An Epitome of the Natural History of the Insects of China: comprising Figures and Descriptions. by Donovan E - 1798

New York and London. G.P. Putnam's Sons. 1902. Handsomely bound in elaborately gilt tooled and titled 3/4 gilt ruled vellum and grey paper over boards. Vellum tips. t.e.g. This set encased in the rare original publishers imprinted dustwrappers. Thick 8vo (6.25" x 9"). The Book-Lover's Camden Edition. This edition of The Complete Works of Walt Whitman is Limited to 500 Numbered sets, of which this is number 242. Edition number stipple to limitation page as required. Illustrated by a photogravure frontis to each volume and further by tissue-guarded full page mounted photogravures throughout. This rare and important set was issued under the editorial supervision of Whitman's Literary Executors. Also contains additional bibliographical and critical material prepared by Oscar lovell Triggs. Previous owners small and attractive bookplate to front pastedowns. Small circular burn mark (4mm) to front of dustwrapper and front board of one volume (innocuous). Some very mild scattered foxing to prelims. A Fine,… Read More

Petersham, MA: Lone Oak Press, 2005. Esser, Mark. Oblong quarto. 89pp. From an edition of fourteen deluxe copies and 70 standard copies, this is one of five deluxe copies chosen to be specially bound for the international traveling exhibit "InsideOUT: Contemporary Bindings of Private Press Books," and as such, it does not include the extra suite or block as listed on the colophon. The exhibit, organized by British binding society Designer Bookbinders, married the works of nine private presses with the artistry of 59 binders from the United Kingdom and the United States. The text consists of selections from Henry David Thoreau's journal, which describe the vernal pools of New England that serve as breeding habitats for all manner of amphibians. Accompanying the text are twenty-eight engravings by Lone Oak Press founder Abigail Rorer, some of which are hand-colored by the artist. The detailed drawings brilliantly capture the teeming life and varied textures of these small pools. The book was designed… Read More

Milano: Ricordi, 1830. First Edition — Primera edición. 232x325mm. (9¼x12¾").. Milano & Firenze, Gio. Ricordi, c.1830. Folio oblongo (232 x 325)mm. (1) hoja de título, (1) h. de índice y personajes, 266 pp., 5 láminas grabadas y coloreadas a mano en la época representando los escenarios de la obra sobre dibujos de Sanquirico. Encuadernación en pleno marroquén de época color azul marino, hilo y rueda dorada enmarcando los planos, lomera cuajada de adornos dorados, rueda dorada en los contracantos, cabeza y cortes también dorados. Primera edición de gran rareza extra ilustrado con láminas de Sanquirico. Il Talismano, con libreto de Gaetano Barniere sobre texto de Walter Scott, fue la primera representación en el Teatro alla Scala de Milán, representada el 10 de junio de 1829. El libro, todo grabado en plancha, está además ilustrado con 5 magníficas láminas grabadas en litografía y coloreadas a mano inventadas y dibujadas por Alessandro Sanquirico representando escenarios para la… Read More

Chatto & Windus, Piccadilly. London. 1876. FIRST EDITION. First impression. 8vo. (7.8 x 5.9 inches). A few small marks to just a handful of pages but generally this is a clean and bright copy throughout. Finely bound in recent full red morocco. Spine with five raised bands. Gilt ruling, lettering and decorations to compartments. Single gilt ruled border on boards. Top edge gilt, others untrimmed. Original publishers decorative front board and spine, which is rubbed and toned, have been bound in at the rear. Overall a very good attractive copy of the true first edition of this classic book. First published in England in order to secure a British copyright, the London edition precedes the American edition by about six months.

Paris: Société du Livre d'Art. Imprimerie Nationale, 1909. Limited Edition. Near fine. Henri Jourdain. 4to, 10 1/2 x 7 3/4 inches ( 266 x 197 mm); pp. [6], iv, 355, ii, [6]; 66+1 colored etchings by Henri Jourdain; original blue paper wrappers bound in; printed on paper specially-made by Maison Perrigot-Masure, offset on pages opposite the etchings, otherwise paper is bright and clean. This is No. 90 of 130 copies; the first 99 destined to members of the Société du Livre d'Art. It is also one of only 5 copies to contain an EXTRA SUITE of colored etchings. Exquisite binding by E. Maylander (gilt stamped on inside front cover) in emerald green morocco, multiple concentric gilt fillets on boards with a strip of tan morocco, spine with four raised bands, compartments decorated as the boards, gilt titling, a.e.g.; doublures in tan morocco with mosaic (embossed & gilt motif of leaves and chestnuts), green silk endpapers, second set of endpapers in green and gold marbled paper; "chemise" in 3/4 green… Read More

