FOUR QUARTETS by Eliot, T. S. [Thomas Stearns] - 1943

New York: Rinehart & Company, 1948. First Edition. Original Wraps. Very Good. Advanced Review Copy in self wrappers. A Very Good copy of this scarce edition of Mailer's first novel. Book appears gently read, with concave spine and gentle rubbing to edges of the wraps. Faint odor and mild soiling to book, but no internal markings or major blemishes. A high spot of military literature, the gritty account of a recon platoon scouting an enemy position during WWII. Raoul Walsh directed the 1958 film of the same name starring Aldo Ray, Cliff Robertson and Raymond Massey. Additional photos available upon request. Very Good.

New York: Random House, 1940. First Edition. Hard Cover with Dust Jacket. Very Good/Very Good. Octavo. SIGNED AND INSCRIBED THUS ON FEP: "To Marguerite Dunsmore - /The friendly antagonist - in hopes / of more such intriguing duels / Cordially / Walter V. T. Clark / December 14, 1940. TOGETHER WITH CARBON TYPSCRIPT, ONE PAGE, SIGNED, WRITTEN TO MS. DUNSMORE: "Addressed to a Counter-blade / Let us cease this fencing of intellects / This sharp following behind masks / Of the bright points moving, this parry and thrust / Of the cold metal ringing, the guard against guard to a spark, / Seeking only a tip-tear in a heart sewed on white silk. / Let us throw down the limber blades, the screens of our faces, / Into the roses tossed early for the quick-legged dance of our brains, / Rub off the powder of our hands and join them tightly, / Looking upon each other once clearly uncovered. / Are we to dread the dark fools up in the gallery shadow / Crying the 'coward' chorus, until they weary, and bundle the… Read More

Paris: Léon Escudier [PNs L.E. 1500.; L.E. 1500. (1-4, 6-9, 11, 14); L.E. 1501. (1-3); L.E. 1504 (4).], 1855. Folio. Quarter contemporary dark green textured cloth with dark green pebbled paper boards, blind rules to spine, titling gilt. 1f. (recto title engraved by A. Vialon with the names of four of Verdi's operas printed within decorative borders, verso blank), [1] (named cast list and table of contents), 2-415, [i] (blank) pp. Engraved. Named cast includes Cruvelli, Sannier, Gueymard, Bonnehée, Obin, Boulo, Loenig, Marié, Coulon, and Guignot. Publisher's handstamp to lower margin of title. Binding somewhat worn and rubbed; endpapers browned. Occasional light foxing, soiling, and bleeding; several corners slightly creased; small tear to lower margin of pp. 55-56 with archival tape repair, not affecting music; several pages with minor annotations in pencil. A very attractive copy overall. First Edition of the first version of the opera. Hopkinson 56A(a). Chusid p. 170. Les Vêpres… Read More

New York: Weidenfeld & Nicolson, 1947 First printing of the first edition. Inscribed and signed by Robert Frost to poet, teacher, and friend, Samuel French: "To Samuel [French] Morse / from his fellow in the art / Robert Frost / in great hopes for us all." Light rubbing to board ends and faint toning to page margins, else book in fine condition; light toning to jacket spine and cover margins, trace of shelf wear, else dust jacket in fine condition. Among his many lifetime achievements, Frost was a four time recipient of the Pulitzer Prize in Poetry.

