A Portrait Of the Artist As a Young Man

London: Egoist Press,, 1916. Octavo. Original green cloth, recased with original spine laid down, titles in blind to front board and to spine gilt. Housed in a custom green cloth slipcase. A little wear to top edge of rear cover, hinges repaired, short closed tear to head of pp. 117-20. A very good copy. First edition, English issue from American sheets. A rare presentation copy with the exceptionally early authorial inscription to the front free endpaper, "To Edmund Brauchbar James Joyce Zurich, Switzerland, 12/iii/[1]917". A superb association: Edmund Brauchbar formed a long-lasting friendship with Joyce and has been proposed as a partial model for Leopold Bloom. He was one of a number of assimilated Jews who became Joyce's patrons in Zurich by taking English lessons with him, and from whom in turn Joyce sought information about Judaism. In 1939 Joyce tried to get Brauchbar's cousin out of Nazi Europe into America, and there is evidence to suggest that the publisher Benjamin Huebsch, Brauchbar, and Joyce were all involved in a kind of underground operation to help several Jews escape to America, Ireland, and Australia. When in 1940 Joyce and his family were allowed entry to neutral Switzerland, part of the exorbitant financial guarantee demanded was deposited on his behalf by Brauchbar. Joyce's first novel was published in America by Huebsch from whom Harriet Shaw Weaver, the proprietor of the Egoist Press, purchased "not more than 750" sets of sheets, issuing them here a year before her own UK printing of 1917. From the library of writer, editor, and Joyce collector Alexander Neubauer, with his bookplate to the inside of the folding case.

London: Egoist Press,, 1917. Octavo. Original green cloth, titles to upper board in blind and to spine gilt. Housed in a dark green quarter morocco solander box by the Chelsea Bindery. Contents browned, spine cocked and severely sunned. Very good. So-called second edition; the first edition to be printed in the UK. This edition was preceded by the English issue of the Huebsch edition of 1916. With the author's signed presentation inscription to the half title page, "To George and Mary Slocombe James Joyce Paris 7. i. 926"; George Slocombe was an English journalist writing for the American papers. He also wrote a book called The Heart of France - Parisian, provincial & peasant, etc (1934). He reviewed Ulysses when it came out, and he is listed by Joyce as one of the select recipients of a press copy. Joyce's inscription usually appears on the front free endpaper; in this copy, however, that space is occupied by the inscription of the book's first owner, Allan Ross Macdougall, an American in Paris, friend and later biographer of Isadora Duncan. Presentation copies of this printing are rare and examples with such interesting Parisian provenance are exceptional in all regards.

Huebsch, 1916 First Edition, First Printing preceding the English edition, which was issued from the American sheets, by two months. A beautiful copy bound in the ORIGINAL blue cloth from the publisher. The book is in fantastic condition. The binding is tight, and the boards are crisp with a hint of wear to the edges. The pages are clean with NO writing, marks or bookplates in the book. Overall, a stunning copy of this TRUE FIRST EDITION in collector's condition. We buy Joyce First Editions.. 1st Edition. Hardcover. Fine.

New York: B. W. Huebsch, 1916. Medium blue cloth, lettered in gilt and blind. Top edge slightly dust darkened, trivial rubbing at crown and toe of spine, but a very near fine copy, in a fragment of the very scarce printed dust jacket. First edition. Although serialized in 25 installments in THE EGOIST from Feb. 1914 to Sept. 1915, British printers and publishers, then still reeling from the suppression of Lawrence's THE RAINBOW, were unreceptive in their responses to Joyce's efforts toward publication in book form. Based in part on Harriet Weaver's guarantee of 750 sets of sheets for the slightly later Egoist Press issue, Huebsch took on the novel for December publication. The size of the first printing may have been reasonably conservative, and a second printing was called for in April 1917. The printed dust jacket for this book is rather scarce; the present fragment consists of the rear flap (blank), the rear panel (an advert for the Huebsch edition of THE PRUSSIAN OFFICER - wanting two significant chips in the blank area), and a portion of the spine (with "AR / AS / YOUNG MAN / JOYCE / $1.50 net" intact). " ... the Portrait can be read as either an autobiography or a novel. A landmark in sensibility, the prose moves forward in complexity from the child's sensations at the beginning to the adolescent subtleties at the end" - Connolly. SLOCUM & CAHOON A11. CONNOLLY MODERN MOVEMENT 26.

