Description:
Faber & Faber. London.,1933. FIRST EDITION. 8vo. (9 x 5.7 inches). 38pp. Fine copy, finely bound in recent full dark green calf, flat spine lettered and ruled in gilt. Single ruled gilt border on boards. Top edge gilt. :
Bones of the Book: An Oblong Identity by Ely, Timothy C - 2015
by Ely, Timothy C
Bones of the Book: An Oblong Identity
by Ely, Timothy C
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Colfax, WA, 2015. Unique. Timothy C. Ely. Bones of the Book is the second in a three-book series that differs significantly from Ely's other art. These books are both biographical and autobiographical. Each honors the important influence of family members in Ely's life, and combines it with an aspect of bookbinding-the format Ely has chosen to house his artwork throughout his career. In each case, there is also a third narrative that plays a significant role in Ely's identity as an individual and as an artist.The series began with Binding the Book:The Flight Into Egypt in 1985. Egypt is about Ely's grandfather, the journal he left behind about his mysterious trip to Egypt between the wars, bookbinding, and the geography of Egypt. For much more information about Binding the Book: The Flight Into Egypt, see The Flight into Egypt: Binding the Book (Chronicle Books, 1995).In Bones of the Book, the visual narrative combines Ely's origins (Snohomish, WA, his parents, and their hardware store), and the close relationship between book structure and human anatomy. The third book has yet to be made. Ely plans for it to be about his Uncle Jack and his work as a combat photographer in the Pacific during WWII. In addition to the three-fold, co-mingled story line in Bones, as in all of Ely's art, there are layers of references drawn from alchemy, mathematics, mythology, geography, and geology.Artist's statementIn the early part of the last decade of the 20th century, I wished to contemplate my origins, especially the early and all-consuming attraction to the form of the book and how that might have evolved for me. Beyond deep reading, I have found that the best way to become informed about an event or gather a bit of enlightenment is to make an expressive book. Bones of the Book began as a thought structure aimed at the skeletal system of the body and of the book, as they seem to me to contain functions that echo each other. I also wanted to fuse the influences of my parents and their choice of livelihood into the book by referencing the location of their hardware store and its impact on what I have chosen to do as an artist. My parents, Everett [b. 1914] and Frances [b. 1918], met at a paper mill where they both worked, then married at the outset of America's involvement in World War II. In about 1948, they opened a hardware store in Snohomish, Washington (a map in the book drawn from memory is an attempt to locate the store in space), which set the tone for my entire life until they retired in 1978.The hardware store.... I long to travel back through time and view it again, for until I began this contemplation, I was not really aware of how much that family business, the community it served, and the tools and materials it contained affected me. I was introduced to the hardware business around the age of 11, not knowing how connected to the arts of the book this would be. It was to be my first real training in the process of building things, and, coupled with the local library where I practically lived when I wasn't at the store, really became the focus of my interests. When I first began to work this out, I came to believe that there was an inextricable link between what influenced me, and how I came to know the craft of making a book. There seemed to be in place an existing gnosis which acted as both a guide and a set of techniques-a skeletal anatomy was at hand.I began drawing bones in graduate school after a trip to a forbidden beach at the mouth of the Hoh River yielded up a hoard of bird, fish, and crab remains. Though the Hoh Reservation was off limits, some cigarettes gave us entry. That same summer a second pile of bones from draft horses in central Washington gave me a new scale. Then, my Uncle Jack, living in Alaska, would provide the third leg of the bone 'tripod' of visual clues by sending me boxes of bones from a lonely beach near Hoonah, Alaska.These bones would provide both visual inspiration and material for inks. (Bone black ink is especially bluish and potent!)Bones of the Book reflects both my identity as a maker of things, and bones as structural supports, and how that metaphor maps itself onto the cultural object/artifact of the book. As parts of the book traditionally have names of body parts to identify the book terrain, this seems apt. Books have a dorsal structure-a spine-and just as in a humanoid, if this is damaged the book is compromised. A book has a head and tail, and sometimes this head is crowned in gold, gilded, or otherwise given an ornamental treatment. As the names of a book's parts and their function lend connection to bones and anatomy, so also does the chosen structure of this book. The search for both an appropriately robust and workable binding, and one that properly expresses my artistic intentions, provided a series of opportunities to examine a sampling of medieval books that satisfy these requirements. The structural skeleton of Bones of the Book is supported by a continuous membrane of aged gampi, a Japanese paper possessed of astonishing properties. This paper forms a long, double fold along each folio and is known as a "half loose" guard. Being somewhat impenetrable to adhesive, this paper reduces the friction of the folio so that it facilitates, without drag, the mobility of the book structure. Put simply, it opens well without adding stress to the binding. In tandem with the sewing supports, cotton textile, and tissue as metaphoric muscle mass, the book begins to resemble an intelligent and projective body. The Doctor said ''It's alive!''Bones of the Book was finished as of June 11, 2015. It puts to rest and completes a long examined set of ideas, and its own initial structural challenges provoked a method of working that i can see to have a multiplicity of future uses.T. Ely/ July 2015/ Colfax, WAPlanetary Collage Standard binding with hand-sewn hand-dyed Irish linen end- bands and half loose guards. Elaborately blind-tooled brown goat skin spine; resin and pigment encrusted boards. Decorated endpapers by the artist. Manuscript and letterpress title page signed and dated by the artist. Twenty- four double-page spreads. 34 leaves total. Drawn and painted throughout by Timothy Ely in ink, dry pigment, watercolor, and graphite. The boards incorporate six works of art on paper; resin, rivets, paint, ink, and wax; gilt, colored foil, and blind tooling. Housed in a custom drop back box by the artist. 30cm x 44.5cm x 3.5cm.
