Chemistry in the market place by Ben selinger - 1981

Small quarto (11 x 8 1/4 inches) Published in the Interest of the Firemen's Relief Fund, December 1900. 116 pages of half tone black and white photos of early Los Angeles, portraits, and advertisements for Los Angeles businesses of the period.

Descriptive text includes a short history of the Los Angeles Fire Department: "In May, 1875, Engine Company No. 2 was organized."

Good condition: original red cloth binding, showing mild age toning, title on front cover, floral patterned end papers.

Many photos of early Los Angeles fire stations, with horse drawn equipment.

Portraits include: the mayor, the Fire Commissioners back to 1871, Chiefs, Captains, Lieutenants, Engine Drivers, Engineers, Hosemen, and Ladder men.

Advertisements include breweries, hardware supplies, saloons, blacksmiths, and stables among many others.

Frederick Warne & Co. Ltd., London, New York 1877. Square 8vo, pp. 54; color illustrations by Crane engraved by Edmund Evans; original terra cotta-backed pictorial boards , all edges rubbed; interior fine.Red cloth spine with red card paper covered boards, having black and white illustrative titles and decoration. One of the earliest Crane-Evans collaborations, originally published in London, 1877. (Together with : The baby's bouquet.) No Date. Presumed First Edition. Hardcover. Condition: Very Good+. No Jacket. 1st Edition. Internally in wonderful condition with no marks or browning. Engraved and printed in colours by Edmund Evans. Full of wonderful illustrations in addition to the sheet music to a host of children's favourite nursery rhymes. 10 Full page colour illustrations and intricate border designs that are truly beautiful. Walter Crane was an artist, designer, socialist, interior decorator and leading member of the Arts & Craft movement. edge wear. Illustrated in colour with plates… Read More

Half dark blue morocco over decorative boards; 5 dual raised bands and gilt particulars to spine. Floral decorative endpapers; top edge gilt. Original wraps bound in. French text throughout. Spine sunned to brown; light wear to paper boards (see image). 1281 pp. 9 1/4 x 11 1/4 inches.

London: Longmans, Green & Co., 1896. First Trade Edition. hardcover. Good. 9 1/4" × 5 1/4" . The Well at the World's End: (two-volume set); by Morris, William (1834–1896). London: Longmans, Green & Co.. Printed by Chiswick Press. 1896. First Trade Edition. First Printing. Tall 8vos: 9 1/4" x 5 1/4" (23.5 x 13.3 cm). Bound in publisher's original hardcover quarter Holland-backed blue paper boards, with white linen spine and paper title label. One of 750 copies. Printed on fine, hand-made, Charles Whittingham & Co., watermarked "B A S" paper. Uncut, deckled edges. Pages uncut. [i–iv] v–vii [viii], 1–378 [379: printer's imprint] [380: blank]; & [i–iv] v–vi, [1–2] 3–279 p.p. [280: printer's imprint], double flyleaves at front and rear of each volume. Printed in 1893 but delayed by the Kelmscott Press edition issued the same year (which edition was being set up from this edition). Unlike other authors who wrote of foreign lands or of dream worlds, Morris was the first to describe… Read More

Boston: Roberts House, 1895. First American Edition. hardcover. Good. 8 1/2" × 6 1/4" . Sir Edward Coley Burne-Jones. The Wood Beyond the World; by Morris, William (1834–1896). Illustrated by Sir Edward Coley Burne-Jones. Boston: Roberts House. Printed by the University Press at Cambridge, USA. 1895. First American Edition. First Printing. Large 8vo: 8 1/2" x 6 1/4" (21.6 x 15.9 cm). Bound in publisher's original hardcover green cloth with black floral design and gilt-stamped decorations and title to cover and spine (bearing a sword reminiscent to the gilt sword used for the "Bayntun binding," on the Roberts Brothers 1890 printing of Morris's "The Tale of the House of the Wolfings"). One of 500 copies. Printed on fine, heavy paper. Uncut, deckled edges. Colophon and printer's device. Gilt top edge. [ii], 273, [ii] pp. Frontispiece by Sir Edward Coley Burne-Jones (tissue guard intact), which first appeared in the Kelmscott Press edition of the previous year.Finished the 11th day of May, one… Read More

Green calf binding with red title plate, gilt decoration, banding and title on the spine. Gilt decorative edging on both boards. Humberstone school emblem on the front board. Green marbled edges and pastedowns. Presentation copy.
In French.

