Exhibitionism: Art in an Era of Intolerance by Munson, Lynne

Dee Publisher, Ivan R. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Ivan R. Dee. Collectible - Very Good. Signed Copy First edition copy. Collectible - Very Good. Very Good dust jacket. Signed/Inscribed by author on half title page.

Dee Publisher, Ivan R. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Dee Publisher, Ivan R. Used - Good. Used book that is in clean, average condition without any missing pages.

Ivan R. Dee Publisher, 2000. Hardcover. Very Good. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Ivan R. Dee, 2000-09-26. Hardcover. Very Good. 1st edition, Ivan R. Dee Publishing hardcover w/ DJ, 2000. Book is Near Fine, w/ clean text, binding so tight it seems to have never been read. DJ is VG+, w/ very light edge/shelf wear (no tears or chips). Free delivery confirmation.

Ivan R. Dee Publisher, 2000 Book is clean and unmarked, very light cover wear. Dust jacket clean, light wear, no tears. With 17 black/white illustrations and 8 pages of color plates.

Ivan R Dee, 2000-09-26. Hardcover. Good.

Ivan R. Dee, 2000-09-26. First Edition. Hardcover. Like New/Like New. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

Chicago: Ivan R. Dee, 2000. 237 pages, [8] pages of plates, illustrations (some colour); 23 cm. Firm binding, clean inside copy. Front board lightly soiled. Dust jacket with a creased front flap. Another copy available. "From 'Piss Christ' to elephant dung, a decade of art wars has agitated public opinion and incited art world fury but has yielded little conventional wisdom about what ails our art institutions. In this sharp-eyed and authoritative investigation, Lynne Munson identifies an intolerance that overtook the art world in the postmodern era. By exploring the personalities and workings of such major institutions as the National Endowment for the Arts and Harvard University's Department of Fine Arts, she shows how a new dogmatism established itself in museums, academia, and even the artist's studio, where postmodernism favored experimental art at the expense of the traditional, and placed limits on what might be funded, exhibited, studied, and created. Drawing on original… Read More