New York: B. W. Huebsch,, 1916. Octavo. Original blue cloth, gilt lettered spine, blind lettered front cover. Housed in a burgundy quarter morocco solander box by the Chelsea Bindery. Neat book label of "Alice B. Egan, Medford, Oregon". Spine slightly rolled, a couple of small pale marks on front cover, a few leaves very slightly creased at head. Still a fine bright copy. First edition, first printing. Due at least in part to the hostile reaction to its serialization in The Egoist, no English printer would print the book for fear of prosecution under the obscenity laws. It was Huebsch who undertook the true first publication in book form, on 29 December 1916. He reserved from his print run about 750 sets of sheets for issue in the UK the following February. Although the number of copies originally issued in America is unknown, it is unlikely to have been large since Huebsch had sold out by March 1917 and called for a second printing by April.

New York: B. W. Huebsch,, 1916. Octavo. Original blue cloth, titles to spine gilt and to upper board in blind. Housed in a dark blue flat-back cloth box by the Chelsea Bindery. Cloth lightly rubbed at extremities with a few tiny marks. An excellent copy. First edition, first printing, and a very attractive copy of Joyce's first novel. Due at least in part to the adverse reception of the Egoist serialisation of A Portrait, no English printer would print the book for fear of prosecution under the obscenity laws. It was Huebsch who undertook the true first publication in book form, first published on 29 December 1916. He sent from this print run about 750 sets of sheets for issue in the UK the following February. Although the number of copies issued in America is unknown, it is unlikely to have been large since Huebsch had sold out by March and called for a second printing by April.

New York: B. W. Huebsch, 1916. Medium blue cloth, lettered in gilt and blind. Top edge slightly dust spotted, pencil ownership signature on front free endsheet, faint old tape shadows on free endsheets from formerly present "protective" wrapper, row of three small spots at extreme top edge of upper board, one lower forecorner creased and very minimally mistrimmed in process of binding; still, a bright, tight, unfaded and better than very good copy. First edition. Although serialized in 25 installments in THE EGOIST from Feb. 1914 to Sept. 1915, British printers and publishers, then still reeling from the suppression of Lawrence's THE RAINBOW, were unreceptive in their responses to Joyce's efforts toward publication in book form. Based in part on Harriet Weaver's guarantee of 750 sets of sheets for the slightly later Egoist Press issue, Huebsch took on the novel for December publication. The size of the first printing may have been reasonably conservative, and a second printing was called for in April 1917. " ... the Portrait can be read as either an autobiography or a novel. A landmark in sensibility, the prose moves forward in complexity from the child's sensations at the beginning to the adolescent subtleties at the end" - Connolly. SLOCUM & CAHOON A11. CONNOLLY MODERN MOVEMENT 26.

New York: B. W. Huebsch, 1916. Book. Very Good. Hardcover. 1st Edition. 12mo - over 6¾ - 7¾" tall. VG+ handsome copy and true first edition/first printing. Original blue cloth w blind stamped title/author on cover and gilt font on spine.299 pps. Spine is slightly rolled, cloth rubbed at extremities. Cover corners very lightly bumped. Front and back hinge partial and light crack, 1/4" ripple of cloth on back cover. No markings, paste downs, stamps, nor writing/markings of any sort within interior pages which are completely clean, tight and bright. albeit lightly age toned."Huebsch undertook the true first publication. He would send from this print run about 750 sets of sheets for issue in the UK in February 1917. Whilst the number of copies issued in America is undetermined the number could not have been large." "Stephen Dedalus describes his spiritual journey through his Jesuit education and petty bourgeois Dublin to forge through 'silence, exile and cunning' the 'uncreated conscience of his race.' Following close on 'Dubliner's' (for it appeared through 1915 as a serial in 'The Egoist') The Portrait can be read either as an autobiography or a novel. A landmark in sensibility, the prose moves forward in complexity from the child's sensations at the beginning to the adolescent subtleties at the end" (Connolly). This is the first edition of the book published in New York in 1916. Included is facsimile of TLS review of 1 March 1917 by Arthur Clutton-Brock with photo of Joyce in 1918..

