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Culture of Complaint: The Fraying of America
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Culture of Complaint: The Fraying of America Hardcover - 1993

by Robert Hughes

Acclaimed critic Robert Hughes, the bestselling author of The Fatal Shore and Barcelona, delivers a pointed, no-holds-barred critique aimed at the heart of American politics, culture, and art. A scathing vision of a nation "obsessed with therapies and filled with distrust . . . skeptical of authority and prey to superstition".


From the publisher

The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture.
Culture of Complaint is a call for the re-knitting of a fragmented and over-tribalized America--a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, Hughes fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan ("with somnambulistic efficiency, Reagan educated America down to his level. He left his country a little stupider in 1988 than it had been in 1980, and a lot more tolerant of lies"). To the left, he skewers political correctness ("political etiquette, not politics itself"), Afrocentrism, and academic obsessions with theory ("The world changes more deeply, widely, thrillingly than at any moment since 1917, perhaps since 1848, and the American academic left keeps fretting about how phallocentricity is inscribed in Dickens' portrayal of Little Nell"). PC censoriousness and "family-values" rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present--and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War.
In the long retreat from public responsibility beaten by America in the 80s, Hughes sees "a hollowness at the cultural core"--a nation "obsessed with therapies and filled with distrust of formal politics; skeptical of authority and prey to superstition; its language corroded by fake pity and euphemism." It resembles "late Rome...in the corruption and verbosity of its senators, in its reliance on sacred geese (those feathered ancestors of our own pollsters and spin-doctors) and in its submission to senile, deified emperors controlled by astrologers and extravagant wives."
Culture of Complaint is fired by a deep concern for the way Hughes sees his adopted country heading. But it is not a relentless diatribe. If Hughes lambastes some aspects of American politics, he applauds Vaclav Havel's vision of politics "not as the art of the useful, but politics as practical morality, as service to the truth." And if he denounces PC, he offers a brilliant and heartfelt defence of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world--and other Americans.
Here, then, is an extraordinary cri de coeur, an outspoken call for the reconstruction of America's ideas about its recent self. It is a book that everyone interested in American culture will want to read.

From the rear cover

The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture. Culture of Complaint is a call for the reknitting of a fragmented and over-tribalized America - a deeply passionate book, filled with barbed wit and devastating takes on public life, both left and right of center. To the right, Hughes fires broadsides at the populist demagogy of Pat Buchanan, Pat Robertson, Jesse Helms and especially Ronald Reagan ("with somnambulistic efficiency, Reagan educated America down to his level. He left his country a little stupider in 1988 than it had been in 1980, and a lot more tolerant of lies"). To the left, he skewers political correctness ("political etiquette, not politics itself"), Afrocentrism, and academic obsessions with theory ("The world changes more deeply, widely, thrillingly than at any moment since 1917, perhaps since 1848, and the American academic left keeps fretting about how phallocentricity is inscribed in Dickens' portrayal of Little Nell"). PC censoriousness and "family-values" rhetoric, he argues, are only two sides of the same character, extrusions of America's puritan heritage into the present - and, at root, signs of America's difficulty in seeing past the end of the Us-versus-Them mentality implanted by four decades of the Cold War. In the long retreat from public responsibility beaten by America in the 80s, Hughes sees "a hollowness at the cultural core" - a nation "obsessed with therapies and filled with distrust of formal politics; skeptical of authority and prey to superstition; its language corroded by fake pity and euphemism". It resembles "lateRome...in the corruption and verbosity of its senators, in its reliance on sacred geese (those feathered ancestors of our own pollsters and spin-doctors) and in its submission to senile, deified emperors controlled by astrologers and extravagant wives". Culture of Complaint is fired by a deep concern for the way Hughes sees his adopted country heading. But it is not a relentless diatribe. If Hughes lambastes some aspects of American politics, he applauds Vaclav Havel's vision of politics "not as the art of the useful, but politics as practical morality, as service to the truth". And if he denounces PC, he offers a brilliant and heartfelt defense of non-ideological multiculturalism as an antidote to Americans' difficulty in imagining the rest of the world - and other Americans. Here, then, is an extraordinary cri de coeur, an outspoken call for the reconstruction of America's ideas about its recent self. It is a book that everyone interested in American culture will want to read.

Details

  • Title Culture of Complaint: The Fraying of America
  • Author Robert Hughes
  • Binding Hardcover
  • Edition First Edition
  • Pages 224
  • Volumes 1
  • Language ENG
  • Publisher Oxford University Press, USA, New York
  • Date 1993-04-22
  • ISBN 9780195076769 / 0195076761
  • Weight 0.93 lbs (0.42 kg)
  • Dimensions 8.55 x 5.75 x 0.89 in (21.72 x 14.61 x 2.26 cm)
  • Library of Congress subjects Popular culture - United States, Arts and society - United States - History -
  • Library of Congress Catalog Number 92039678
  • Dewey Decimal Code 700.103

Media reviews

Citations

  • Booklist, 03/01/1993, Page 1139
  • Library Journal, 03/15/1993, Page 0
  • Publishers Weekly, 02/15/1993, Page 0

About the author


Born in Sydney, Australia, in 1938, Robert Hughes has been the art critic of Time since he moved from Europe to the United States in 1970. His books--The Shock of the New, The Fatal Shore, Nothing if Not Critical, Barcelona--have won many awards in Australia, America, and Europe, most recently (1992) the international El Brusi prize for literature and communications given by the Olimpiada Cultural in Barcelona.
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