bookplate of "J. R. P.," rear endleaves with genealogical information in an early hand. The coloring of one of the vignettes left unfinished. ◆Extremities and raised bands with a little rubbing, minor (and very well done) repairs to a few places at the corners and edges, but the extremely attractive binding completely sound and pleasing. One miniature with faint creasing (mostly touching the robes of two figures), a few miniatures… Read More

THE GREATEST BOOK OF RENAISSANCE ARCHITECTUREIllustrated with 205 large woodcuts, including 74 full-page and 7 double-page blocks; magnificent allegorical woodcut title border; large woodcut head-pieces and large floriated and grotesque woodcut initials; leaf I4 slightly taller than the rest of the text block, to accommodate a tall column woodcut, with about 2 cm section at top folded in. Royal Folio. 19th-century ¼-vellum over marbled boards; spine decorated and lettered in gilt; edges gilt. Paris: Fédéric Morel, 1567. First Edition. First Issue. The most influential and most lavishly illustrated handbook of French Renaissance architecture. The first and only published volume. A second volume was planned by the author but never completed.Mortimer, Harvard College Library Cat.: French 16th-Century Books, no.355; Brunet, Supple. I, 888-9; Fowler Architect. coll. 99; Clouzot, Philibert de l'Orme, pp. 90-107; Berliner Ornamentstichkatalog 2362; Pettegree, French Vernacular Books 15434; cf. Adams L… Read More

179 pages. Rebound in full vellum; binding tight, all pages clean, no tears, no repairs, some pencil marks. Very slight foxing here and there and delicate age-tinting. Five raised bands, title stamped in gold on red leather label.Scholar, poet, musician, literary figure and Cardinal Pietro Bembo's (1470-1547) vernacular translation of his famous history of Venice (originally in Latin).

4° (mm 185x135); cc. LXXIIII. Caratteri gotici; titolo e anno impressi in rosso, entro cornice silografica a quattro scomparti e con bellissimo legno centrale; al verso dell'ultima carta, marca tipografica silografica. Legatura ottocentesca in mezza pelle. Bell'esemplare, nonostante i margini non amplissimi.
Very rare edition of the earlier Spanish sentimental romance, originally published in Valencia in 1513.
About the authorship of Qüestión de amor, one of the most intriguing among the Spanish sentimental romances:
"In a series of articles on the authorship of the earlier sentimental romance Qüestión de amor, I suggested first that the anonymous author was a member of the aristocratic Cardona family (1994a) basing this attribution on a series of clues deeply imbedded within the text itself – in other words, evidence interior to the work. Furthermore, I suggested that the author was the poet Alonso de Cardona whose work was found in the Cancionero General of 1511 (1994b and 2006). Finally,… Read More

London: Printed...at the costes and charges of John Cawod, John Waly, and Richarde Tottell, 1557. BEDFORD, Francis. . The workes of Sir Thomas More Knyght. sometyme Lorde Chauncellour of England, wrytten by him in the Englysh tonge. London: Printed...at the costes and charges of John Cawod, John Waly, and Richarde Tottell, 1557. First edition of the collected works in English, edited by More's nephew, William Rastell who arranged the material in chronological order and added marginal notes. This copy with the words "Printed at" in the first line of the imprint. Small folio (10 1/4 x 7 1/4 inches; 261 x 186 mm). Collates complete: [18 leaves of preliminaries, including the title and blank leaf], 1458, [lacking final blank]. Collation as in Pforzheimer, including the inserted leaf between CC5 & 6. Black letter, double columns. Title within woodcut border (McKerrow and Ferguson 81), decorative and historiated woodcut initials. Handsomely bound in a late 18th century full calf binding. Boards ruled in… Read More