New York and London. G.P. Putnam's Sons. 1902. Handsomely bound in elaborately gilt tooled and titled 3/4 gilt ruled vellum and grey paper over boards. Vellum tips. t.e.g. This set encased in the rare original publishers imprinted dustwrappers. Thick 8vo (6.25" x 9"). The Book-Lover's Camden Edition. This edition of The Complete Works of Walt Whitman is Limited to 500 Numbered sets, of which this is number 242. Edition number stipple to limitation page as required. Illustrated by a photogravure frontis to each volume and further by tissue-guarded full page mounted photogravures throughout. This rare and important set was issued under the editorial supervision of Whitman's Literary Executors. Also contains additional bibliographical and critical material prepared by Oscar lovell Triggs. Previous owners small and attractive bookplate to front pastedowns. Small circular burn mark (4mm) to front of dustwrapper and front board of one volume (innocuous). Some very mild scattered foxing to prelims. A Fine,… Read More

Petersham, MA: Lone Oak Press, 2005. Esser, Mark. Oblong quarto. 89pp. From an edition of fourteen deluxe copies and 70 standard copies, this is one of five deluxe copies chosen to be specially bound for the international traveling exhibit "InsideOUT: Contemporary Bindings of Private Press Books," and as such, it does not include the extra suite or block as listed on the colophon. The exhibit, organized by British binding society Designer Bookbinders, married the works of nine private presses with the artistry of 59 binders from the United Kingdom and the United States. The text consists of selections from Henry David Thoreau's journal, which describe the vernal pools of New England that serve as breeding habitats for all manner of amphibians. Accompanying the text are twenty-eight engravings by Lone Oak Press founder Abigail Rorer, some of which are hand-colored by the artist. The detailed drawings brilliantly capture the teeming life and varied textures of these small pools. The book was designed… Read More

Milano: Ricordi, 1830. First Edition — Primera edición. 232x325mm. (9¼x12¾").. Milano & Firenze, Gio. Ricordi, c.1830. Folio oblongo (232 x 325)mm. (1) hoja de título, (1) h. de índice y personajes, 266 pp., 5 láminas grabadas y coloreadas a mano en la época representando los escenarios de la obra sobre dibujos de Sanquirico. Encuadernación en pleno marroquén de época color azul marino, hilo y rueda dorada enmarcando los planos, lomera cuajada de adornos dorados, rueda dorada en los contracantos, cabeza y cortes también dorados. Primera edición de gran rareza extra ilustrado con láminas de Sanquirico. Il Talismano, con libreto de Gaetano Barniere sobre texto de Walter Scott, fue la primera representación en el Teatro alla Scala de Milán, representada el 10 de junio de 1829. El libro, todo grabado en plancha, está además ilustrado con 5 magníficas láminas grabadas en litografía y coloreadas a mano inventadas y dibujadas por Alessandro Sanquirico representando escenarios para la… Read More

Chatto & Windus, Piccadilly. London. 1876. FIRST EDITION. First impression. 8vo. (7.8 x 5.9 inches). A few small marks to just a handful of pages but generally this is a clean and bright copy throughout. Finely bound in recent full red morocco. Spine with five raised bands. Gilt ruling, lettering and decorations to compartments. Single gilt ruled border on boards. Top edge gilt, others untrimmed. Original publishers decorative front board and spine, which is rubbed and toned, have been bound in at the rear. Overall a very good attractive copy of the true first edition of this classic book. First published in England in order to secure a British copyright, the London edition precedes the American edition by about six months.

Paris: Société du Livre d'Art. Imprimerie Nationale, 1909. Limited Edition. Near fine. Henri Jourdain. 4to, 10 1/2 x 7 3/4 inches ( 266 x 197 mm); pp. [6], iv, 355, ii, [6]; 66+1 colored etchings by Henri Jourdain; original blue paper wrappers bound in; printed on paper specially-made by Maison Perrigot-Masure, offset on pages opposite the etchings, otherwise paper is bright and clean. This is No. 90 of 130 copies; the first 99 destined to members of the Société du Livre d'Art. It is also one of only 5 copies to contain an EXTRA SUITE of colored etchings. Exquisite binding by E. Maylander (gilt stamped on inside front cover) in emerald green morocco, multiple concentric gilt fillets on boards with a strip of tan morocco, spine with four raised bands, compartments decorated as the boards, gilt titling, a.e.g.; doublures in tan morocco with mosaic (embossed & gilt motif of leaves and chestnuts), green silk endpapers, second set of endpapers in green and gold marbled paper; "chemise" in 3/4 green… Read More