- Bookseller Abby Schoolman Books (US)
- Illustrator Timothy C. Ely
- Book Condition Used
- Quantity Available 1
- Edition Unique
- Binding Hardcover
- Place of Publication Colfax, WA
- Date Published 2015
- Keywords bookbinding, book arts, art, biography, autobiography, glyphs, bones, skeleton, structure, topography, Washington, Egypt, golden ratio, Fibonacci
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THE DANCE OF DEATH
by AUDEN. W. H.;
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London, Greater London, United Kingdom
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£300.00
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TOOTLEOO TWO
by DARWIN. BERNARD, and ELINOR
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London, Greater London, United Kingdom
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£150.00
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The Nonesuch Press. London. No Date. 1927. FIRST EDITION. Large oblong 8vo. (10.2 x 7.7 inches). Finely illustrated with line drawing on the title page and 20 full page colour lithographs by Elinor Darwin accompanying the verses of Bernard Darwin. Original beige paper covered boards with wave, fish and border decorations and reproduction of one of the book's illustrations in blue on front cover. A very good, bright and clean copy with small amount of chipping to the top of the spine and minimal rubbing and bumping to the extremities.
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THE JUNGLE BOOK. ; THE SECOND JUNGLE BOOK.
by KIPLING. RUDYARD
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London, Greater London, United Kingdom
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£425.00
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Macmillan and Co Limited . London. 1951 - 52. Two volumes. Reprints; 1st book, 1951; 2nd is 1950. 8vo. (7.8 x 5.5 inches). With illustrations by J. Lockwood Kipling and W. H. Drake in The Jungle Book, just Kipling in the second Jungle book. Fine, clean copies. Fine leather bindings, by Bumpus, of mid twentieth century half dark red morocco. Spines with five raised bands, compartments ruled in blind and lettered in gilt. Red cloth on boards. Top edges gilt. Marbled endpapers. Just a hint of darkening to the spines of both bindings but overall this is a near fine, lovely set of these classic books.
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My Sister Life
by Boris Pasternak
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Cape Town, South Africa
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£1,220.52
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New York: The Limited Editions Club. Fine. 1990. Limited Edition; First Printing. Hardcover. My Sister Life was written in the summer before the 1917 October Revolution, it was very well received and established him as a genius of Russian poetry. The English translation was done by Mark Rudman. The acclaimed Russian born artist, Yuro Kuyper provides 6 etchings for the publication, printed on Hannemule paper in Paris. The paper used for the text was hand-made by H. M. P. Mill in Connecticut to resemble the sort of stock produced in 1920's Russia, even incorporating bits of Russain newspapers with rags and cotton pulp. The book is in near fine condition, with the only defect being some sunning to the spinea. The slipcase in VG or better, showing some sunning. The book is signed by Yuri Kuyper and this copy is #212 of 250. The original LEC invoice for $4000 laid in; Etching; Folio 13" - 23" tall; Signed by Illustrator .
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JOCK OF THE BUSHVELD.
by FITZPATRICK. SIR PERCY
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London, Greater London, United Kingdom
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£1,250.00
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Longmans, Green & Co. London. 1907. FIRST EDITION. First printing. Large 8vo. (8.5 x 6.4 inches). Colour frontis, 22 full page mono plates and hundreds of small engraved vignettes to the margins of the text pages, all by E. Caldwell. This is the scarce first issue with the margin drawings of a dung beetle pushing his load with his front legs rather than his back on pages 65, 337 and 457. These were changed in later issues. Some feint offsetting to the blank endpapers and a few pages with some minor spotting but generally a very bright and clean copy throughout. Publishers original dark green cloth with gilt illustrations and lettering to the front board and the spine. The board edges are lightly rubbed and the gilt just a little dulled but overall a very good copy of this scarce first edition.