New York: B.W. Huebsch, 1916. First edition. [iv], 299, [1] pp. 1 vols. 8vo. Publisher's blue cloth, stamped in gilt on spine and in blind on front cover. Near fine, spine a trifle darkened, light wear to spine ends and tips and slight wrinkling to cloth at edges. Brentano's book ticket on rear pastedown. In custom green morocco-backed slipcase and chemise. First edition. [iv], 299, [1] pp. 1 vols. 8vo. 'silence, exile, and cunning'. First edition of Joyce's autobiographical novel, recounting the schooldays and emerging artistic consciousness of his alter-ego Stephen Dedalus. The novel was refused by Grant Richards (publisher of Dubliners), Secker, and Edward Garnett for Duckworth. Finally B.W. Huebsch agreed to take on the book, if Harriet Weaver, who had serialized the novel in The Egoist between February and August of 1914, would arrange for 750 copies to be published in London. It was published first in New York by Huebsch on 29 December 1916 and in London on 22 January 1917 made up with the American sheets and a cancel Egoist title-page. Slocum & Cahoon 11

New York: B.W. Huebsch, 1916. First Edition. Hardcover. Very Good. First edition, first printing. 299 pp. Original blue cloth with gilt spine lettering, blind stamped front board. A Near Fine copy with an owner inscription on top of first page, dated 1917; small faint stains to front board and top edge, little bit of rubbing to head and foot. No jacket. A very nice copy of the first novel by the innovative Irish writer, printed in the US before its British issue.

New York: Huebsch, 1916. First edition of Joyce's classic stream-of-consciousness work, his first novel. Octavo, original blue cloth with titles to the spine in gilt. In excellent condition without the usual fade to the spine. From the library of Henry W. Keyes, with his signature to the front free endpaper along with his daughters. Keyes was the Governor of New Hampshire and a United States Senator and married to the writer Frances Parkinson Keyes. A nice example with noted provenance. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce, which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch, New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century.

B.W. Huebsch, New York., 1916. First edition. Octavo. pp [iv], 299.Spine slightly dull and a bit rubbed at the ends. Corners also slightly rubbed. Very good. No dustwrapper.

New York: B. W. Huebsch, 1916. First Edition, First Printing 1st Printing. Blue Cloth. Near Fine. 7 5/8" Tall. 299 Pp. Blue Cloth, Spine Gilt, Front Cover Blind Stamped. First Printing (No Additional Printing Noted). This American Edition Precedes All Other Published Editions. Condition Is Exceptionally Attractive. Contents Evenly Aged, Otherwise Unmarked And Unstained, With A Few Tiny Foxing Spots In The Book. Spine Lightly Rubbed Along Very Top And Bottom Edges Only, With Pinpoint Rubs At Tips, No Fraying Or Damage And Almost No Loss Of Color, Boards Otherwise With Original Bright, Even Color. Spine Gilt Quite Bright Although Not Brilliant. Top Edge Of Page Block Is Very Dusty. Original Cloth And Endpapers, Re-Cased [Re-Glued And Tightened]; Not Ex-Library, No Previous Owners' Marks.

