Collection of 20 Original Photographs from George Warrek's One- Man Show at the Museum of the University of Puerto Rico, June 12-29, 1962 by Warrek, George - 1962

London: T.F. Robey, 1890. Very Good. 16 black-and-white collotype views loose, as issued, in a light green envelope. Title from envelope. "Robey's Series" -- on envelope and on each image. Thomas F. Robey was a photographer active in London beginning in the 1890s. From about 1894 to about 1905 he was also active as a commercial photographer and printer with Eustace Curzon. They were among many photographers producing platinotypes, or platinum prints, around the turn of the century. "Platinogram" was the name given by Robey to these images made from platinotypes. As listed on the envelope the views are: The Tower Bridge, Tower of London, London Bridge, Royal Exchange, St. Paul's (West Front), Embankment, Houses of Parliament, Westminster Abbey, Rotten Row, Piccadilly Circus, Albert Hall, Albert Memorial, Crystal Palace, Trafalgar Square, Ludgate Circus, and the Great Wheel. There is no date of publication, but the images appear to be from the 1890s. The detail in the street scenes is particularly… Read More

Thessaloniki: Thessaloniki Org for the Cultural Capital of Europe, 1997 , 1995 Sept.. First edition. Hardcover. As New. As new copy, Hard cover pub without DJ. 202pp 27,8X30 cm. English printing in 5000 copiesThe Manaki brothers, Yanaki and Milton were photography and cinema pioneers who brought the first film camera and creating the first motion pictures on the Balkan Peninsula and in the Ottoman Empire. ENGLISH

Santa Monica, CA: Ram Publications / Huntington Library, 1997. Signed on the title page by Michael Kenna. Additionally inscribed: To Michael, with very best regards, September 12, 97. First edition / First printing. Brown cloth. Fine in fine dust jacket, with a hint of fading to the dust jacket spine. A lovely production.

London: Thames and Hudson [0-500-54109-4] 1985. (4to) 283pp. Near fine in near fine dust jacket. Photographs. There is a very tiny dampstain to the back bottom corner and the top edge has a small discoloration near the spine. "The first picture - the first shot - in this large and fascinating volume of Henri-Cartier-Bresson's photographic portraits is much more than merely strange. I know nothing about the main figure in that picture beyond a time, 1967, and a place, Israel; but I know enough to be captivated by something unfamiliar, yet inescapable". Time Period & 1932-1985. Foreword by Andre Pieyre de Mandiargues. (Photography, Celebrities, Photography, Portraits).

Santa Fe, NM: Twin Palms, 1992. First edition / First printing. Gilt stamped black cloth. Very fine without dust jacket as issued. Archival clear mylar jacket is supplied. One of five thousand casebound copies.

Brookville, New York: Hillwood Art Gallery, 1989. SIGNED first edition. Softcover exhibition catalog. Published C.W. Post Campus, Long Island University, Brookville: Hillwood Art Gallery, 1989. 8vo. oblong wrappers, 10" x 9", 36pp., illustrated with b/w photos. Inscribed by Leipzig on title page: "To charlotte, with gratitude, Arthur Leipzig". Near fine. . Signed by Illustrator. 1st. Soft Cover. Near Fine/No Jacket, As Issued. 8vo.

Zurich: Gerber & Keller, 2011. Book. Fine. Hardcover. Signed by Author(s). 1st Edition. Hardcover with linen in photo-illustrated dust jacket. Published in a limited edition of 250 numbered copies signed by the artist. This copy is no. 29. 115 color and b/w full page photos. With an original signed and numbered inkjet print. 30,5 x 24 cm. Scheurwater's sexually explicit, curious and smart research about herself. .

Israel: Ministry of Education and Culture. Very Good. 1978. Softcover. Signed black marker portrait of photographer Arnold Newman by his friend, artist Menashe Kadishman, on title page. Curated and with an essay by Amnon Barzel. Bibliography, artist bio. Photo-illustrated softcover. Many photos of Kadishman setting up his Biennale installation of painted sheep and other sculptures. Text in English and Italian. Penciled owner notes that this book was from library of Arnold Newman on title page. ; 8vo 8" - 9" tall; [46] pages .

Quarterly publication of the Under-Secretariat of State for the Press and Tourism. 5th number (Summer 1938). Chief Editor: Takis Barlas. Artistic supervision: G. Gerondas. Covers: Photis Kontoglou. Coloured illustration by Marie Scanavi: Costume of Leucas. Printed by the Aspioti-Elka Graphic Arts, Athens. 33x24 cm. Texts: Semni Papaspyridou-Karousou, Alex. Philadelpheus, Otto Kern, Gustave Fougères, Camille Mauclair, Albert Thibaudet, Dimi, A. Papadiamandis. Photos: Nelly's, Oeconomides.
--- Richly illustrated, pages bright and clean. Some wear at the edges of the covers. Text in english. Hard to find.

Artsept was a little-known periodical published in 1963 by the writer and film critic Raymond Bellour. Due to financial problems only three issues were published. With an editorial board consisting in particular of Raymond Bellour, Jean Cayrol, Armand Gatti, Jean-Louis Leutrat, Jean Michaud and Bernard Pingaud, Artsept's mission was to manifest film as the seventh art, embracing all other arts in their discourse. Each issue was dedicated to a specific topic, the first one to "real cinema", the second to "cinema and truth", and the last one to "love".

On the cover of the first issue of Artsept appear the names of Cayrol, Colpi, Durand, Gatti, Marker, Resnais, and Varda. This reads like the "Who's Who" of the Left Bank Group and already indicates a different approach to film than André Bazin's famous Cahiers du Cinéma. Each issue contains a comprehensive filmography and bibliography of the filmmakers who appear as authors or subjects in Arstept.
The remarkable texts from contributors like… Read More