Art Into Life: Russian Constructivism 1914-1932 by Henry Art Gallery; Andrews, Richard; Kalinovska, Milena

Rizzoli, 1990-07-15. Hardcover. Used: Good.

Rizzoli, 1990. Hard cover. Good/Good. Jacket has Mylar covering. Jacket is sunned along spine. Front flap has been clipped and has previous seller's price sticker. Spine is cracked. Cover is lightly worn. Inside is clean and unmarked.

Rizzoli, 1990. Hardcover. Fine/Fine.

Rizzoli, 1990-07-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New York and Seattle, USA: Rizzoli International Publications / The Henry Art Gallery, University of Washington, 1990. First U.S. Edition . Cloth. Fine/Fine. 4to - over 9¾ - 12" tall. 276pp w bibliography, appendix and index. Illustrated w photos and reproductions from the exhibition. Black endpapers. Black cloth w crisp white lettering to cover and spine. No wear to covers or spine. Binding square and sound. Photo illustrated DJ is clean and without wear. Near-square quarto: 256 x 260mm. 1.75kg. Catalogue for an exhibition held at the Henry Art Gallery, Seattle, July 4-September 2, 1990, Walker Art Center, Minneapolis, October 7-December 30, 1990, and the State Tret'yakov Gallery, Moscow, Spring 1991. Includes Introductions by Richard Andrews and Milena Kalinovska; essays by Jaroslav Andel; Stephen Bann; Hal Foster; Christina Lodder; Anatole (jr.) Senkevitch; Anatolii Strigalev; S.O. (Selim Omarovich) Khan-Magomedov; and Artist Biographies by Owen Smith

New York: Rizzoli, 1990. Comprehensive text presents current research from Soviet, European, and American scholars which provides an overview of Russian Constructivism and consider its resonance in non-Soviet art history up to the present day. Russian Constructivism aspired to bring "art into everyday life" and to de-fetishize the art object. Although Stalinism shattered these dreams in the late 1920s, Vladimir Tatlin, Alexander Rodchenko, Lyubov Popova, Varvara Stepanova, El Lissitzky and their cohorts imbued their art with a vision of a dawning revolutionary society intoxicated with the promise of technology. Featuring essays by Soviet, European and U.S. scholars, this intriguing monograph accompanies an exhibition organized by the University of Washington's Henry Art Gallery, the Soviet Ministry of Culture and the Walker Art Center, Minneapolis. It profiles familiar and less well known constructivist artists and includes hitherto untranslated or unpublished manifestos alive with the… Read More