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9780192853677

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9780192853677 - But Is It Art? An Introduction to Art Theory by Cynthia Freeland

ISBN 10: 0192853678

Paperback; New York, Ny: Oxford University Press, USA, March 8, 2002;


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Oxford University Press, 2002. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

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Oxford University Press, 2002. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

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Oxford University Press, 2002. Paperback. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

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Paperback. Acceptable.

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Paperback. Very Good.

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Oxford University Press. PAPERBACK. 0192853678 Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc... . Very Good.

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Oxford University Press. Used - Good. Good condition. Highlighting inside.

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Oxford University Press, USA. Used - Good. Shows some signs of wear, and may have some markings on the inside.

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Oxford University Press. Paperback. 0192853678 Some wear. . Good. 2002-04-04. 1.

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Oxford Univ Pr. Used - Very Good. Light to moderate shelf wear. Complete. Clean pages.

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Oxford University Press. PAPERBACK. 0192853678 Some wear, but still a good reading copy. Over 1,000,000 satisfied customers since 1997! We ship daily M-F. Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders. . Good.

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Oxford University Press, USA, 2002-04-04. Paperback. Good.

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13
Oxford Paperbacks, 02/07/2002. Paperback. Used; Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence!

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Oxford Paperbacks. New Ed. Paperback. Used; Good. 02/07/2002

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Oxford University Press, USA. Used - Very Good. Ships from the UK. Great condition for a used book! Minimal wear. 100% Money Back Guarantee. Your purchase also supports literacy charities.

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Oxford University Press, USA. Used - Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Your purchase also supports literacy charities.

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17
Oxford University Press, 2001. Paperback. Very Good. Unmarked text. In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Illustrated. Index. References. Further reading. 231p. Measures 4.75x6.75 inches.

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18
Oxford University Press, 2002-04-04. Paperback. Very Good. All books ship SAME or NEXT business day!! 2nd Day Shipping Available! May show signs of use but will NOT contain highlighting or underlining! Although may NOT include supplemental materials, cds, codes etc. Contact us with any questions!

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19
Oxford University Press, USA, 2002-04-04. Paperback. Used:Good.

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20
Paperback. New. Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy, art theory, and many engrossing examples. She discusses blood, beauty, culture, money, sex, web sites, and research on the brain's role in perceiving art. This clear, lively book will engage the public, introductory students, and teachers in the arts.

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