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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre Paperback - 2007

by Robert Spadoni


From the publisher

In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

From the rear cover

"Through meticulous historical research, Spadoni in Uncanny Bodies provides a fine understanding of the aesthetic and cultural context in which the original Universal film version of Dracula appeared. Through analyses of films that came before and after, he successfully restores Dracula's strangeness for a contemporary audience, a strangeness that reflects the rapidly evolving conventions of the early sound film. A significant contribution to reception studies, Uncanny Bodies makes us see why Dracula, while holding little terror for subsequent audiences, is nevertheless both a foundational work for the horror film, and also, paradoxically, an anomaly, one effectively overshadowed by Frankenstein."--William Paul, author of Laughing Screaming: Modern Hollywood Horror and Comedy

"Uncanny Bodies is a pleasure to read. I know of no other work that has looked as closely at early sound and horror films to make a persuasive argument about horror's relation to the beginnings of sound film. Given the voluminous literature on Universal horror films, Spadoni presents some very original ideas and frames his inquiry in an interesting way."--Jan-Christopher Horak, editor of Lovers of Cinema: The First American Film Avant-Garde, 1919-1945

Details

  • Title Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
  • Author Robert Spadoni
  • Binding Paperback
  • Edition Illustrated.
  • Pages 202
  • Volumes 1
  • Language ENG
  • Publisher University of California Press, Berkeley, CA
  • Date 2007-09-04
  • Features Bibliography, Index, Table of Contents
  • ISBN 9780520251229 / 0520251229
  • Weight 0.76 lbs (0.34 kg)
  • Dimensions 8.96 x 6.31 x 0.57 in (22.76 x 16.03 x 1.45 cm)
  • Library of Congress subjects Horror films - United States - History and, Sound motion pictures - History and criticism
  • Library of Congress Catalog Number 2006029088
  • Dewey Decimal Code 791.436

Media reviews

Citations

  • Choice, 02/01/2008, Page 1167

About the author

Robert Spadoni is Associate Professor in the English Department at Case Western Reserve University.
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre

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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies: The Coming of Sound Film and the Origins of the Horror Genre

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University of California Press, 2007. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780520251229
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UNCANNY BODIES : The Coming of Sound Film and the Origins of the Horror Genre
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Berkeley, CA: UNIVERSITY OF CALIFORNIA PRESS, 2007. Book. As New. Trade Paperback. First Edition. Trade Paperback - 1st. print - As New - Karloff as the Frankenstein Monster graces the cover of this study of the effects of the new movie invention of sound on the early horror films and their audiences - Chapters include, "The Mystery of Dracula", "Frankenstein and the Vats of Hollywood", and more....
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Berkeley. 2007. University Of California Press. 1st American Edition. Very Good in Wrappers. 9780520251229. 202 pages. paperback. keywords: Film Horror Sound History. FROM THE PUBLISHER - In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of… Read More
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Uncanny Bodies � The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies – The Coming of Sound Film and the Origins of the Horror Genre
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Uncanny Bodies – The Coming of Sound Film and the Origins of the Horror Genre

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