New York: B.W. Huebsch, 1916. First edition. [iv], 299, [1] pp. 1 vols. 8vo. Publisher's blue cloth, stamped in gilt on spine and in blind on front cover. Some rubbing to joints and spine ends, small bump to one corner, hinges cracked, a very good copy. Housed in quarter morocco box. First edition. [iv], 299, [1] pp. 1 vols. 8vo. First edition. First edition of Joyce's autobiographical novel, recounting the schooldays and emerging artistic consciousness of his alter-ego Stephen Dedalus. The novel was refused by Grant Richards (publisher of Dubliners), Secker, and Edward Garnett for Duckworth. Finally B.W. Huebsch agreed to take on the book, if Harriet Weaver, who had serialized the novel in The Egoist between February and August of 1914, would arrange for 750 copies to be published in London. It was published first in New York by Huebsch on 29 December 1916 and in London on 22 January 1917 made up with the American sheets and a cancel Egoist title-page. Slocum & Cahoon 11

New York: B. W. Huebsch, 1916. 8vo, blue publisher's cloth with lettering in blind to upper cover and lettering in gilt to spine; pp. [iv], 299, [i]; cloth a little rubbed at edges and corners, and particularly to head and foot of spine; internal front hinge tender; else a very good copy, internally very clean. First edition. Originally appearing serially in twenty-one monthly instalments in the British literary magazine The Egoist, Joyce’s semi-autobiographical text was first published in the US, after UK printers refused to accept the liability of printing the text due to reader’s critical reactions. The exact number of copies is unknown, but it is estimated that fewer than one thousand were produced. This copy precedes the first English edition by two months. The stream-of-consciousness narrative describes the protagonist Stephen Dedalus’ spiritual journey through his Jesuit education to adulthood. Joyce had originally intended the novel to be published under the title Stephen Hero , but abandoned the work in 1907 when it was half finished, to begin a complete revision of the text and its structure. In 1911 Joyce flew into a fit of rage over the continued refusals by publishers to print Dubliners and threw the manuscript of Portrait into the fire. It was saved by a "family fire brigade" including his sister Eileen. In 1917 H. G. Wells wrote that "one believes in Stephen Dedalus as one believes in few characters in fiction." A sound copy of the author’s first novel.

New York: B. W. Huebsch,, 1916. Octavo. Finely bound by the Chelsea Bindery in dark blue morocco, titles and decoration to spine gilt, raised bands, single rule to boards gilt, twin rule to turn-ins gilt, burgundy endpapers, gilt edges. Couple of spots to prelims, an excellent copy in a fine binding. First edition, first printing. Due at least in part to the adverse reception of the Egoist serialisation of A Portrait, no English printer would print the book for fear of prosecution under the obscenity laws. So it was Huebsch that undertook the true first publication. He would send from this print run about 750 sets of sheets for issue in the UK in February 1917. Whilst the number of copies issued in America is undetermined the number could not have been large since he had sold out by March and called for a second printing by April.

New York: B.W. Huebsch, 1916. Hardcover. Very Good. First edition, preceding the English edition. Octavo. 299pp. Blue cloth stamped in blind and in gilt. Contemporary ownership signature on front free endpaper, a bit of wear on the cloth especially at the spine ends, small stain in the margin of about a dozen leaves of text near the end, front hinge seamlessly repaired, a very good copy of a landmark title.

NY: B. W. Huebsch, 1916. First printing of the author's first novel and third book, certainly considered one of the seminal books of the modernist movement in literature. Very good in the original blue cloth with the title and author's name blind-stamped on the front board. Gilt lettering on the spine is slightly dulled, but very legible. There is some rubbing to the cloth at the spine ends, with tiny spots of fraying in a few places. Clear evidence of a bookplate removal on the front pastedown, and evidence of the erasure of a single line which had been embossed on the copyright page. There is also a quarter-sized area at the lower left corner of the rear pastedown where the top layer of paper has been pulled away. Very small cracks in the endpapers covering both front and rear hinges, but the binding is tight and square. The bookplate removal and erasure of the small embossed line could indicate the book was in some sort of private library at one time, but the condition indicates not much use over the years. The book was purchased from the estate of a professor of English at the University of Tulsa (which has one of the largest Joyce collections in the world), and whether he undertook the improvements himself, or purchased the book in this condition is unknown.. First Edition. Hard Cover.

