Biblia Sacra Veteris et Novi Testamenti secundum editionem vulgatam by BIBLIA - Stimmer [Illustrator] - 1578: 2 Tomi in 3 Parts

London: London: Printed for Longman, Hurst, Rees, Orme, & Co.; F.C. & J. Rivington; Lackington, Allen, & Co; J. Mawman; Sherwood, Neeley, and Jones; & Wilson & Son 1811-1812 First Editions 3 vols thick 4to ill., 1811 Three thick quarto volumes, uniformly bound in original black full leather, raised gilt spines, gilt borders, moderate shelf wear, marbled end-papers. The hinges are all solid, and contents are clean and near fine. Illustrated with numerous engraved plates. Volume one begins with a Prolegomena on the Authenticity and Inspiration of the Old Testament, The Translators to the Readers, Addenda et Corrigenda, The Various Editions of the Bible and Parts Thereof, in English, since the year 1526, History of the Present Authorised Translation of the Bible, Essays on the Jewish Coins, Weights, and Measures, and The Calendar of the Jews, and the Old Testament from Genesis to Esther. Volume Two continues the Old Testament from Job to Zechariah, plus the Apocryphal books. Volume… Read More

New York: Pageant Books, 1961 Full red morocco, signed "Alpha B.B. Co., New York." Blindstamped diamond-shaped decoration on front covers with the initials "J.G." in the center. Spines lettered in gilt, all edges gilt. Marbled endpapers. . Two volumes, large folio. Printed on all-rag paper, the text pages printed in lithography and the illuminated pages—about a hundred in number—in sheet-fed gravure. Back joint of Volume 2 rubbed. Otherwise a fine, clean copy in crimson cloth open-end slipcases. With the bookplate of noted Leonardo da Vinci collector Elmer Belt (1893-1980). A complete facsimile of the Gutenberg Bible. The reproduction derives from the Insel Verlag edition, which was based on the copy in the Königslichen Bibliothek in Berlin and the copy in the Standischen Landesbibliothek in Fulda, considered to be the most beautifully illuminated of the extant copies. The colophon states that at the time of publication there were 47 copies known to exist. According to the Gutenberg Museum, there… Read More

London: Printed for Dan. Brown at the Black Swan and Bible without Temple-bar, and Andr. Bell at the Cross-keys and Bible in Cornhil, 1700. First edition of this verse translation of the Song of Songs by Joseph Stennett (1663-1713), the first important Baptist hymnwriter in England: "Thy Lips, my Spouse, that move with skill, / Drops like the Hony-comb distil. / Hony and Milk's beneath thy Tongue, / Which feeds the Weak as well as strong." In his scholarly preface, Stennett is quick to assure readers that the Hebrew text is not about sexual desire, despite appearances: "some have denied that [Solomon] wrote it by Divine Inspiration; and make his Design to be only that of celebrating his Amours with Pharoah's Daughter, or some other person." The passion of the bridegroom and the bride is to be understood, however, as a divine allegory of Christ's love for his church, the same "mystical Espousals" found in the 45th Psalm, which Stennett also translates here. Wing B2633AC, ESTC R212810. We locate four… Read More

Strasbourg: Argentinae: Ex officina Martini Flach junioris, 1501. Half leather. Fine. Folio, printed in Strassburg by Martin Flach, 7 February 1501; 161 unnumbered leaves. BINDING: new Gothic hand-sewn oak binding by Arthur Green of Malvern; tawed quarter leather over quarter-sawn oak boards, quires hand-sewn on four double-cords creating four raised spine bands, board leather blind-tooled with period style rosettes and fleurs-de-lys within panel of diagonal blind triple fillets, hand-sewn Gothic double headbands of alternate hand-dyed indigo and undyed linen thread, hand-made brass hasps and clasps ornamented in period style; an exceptionally attractive recreation of a Gothic hand-sewn binding employing medieval techniques contemporaneous with the date the book was printed. COLLATION: [pi]6, a2-8, b-y6, z8, zeta6, antisigma8; leaf a1 excised and subsequent first few lines of a2[recto] redacted in black ink in the sixteenth century by the inquisitor for its heretical content (see below). TEXT: Double… Read More

The Nonesuch Press. London. 1924-27. FIVE VOLUMES. Tall 4to. (12.3 x 8.3 inches). Limited edition. One of 1000 sets printed on Japon vellum (The Apochrypha is one of 1250 copies) from a total edition of 1075 copies. The typography was arranged by Frances Meynell. Each volume decorated with copperplate engravings by Stephen Gooden, including the title pages. A lovely clean set finely bound in recent full black morocco, decorative gilt border to boards. Spines with raised bands, each with decorative gilt piping and ruling. Red title labels, gilt. Top edges gilt, others untrimmed. A beautiful set.