Brown leather binding with red title plate, gilt banding and decoration on the spine. Gilt and embossed decoration on both boards. Superb binding by Earnshaw and Harrison, 3 Westgate, Halifax. First Edition 'On Saltonstall moor [...] Soon after I had left the moor, on the right side of the road leading to the village of Luddenden, I saw what is generally called Robin Hood's Penny-stone, for the country people here attribute every thing of the marvellous kind to Robin Hood, as in Cornwall they do to king Arthur. Thus, for instance, he is said to have used this stone to pitch with at a mark for amusement; and to have thrown the standing stone in Sowerby off an adjoining hill with a spade as he was digging; but I confess, that some of the common people will smile when they relate these stories; they are not quite so credulous now as their great grandfathers were. This last mentioned remain is a stone of several tons weight, laid upon a massy piece of rock, with a large pebble of a different grit between… Read More

Brown leather binding with raised banding and gilt title on the spine. Original by Berhard Varenius, this one translated by Sir Isaac Newton in 1672.
Second English Edition 1734 A compleat system of general geography: Two volumes complete. Since improved and illustrated by Sir Isaac Newton and Dr Jurin; and now translated into English; . By Mr Dugdale. The whole revised and corrected by Peter Shaw, M.D. Bernhardus Varenius (Bernhard Varen) (1622, Hitzacker, Lower Saxony – 1650) was a German geographer. His early years (from 1627) were spent at Uelzen, where his father was court preacher to the duke of Brunswick. Varenius studied at the gymnasium of Hamburg (1640–1642), and at Königsberg (1643–1645) and Leiden (1645–1649) universities, where he devoted himself to mathematics and medicine, taking his medical degree at Leiden in 1649. He then settled at Amsterdam, intending to practice medicine. But the recent discoveries of Abel Tasman, Willem Schouten and other Dutch navigators, and his… Read More

Tan calf binding. Two volumes. dimensions are for one volume.
First Edition A catalogue of the royal and noble authors of England, Scotland, and Ireland; with lists of their works
Horatio Walpole, 4th Earl of Orford (24 September 1717 – 2 March 1797), better known as Horace Walpole, was an English writer, art historian, man of letters, antiquarian and Whig politician. He had Strawberry Hill House built in Twickenham, south-west London, reviving the Gothic style some decades before his Victorian successors. His literary reputation rests on the first Gothic novel, The Castle of Otranto (1764), and his Letters, which are of significant social and political interest. They have been published by Yale University Press in 48 volumes. The youngest son of the first British Prime Minister, Sir Robert Walpole, 1st Earl of Orford, he became the 4th and last Earl of Orford on his nephew's death in 1791. His barony of Walpole descended to his first cousin once removed of the same name but Baron Walpole of… Read More

Tan leather binding with red title plate, gilt banding and lettering on the spine. Questionable, a first tourist guide - In the late eighteenth and early nineteenth centuries it was fashionable to take a boat tour down the Wye Valley, to view its romantic sites and picturesque landscape. 'Tourists' dined at specific locations, took walks to particular viewpoints and visited specific romantic ruins, making the 'Wye Tour' one of the first package holidays. In 1768 Gilpin published a popular Essay on Prints, where he defined the picturesque as "that kind of beauty which is agreeable in a picture" and began to expound his "principles of picturesque beauty", based largely on his knowledge of landscape painting. During the late 1760s and 1770s, Gilpin travelled extensively in the summer holidays and applied his principles to the landscapes he saw, committing his thoughts and spontaneous sketches to notebooks. Gilpin's tour journals circulated in manuscript to friends such as the poet William Mason and a… Read More