New York: B.W. Huebsch, 1916. Hardcover . Very Good. 12mo., a square, clean copy. Textblock tight, however, binding cracked halfway from bottom to center between final two pages of text. Light blue cloth binding lightly rubbed at bottom edge and tips of spine. Faint 1/2 inch dent (appearing as a crease impression) at lower back panel adj. to joint.

London: The Egoist Ltd., 1917. First English Edition, English sheets, preceded by an edition using the American (Huebsch) sheets, as English printers had refused to print it. About 1000 copies were printed. A very good copy.

Turtleback Books, 1916. Library Binding. As New. Disclaimer:An apparently unread copy in perfect condition. Dust cover is intact; pages are clean and are not marred by notes or folds of any kind.

The Egoist, London., [1918]. Second U.K. edition (from English sheets - the previous issue of 1917 was from American sheets). pp [vi], 299. 1000 copies were printed at "Visiter" Printing Works, Southport. Original dark green cloth. Covers slightly marked and just a little faded at spine. Titles on spine dull. Free endpapers tanned. Very good. No dustwrapper.

London: Jonathan Cape, 1924. The first Cape edition with reset type. Octavo, original cloth. Near fine in a very good dust jacket with some light reinforcement to the verso at spine tips and loss at foot of spine. With original extract notes laid in. Rare in the original dust jacket. A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce, which describes the formative years of the life of Stephen Dedalus. It was published first in book format in 1916 by B. W. Huebsch, New York. The first British edition was published by the Egoist Press in February 1917. Chosen by Modern Library as one of 100 greatest novels of the twentieth century.

CreateSpace Independent Publishing Platform. Used - Very Good. Great condition for a used book! Minimal wear.

Jonathan Cape, 1928 The 6th impression, 1928, in the very rare original dust jacket. Very good in a very good dust jacket. Three quarter inch closed tear at top front of jacket. Comes in a custom-made collector's slipcase.. 5th or later Edition. Hardcover. Very Good/Very Good.

Viking Press. PAPERBACK. B00BC5FJIA Very Good Condition. Five star seller - Buy with confidence! . Very Good.

London: The Egoist Ltd, 1916. First Edition. Hardcover. Good. Octavo. 299pp Front inner hinge cracked,, chipped at the top of the spine Wear to one of the top corners, otherwise a good sound copy in green cloth. Scarce

London: The Egoist. Fair with no dust jacket. (1917). Hardcover. The first English edition from sheets printed in England. This edition was preceded by an earlier English edition from American sheets [Reference: Slocum and Cahoon 13]. Copyright page has: "Copyright, 1916, By B. W. Huebsch, New York. First edition printed in the United States of America, 1916. Second Edition, 1917. Visiter Printing Works, Southport." Title page imprint: "The Egoist Ltd. 23 Adelphi Terrace House W. C. London". Original green cloth boards with gilt title on spine and blind-stamped title on front board. [vi], 299 pages. Page dimensions: 182 x 119mm. A 3 1/2" tear to cloth along lower part of front joint. Cloth frayed and torn along both ends of spine. A couple of <1/2" vertical tears to cloth at head of spine, with slight loss of cloth. A few marks to cloth. Corners bruised. No loss of cloth at corners of boards. Internally good. No signatures. Narrow split to gutter between the half-title and the title pages. No splitting to gutters at endpapers. ; 12mo 7" - 7½" tall .

LONDON: The Egoist Ltd, 1917. First UK edition of 1000 copies (often refered to as the 2nd edition) printed in Southport at the 'Visiter' Printing Works. Original green cloth with blind-stamped title to upper board, spine discoloured with age with slight fraying to head and tail. Page margins slightly age browned, front hinge a little cracked but binding still tight, old owner's name in ink at top of front (blank) end-paper. 299pp. Overall a near VG copy.. 1st UK Edition. Cloth. Good+. Small 8vo.