Paris: Gillet Hardouin, 1516 [calendar covering the years 1516-27]. 197 x 120 mm. (7 3/4 x 4 1/2"). 104 leaves. FINE CONTEMPORARY BLIND-TOOLED CALF, covers with multiple rules and floral rolls, raised bands, gilt lettering in two compartments, skillfully rebacked in the style of the period, four brass clasps and catch plates (possibly renewed), original vellum endleaves. In a vellum clamshell box. WITH 23 VIGNETTES AND 16 FULL-PAGE METAL CUTS within architectural borders, BEAUTIFULLY ILLUMINATED IN COLORS AND GOLD BY A CONTEMPORARY HAND. Front pastedown with engraved bookplate of "J. R. P.," rear endleaves with genealogical information in an early hand. The coloring of one of the vignettes left unfinished. ◆Extremities and raised bands with a little rubbing, minor (and very well done) repairs to a few places at the corners and edges, but the extremely attractive binding completely sound and pleasing. One miniature with faint creasing (mostly touching the robes of two figures), a few miniatures… Read More

THE GREATEST BOOK OF RENAISSANCE ARCHITECTUREIllustrated with 205 large woodcuts, including 74 full-page and 7 double-page blocks; magnificent allegorical woodcut title border; large woodcut head-pieces and large floriated and grotesque woodcut initials; leaf I4 slightly taller than the rest of the text block, to accommodate a tall column woodcut, with about 2 cm section at top folded in. Royal Folio. 19th-century ¼-vellum over marbled boards; spine decorated and lettered in gilt; edges gilt. Paris: Fédéric Morel, 1567. First Edition. First Issue. The most influential and most lavishly illustrated handbook of French Renaissance architecture. The first and only published volume. A second volume was planned by the author but never completed.Mortimer, Harvard College Library Cat.: French 16th-Century Books, no.355; Brunet, Supple. I, 888-9; Fowler Architect. coll. 99; Clouzot, Philibert de l'Orme, pp. 90-107; Berliner Ornamentstichkatalog 2362; Pettegree, French Vernacular Books 15434; cf. Adams L… Read More

179 pages. Rebound in full vellum; binding tight, all pages clean, no tears, no repairs, some pencil marks. Very slight foxing here and there and delicate age-tinting. Five raised bands, title stamped in gold on red leather label.Scholar, poet, musician, literary figure and Cardinal Pietro Bembo's (1470-1547) vernacular translation of his famous history of Venice (originally in Latin).

4° (mm 185x135); cc. LXXIIII. Caratteri gotici; titolo e anno impressi in rosso, entro cornice silografica a quattro scomparti e con bellissimo legno centrale; al verso dell'ultima carta, marca tipografica silografica. Legatura ottocentesca in mezza pelle. Bell'esemplare, nonostante i margini non amplissimi.
Very rare edition of the earlier Spanish sentimental romance, originally published in Valencia in 1513.
About the authorship of Qüestión de amor, one of the most intriguing among the Spanish sentimental romances:
"In a series of articles on the authorship of the earlier sentimental romance Qüestión de amor, I suggested first that the anonymous author was a member of the aristocratic Cardona family (1994a) basing this attribution on a series of clues deeply imbedded within the text itself – in other words, evidence interior to the work. Furthermore, I suggested that the author was the poet Alonso de Cardona whose work was found in the Cancionero General of 1511 (1994b and 2006). Finally,… Read More

London: Printed...at the costes and charges of John Cawod, John Waly, and Richarde Tottell, 1557. BEDFORD, Francis. . The workes of Sir Thomas More Knyght. sometyme Lorde Chauncellour of England, wrytten by him in the Englysh tonge. London: Printed...at the costes and charges of John Cawod, John Waly, and Richarde Tottell, 1557. First edition of the collected works in English, edited by More's nephew, William Rastell who arranged the material in chronological order and added marginal notes. This copy with the words "Printed at" in the first line of the imprint. Small folio (10 1/4 x 7 1/4 inches; 261 x 186 mm). Collates complete: [18 leaves of preliminaries, including the title and blank leaf], 1458, [lacking final blank]. Collation as in Pforzheimer, including the inserted leaf between CC5 & 6. Black letter, double columns. Title within woodcut border (McKerrow and Ferguson 81), decorative and historiated woodcut initials. Handsomely bound in a late 18th century full calf binding. Boards ruled in… Read More