Not At Home by Christopher Reed (Editor): The supression of domesticity in modern art and architecture

Thames & Hudson, 1996. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson, 1996-05. Hardcover. Good.

London, Thames & Hudson, 1996. Hard Cover. 304 p., illus.; 24 cm. Seventeen articles. "The notion of domesticity, itself an invention of the modern age-- the home, the family, privacy, comfort, as opposed to the workplace-- has been challenged and ridiculed by modern artists." Fine/ dj fine. 101622x.

Hardback. Good.

Hardback. Very Good.

Thames & Hudson. Used - Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

London: Thames & Hudson, 1996. Hardcover. Fine/near fine. Gilt stamped blue cloth boards in dust jacket, octavo, illustrated in b&w. Book has handsome boards and tight binding, text clean and unmarked. DJ gently rubbed, previous seller's sticker to rear panel.

London: Thames & Hudson, 1996. Cloth/dust jacket Octavo. Hardcover. Good/very good. blue cloth, gilt lettering and ornament, dust jacket, 304 pp, covers partially loose Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Thames & Hudson Ltd, 1996. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780500016923

New York: Thames and Hudson, 1996. Cloth, 304 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. "This book explores the relationship of modernism and domesticity, a contested realm which, perpetually invoked in order to be denied, has remained a crucial though marginalized element of modernism. From the Victorian period, through Aestheticism and the Arts and Crafts Movement, in fin-de-siecle France and Sweden and within the twentieth-century avant-gardes of Paris, Vienna, London, Boston, Berlin and New York, up to the present time, domesticity and art, architecture and design are interwoven." "Today, after more than one hundred years of dispute, the domestic is being re-evaluated and returned to a position of cultural prominence, impelling us to look back over the mainstream of modernism in an effort to trace its hidden domestic subcurrents. This book, with stimulating and highly original contributions by… Read More