2011-09-15. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!

NY: Huebsch, 1917. Stated 2nd printing, good plus, no dj. Spine ends rubbed and faded; spine a little darkened. Small armorial bookplate on front pastedown; blind-stamped owner's name (in Gothic script) on ffep; odd spot that looks like foxing on the half-title, though there is no other foxing. Occasional margin notes in pencil; also the rear endpapers are filled with notes. On the rear pastedown the owner claims to have met Joyce in Paris in 1929, introduced by agent Madeleine Boyd (the discoverer of Thomas Wolfe). "He was almost blind, talked to his daughter in Italian, recited some of the "Work In Progress" later called Finnegan's Wake + then had records of it played while he dozed off to sleep." 299 pp.. Hard Cover.

NY: Viking Press, 1961 Fifteenth printing.. Softcover. Good/No Jacket.

Norwalk, Connecticut: Easton Press. 1977. First Edition; First Printing. Hardcover. Near Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. ; 8vo 8" - 9" tall .

1993-06-01. Good. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. May not contain Access Codes or Supplements. May be ex-library. Shipping & Handling by region. Buy with confidence, excellent customer service!

Palgrave Macmillan , 1993. Paperback. As New. As New

Demco Media. Used - Good. Ships from Reno, NV. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

Norwalk, Connecticut: Easton Press. 1977. First Edition; First Printing. Hardcover. Near Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. ; 100 Greatest Books Ever Written.; 4to - over 9¾" - 12" tall .

Norwalk, Connecticut: Easton Press. 1977. First Edition; First Printing. Hardcover. Fine, Leather Bound. Book accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines. ; The 100 Greatest Books Ever Written; 8vo 8" - 9" tall .

Norwalk, Connecticut: Easton Press. First Edition; First Printing. Hardcover. SEALED in the original SHRINK WRAP As New, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Mint. ; 8vo 8" - 9" tall .

Norwalk, Connecticut: Easton Press. 1977. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. ; 100 Greatest Books Ever Written.; 4to - over 9¾" - 12" tall .

Norwalk, Connecticut: Easton Press. 1977. First Edition; First Printing. Hardcover. Fine, Accented in 22kt gold, printed on archival paper with gilded edges, smyth sewing & concealed muslin joints. Bound In full leather with hubbed spines. Pristine. ; 100 Greatest Books Ever Written. ; 8vo 8" - 9" tall .

The Egoist Press, London, 1921. The second US edition (and the third overall). 8vo. 299pp. Green cloth lettered in gold at spine, and in blind at the upper board with a double blind border. Cloth lightly mottled in places, with just a tiny hint of wear to the spine ends. Endpapers, half-title and title page very lightly fox spotted. A very good copy of Joyce's first novel.. 3rd Edition. Hardcover. Very Good.

1992-01-02. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!

1996-04-25. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!

1988-06-09. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!

New York: The Limited Editions Club, 1968. Hardcover small Quarto in slipcase. Hardcover. Very good. Keogh, Brian. quarter-bound in black gilt-decorated leather, green papered boards, gilt lettering to spine, 254 pp, housed in green slipcase with title label at spine, very light sunning and wear, numbered 169 of1500, illustrated by Brian Keogh, signed by the illustrater at the limitations page.

New York, The Limited Editions Club, 1968., 1968. First edition thus. Large 8vo. Introduction by Hugh Kenner. Illustrated by Brian Keogh (many in color, one double-page). Original gilt stamped black morocco over light gray/green boards, matching endpapers. Glassine dust jacket (chips on the spine ends). Fine. Publisher's matching board box. Number 938 of 1500 numbered copies, signed by Brian Keogh on limitation page.. Signed by Illustrator(s). Hardcover. Fine/Fine.

Palgrave Macmillan , 1993. Paperback. LIKE NEW. Like New

Routledge. Hardcover. 0815312784 Special order direct from the distributor . New.

1996-06-05. New. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!