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£1,250.00
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Método de dibujo: Tradición, resurgimiento y evolución del arte mexicano
by Adolfo Best Maugard
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Ciudad de México, Mexico
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£204.10
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133 pp., 12 láminas a color. Encuadernación en pasta dura y lomo de tela. La cubierta tiene una mancha de humedad en la esquina superior derecha. Guardas anteriores quebradas. La encuadernación está firme, sin cuadernillos sueltos.12 color plates on coated stock. Publisher's boards, cloth covered spine. Damp stain on cover, fep broken at hinge, alse a very good copy, firm binding, text and plates without creases or stains.
All our books are in good to very good condition unless otherwise noted (no markings, not ex-library). We are happy to provide detailed pictures of book covers and contents upon request. We ship out of Mexico City by registered mail or FedEx/DHL. Please ask for a detailed shipping quote.Siranda Librería Anticuaria, CDMX. We specialize in hard to find books on the arts and rare editions of 20th Century literature, in many languages.Todos nuestros libros están en buen o muy buen estado, a menos que se indique lo contrario. Con gusto podemos subir fotos detalladas de interiores… Read More
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Longfellow's Poetical Works.
by Henry Wadsworth Longfellow
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Scarborough , North Yorkshire, United Kingdom
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£90.00
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Green grained leather binding with raised banding, gilt decoration and title on the spine. Gilt title and decoration on the front board. All edges gilt. In a black protective box.
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£90.00
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Cowper's Poetical Works.
by William Cowper.
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- very good
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- Used - Very good
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Scarborough , North Yorkshire, United Kingdom
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£90.00
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Unusual very fine binding.Black leather spine with gilt banding and title. Brown paper mache boards with leaf design. Gilt on all edges.
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£90.00
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Lives of British Painters. Six Volumes.
by Allan Cunnigham
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- good
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Scarborough , North Yorkshire, United Kingdom
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£360.00
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Maroon calf spine with tan marbled paper boards. Gilt banding and title on the spine. Dimensions are for one volume.The lives of the most eminent British painters by Allan Cunningham
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Robert Blake. Dixon
by William Hepworth Dixon
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- Used - Fine
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Scarborough , North Yorkshire, United Kingdom
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£95.00
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Full leather tree binding with raised gilt banding, lettering and decoration on the spine. Gilt decorative edging on both boards with "Christ Church Canterbury" emblem on the front board. Binding by Bickers and Sons, Leicester.
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Tan, Amy | Opposite of Fate, The | Signed & Numbered Limited Edition Book
by Tan, Amy
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- ISBN 10 / ISBN 13
- 9780400000008 / 0400000008
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Tualatin, Oregon, United States
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£68.57£27.43Save £50.39!
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Norwood Press, 2011. Hardcover. New. Limited Edition Hardcover Book. 2011 OR: Norwood Press Limited Numbered edition, first printing, mint, new/unread in a black leather binding with gold stamping and dust cover, signed by the author. Limited to one of 200.
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Cussler, Clive & Blackwood, Grant | Kingdom, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & Blackwood, Grant
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Tualatin, Oregon, United States
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£88.16£35.27Save £64.79!
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition June 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Cussler, Clive & Du Brul, Jack | Jungle, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & DuBrul, Jack
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Tualatin, Oregon, United States
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition March 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Cussler, Clive & Scott, Justin | Race, The | Double-Signed Numbered Ltd Edition
by Cussler, Clive & Scott, Justin
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Tualatin, Oregon, United States
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£88.16£35.27Save £64.79!
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Norwood Press, 2011. Hardcover. New. Limited Collector's Edition September 2011 OR: Norwood Press Limited Numbered Edition, signed by both authors. Numbered editions are numbered 1-98, have custom 3/4 marbled boards in a matching slip-case and are stamped in gold.