Scarce. Likely one of just a few published copies of the British edition in existence. Hardcover Near Fine. No DJ. First edition of author's first book. Banned very shortly after publication. Suppressed in England on March 4, 1929. As a result, there is likely only a handful of copies remaining. In fact, the copy in the British Library is one of the 'French' copies published subsequent to the English copies. Sleeveless Errand was ruled obscene at the Bow Street Police Court. All but a few representative copies were ordered to be destroyed. The police had been tipped off about the content by the editor of the Morning Post after they had received a review copy. It was subsequently printed in Paris the same year by Jack Kahane's Obelisk Press. According to one publication, "Sleeveless Errand was probably the most suppressed novel ever published in England; every store containing copies was raided; and a guard stood for a week-end at the window of one store containing one copy, until the owner could be… Read More

NY: Grove Press, 1959. First US edition, first prnt. (1962). Signed by Burroughs on the title page. Black cloth and black paper-covered boards. Topedge with black topstain. First issue dustjacket with correct price printed on front flap (six dollars) and no zip code on rear panel. Beginning page toning and spine cloth slightly pushed, spine gilt lettering intact; dustjacket with a quarter-inch closed tear and shallow crease at the front panel topedge, toning on the rear flap fold, touch of wear at the front panel upper corner and spine topedge. A clean, tight and bright copy. Near Fine condition in a Very Good dustjacket with an archival cover.Burroughs' most famous work and permanent entry in the Beat-era canon. Basis for the1991 David Cronenberg film with Peter Weller, Judy Davis and Ian Holm.. Signed by Author. First Edition. Hardcovers. Near Fine/Very Good. 8vo - over 7¾" - 9¾" tall.

New York: Rinehart & Company, 1948. First Edition. Original Wraps. Very Good. Advanced Review Copy in self wrappers. A Very Good copy of this scarce edition of Mailer's first novel. Book appears gently read, with concave spine and gentle rubbing to edges of the wraps. Faint odor and mild soiling to book, but no internal markings or major blemishes. A high spot of military literature, the gritty account of a recon platoon scouting an enemy position during WWII. Raoul Walsh directed the 1958 film of the same name starring Aldo Ray, Cliff Robertson and Raymond Massey. Additional photos available upon request. Very Good.

Robert Hale, London, 1957. First Edition. Hardcover. Very Good/Very Good. Hardcover. 160 pages. *** PUBLISHING DETAILS: Robert Hale, London, 1957. First Edition. This is the first UK edition. *** CONDITION: The book itself is in very good condition and comes in very good dust jacket. Lightly tanned pages. Dustjacket is in very good condition with only small closed tear in top edge and minor wear. Dust Jacket is un-clipped. Foxing to top edge of pages. *** ABOUT THIS BOOK: Very rare 1st UK edition of the authors second book. Rarer than the 1st US edition and also NOT ex-library. *** Quantity Available: 1. Category: Fiction; Western; Inventory No: 15060326..

Santa Barbara: Black Sparrow Books, 1975. First Edition. One-Quarter Cloth. Near Fine. Signed by the author at the colophon and numbered 4 of 5 (presentation copies in the limited first edition), this book contains a bound-in original oil painting by Charles Bukowski, still protected with the original tissue guard; laid in is Black Sparrow Press Broadside/Flyer No. 7, itself signed by Bukowski and numbered 8/100. Crisp, bright pages; green boards show gentle sunning along the head edges, and spine plate is also mildly sunned, but red cloth spine is fresh; even the original acetate outer cover is near fine, with a touch of finish wear.; Signed by Author.

New York: Alfred A. Knopf / A Borzoi Book, 1947 First printing of the first edition, original publisher’s teal cloth, yellow top edge; in original dust jacket; written while Hughes was a visiting writer in residence at Atlanta University, containing over 70 poems including “Border Line” that was submitted by Hughes for the 1962 anthology Poet’s Choice. A presentation copy from Langston Hughes to Marius Flothius: “Especially for / Marius Flothius / with my thanks for your excellent / musical settings / of my poems, / Sincerely / Langston Hughes / New York, November 1, 1955.” Additionally, loosely laid-in is a brochure for Hughes’ “The Rhythms of the World” and a single page carbon copy of Hughes’ short poem “Cross.”
Marius Flothuis (1914–2000) was a Dutch composer who set six of Hughes’ poems to music.
Shallow crimping to cloth spine ends, the very tip of the bottom back corner slightly softened, and light toning to… Read More