Lyon: Iohnnes Clein, 1515. Hardcover. See Description. [c.1515]. 4to. pp. [280]. p.[280 blank]. Colophon dated "nono kale[n]das Octobris" (23 Sept.). Title page printed in red and black inside woodcut architectural border. Woodcut printer's device (Sylvestre 132). Printed in Roman font with the surrounding commentaries printed in Gothic. Text contains decorative initials. Bound in contemporary blind stamped paneled calf boards; re-backed preserving original spine. Later antique endpapers with inscription on front-free endpaper dated "1925"; front and rear blank fly-leaves worn. Pages are generally clean with occasional marginalia in an old hand (i.e. several small inscriptions written on the title page); minor spotting; lower corner of leaf c7 clipped in margin; The hinges and inner margins to the first gathering are neatly strengthened / repaired. The outer edges to this same gathering show some wear - i.e. a few marginal tears (sealed), and light soiling. The bottom margins… Read More

Venice: Giunta (colophon: in officina haeredum Lucaeantonii Iunctae), 1563. Leather. Very Good. Folio (38 cm); [2], 152, 12 leaves. Text in two columns, printed in red and black ink. Printer's device in red on title page (Camerini, I, 143, third variant). About 99 woodcut illustrations in text (some repeated), including full-page crucifixion, repeated seven times, and 10-panel historiated woodcut border to facing page, also repeated seven times. Rotunda, roman, and italic type. Music with notes in black on red staves. Bound in paneled calf, roughly contemporary, ruled in gilt with gilt fleurs-de-lis at corners. Binding worn with signs of old repairs. Text toned on some leaves, but remarkably fresh and free of blemishes overall. References: Mortimer, Italian, 304; Amiet, Repertorium, 2:101; Camerini, 673; RELICS, 2859. In the 1560s, the brothers Tommaso and Giovan Maria Giunta were trying to recover financially from the fire that destroyed their Venice workshop in 1557. Taking few… Read More

De Vulgari Sacrae Scripturae Phrasi libri duo, Patricio Cocburno Scoto authore, quorum summa seuqens pagella indicabit Patricio Cocburno (Patrick Cockburn) (On Holy Scriptures in vulgar language) – In Latin language.
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Parisiis (Paris), Aqud Ioannem Caueiller, via Frementella, sub insigni Stellae aureae, 1558.
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Pp. /52/ + 154 + /67/ Size: 16 x 11 cm
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Binding: Original vellum binding. Signs of aging and wear, wormhole damage, top of the back panel missing (see scans), tear on the top of back cover, partially missing, spine exposed, foxing, stain on top of the front cover ink inscription on the back of the front panel. Condition: Ink inscriptions on the title page and troughout the text, some of which is affected by the inscription, wormholes throughout the text block, affecting legibility (wormhole damage is especially prominent from beginning trough to pp. 9).
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For condition and details see the scans.

Mainz, Johannem Schöffer, 1530. Folio. (32),+ CLXIII ll. Richly illustrated with 115 wood cuts in pagination, of which 14 are full page, and with wood cut device of Schöffer. Minor stain in margins, some spotting, more on ll. 40-41, 45-48. Paper repair on leaf (2), (7-9 in upper margin) and (27). Contemporary ink annotations in margins, mainly in the beginning. Modern rebound in old vellum antiphonary leaf, with notes and text written with black and red ink, small crack at top of front hinge. From the library of Victor von Stedingk, with his book plate, and from the library of Bengt Lassen. VD16, C 56. Adams C80. Schweiger p. 51. The Mainz edition, printed by Johannes Schöffer, the son of Peter Schöffer, of the first German translation of Caesar’s ”De bello gallico” and ”De bello civili”. The translation made by Ringmann Philesius, i.e. Matthias Ringmann, was first published in Strassburg in 1507, with a second edition in 1508. This is the third edition. It also contains a German… Read More

Salamanca & Valladolid: Mathias Gastius & Didacus Fernández de Córdoba, 1576. First Edition — Primera edición. 200x125mm. (7¾x5").. -I. Salamanca, Mathias Gastius, 1576. (8), 165 h., 1 bl., (4) h. Portada con escudo xilográfico episcopal de Gaspar de Quiroga. -II: Valladolid, Didacus Fernández de Córdoba, 1577. (4), 75 [i.e. 87], (1) h. Portada con escudo xilográfico episcopal de Gaspar de Quiroga. Importante encuadernación renacentista española de la época en piel, ricamente decorada con composiciones geométricas formadas por ruedas, hilos y grecas doradas, en el centro el escudo de la Inquisición, restaurada. Rarísima reunión de los dos libros de Nicolás Ramos dedicados al Concilio de Trento (1545-1563) y los sínodos ecuménicos, vestidos con una importante encuadernación artística española de época. Se debaten especialmente aquí las cuestiones relativas a la impresión de Biblias. Las dos partes están publicadas en ciudades y fechas distintas, lo que hace difícil verlas… Read More