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Germinal
by Emile Zola
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Longmont, Colorado, United States
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£39.15
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The Easton Press, The Collector's Library of Famous Editions, 1992 (1942). First Thus; Collector's Edition. Translated by Havelock Ellis. Illustrated by Berthold Mahn. Hardcover. Issued without dust jacket. Used - Fine, "Like New" condition. Appears unopened / unread. Binding and text block are tight, bright, and clean with no ownership markings or bookplates. Bound in full (genuine) leather with hubbed spine. All edges gilt. Embossed in 22kt gold on the spine and front and back covers. Heavy duty binding boards. Printed on acid-neutral, archival paper. Smyth sewn with concealed muslin joints, silk moire fabric end leaves, and permanent satin ribbon marker. Notes From The Archives sheet laid in. Photo is of the copy we have at Barbed Wire Books. A gorgeous copy.
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Jacobson, Alan | Inmate 1577 | Signed & Numbered Limited Edition Book
by Jacobson, Alan
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Tualatin, Oregon, United States
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£137.15£54.86Save £100.79!
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Norwood Press, 2011. Hardcover. New. Limited Edition Hardcover Book. July 2011 OR: Norwood Press Limited Numbered Edition, hand signed by Alan Jacobson. Numbered editions are numbered 1-100, in custom slipcase.
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The King of the Golden River
by Ruskin, John
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- Used - Very Good
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Salem, Oregon, United States
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£101.96£61.17Save £49.96!
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5956Ruskin The King of the Golden River, A Legend of Stiria. Publisher: Roycrofters, East Aurora, NY, 1900. RARE. Original copyright 1841. BOUND IN SUEDE LEATHER. Used . Good- condition./ None Issued. A couple of top edges show bite-size area of loss. Does not effect text. Frontispiece black and white portrait of John Ruskin. Decorated title page and decorated initial letters by Samuel Warner. Colophon reads, printed in red, as follows: SO HERE ENDETH THE KING OF THE GOLDEN RIVER, AS / WRITTEN BY JOHN RUSKIN: THE TITLE PAGE AND INITIALS / BEING DESIGNED BY SAMUEL WARNER, AND THE WHOLE / DONE INTO A BOOK BY THE ROYCROFTERS, AT THEIR SHOP, / IN EAST AURORA, NEW YORK, U.S.A., IN THE YEAR MCM. Roycroft logo with Elbert Hubbard printed in. handwritten gift inscription and signature on front free endpaper dates this item to the year 1900. Leather is in clean condition.
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The Night the Bear Came Off the Mountain
by Sinclair, John L
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- Used - Very Good+
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- 4
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Albuquerque, New Mexico, United States
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£61.23
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Santa Fe: Rydal, 1991. First Edition . Hardcover. Very Good+. Limited Edition, No. 2 of 5 copies: this is a proof copy of the First Edition, bound in fine gilt-stamped black leather with marbled endpapers. 8vo, black leather; vg+ (scratch and two faint scrapes to front cover; faint smudge to side edge); 108pp.
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£61.23
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The Autobiography of Benjamin Franklin: The Unmutilated and Correct Version
by Franklin, Benjamin; Bigelow, John
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- very good
- Hardcover
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- Used - Very Good
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Webster, New York, United States
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£61.23
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New York: G.P. Putnam's Sons / The Knickerbocker Press, 1927. Half-Leather. Very Good/No Jacket. Corners a bit rubbed, boards faintly soiled, ink date and owner bookplate of Robert N. Cherry on front flyleaf. 1927 Half-Leather. iv, 325 pp. 8vo. No binder's ticket, but appears to be a contemporary custom rebinding: blue leather spine and corners over blue cloth, gilt titles and rules, top edge gilt, new end sheets. "The Autobiography of Benjamin Franklin is the traditional name for the unfinished record of his own life written by Benjamin Franklin from 1771 to 1790; however, Franklin himself appears to have called the work his Memoirs. Although it had a tortuous publication history after Franklin's death, this work has become one of the most famous and influential examples of an autobiography ever written. Franklin's account of his life is divided into four parts, reflecting the different periods at which he wrote them.
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Ikebana Arranging Images
by Kamata, Soseke
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- Single sided publication in Boxed Housing
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Swampscott, Massachusetts, United States
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£64.50
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Ikebana Arranging Images; Kamata, Soseke, 1950's. A nice publication given to Julia Jane Jeffers Dodge while here husband was helping Japan recover after the war. Her husband Joseph Morrell Dodge had a long and distinguished career and tried to help reform Europe but later wound up as financial advisor to Douglas MacArthur in the economic revitalization of Japan. This edition is in very good condition internally. Photos of Ikebana arrangements by the famous Japan Ikebana master. A gift given to Julia Jeffers Dodge and placed in her library. 38 single sided (double page but other side blank) on high quality Japan paper with photo examples of Ikebana, black and white. A rare publication.
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£64.50