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Reminiscence and Re-creation in Contemporary American Fiction
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Reminiscence and Re-creation in Contemporary American Fiction Hardcover - 1989

by Stacey Olster


From the publisher

The world reflected in post-modernist fiction is one of chance and randomness, devoid of historical intelligibility. Stacey Olster challenges this view by distinguishing American post-modernism--with respect to the views of historical processes that its practitioners share. Arguing that their experience of communism proved instrumental in shaping the historical perspective of novelists who began writing after World War II, Olster examines their change in perspective in the 1950s after historical events forced them to acknowledge the failure of the communist ideal in Russia. Focusing on Norman Mailer, Thomas Pynchon, John Barth, Robert Coover, and E.L. Doctorow, Olster portrays the idiosyncratic--but consistent--model of history that each began to construct in his work in order to preserve the illusion of an ordered sense of time. The author defines the qualities the writers share that form a common sensibility: a vision of historical movement taking the shape of an open-ended spiral, a refusal to accept the inevitability of apocalypse, and a conscious return to the traditions of earlier American authors.

Details

  • Title Reminiscence and Re-creation in Contemporary American Fiction
  • Author Stacey Olster
  • Binding Hardcover
  • Pages 232
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press, New York
  • Date 1989-04-28
  • Features Bibliography
  • ISBN 9780521363839 / 0521363837
  • Weight 1.13 lbs (0.51 kg)
  • Dimensions 9 x 6 x 0.69 in (22.86 x 15.24 x 1.75 cm)
  • Library of Congress subjects American fiction - 20th century - History, Historical fiction, American - History and
  • Library of Congress Catalog Number 88029205
  • Dewey Decimal Code 813.54
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Reminiscence and Re-creation in Contemporary American Fiction
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Reminiscence and Re-creation in Contemporary American Fiction

by Olster, Stacey

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Reminiscence and Re-creation in Contemporary American Fiction

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