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The Waitress Was New
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The Waitress Was New Paperback - 2008

by Dominique Fabre; Jordan Stump (Translator)


From the publisher

This "charming . . . short account of ordinary goings-on in a French caf" explores love, work, loneliness, and aging as it follows the daily life of a middle-aged Parisian bartender (Lemony Snicket) Pierre is a veteran bartender in a caf in the outskirts of Paris. He observes his customers as they come and go--the young man who drinks beer as he reads Primo Levi, the fellow who from time-to-time strips down and plunges into the nearby Seine, the few regulars who eat and drink there on credit--sizing them up with great accuracy and empathy. Pierre doesn't look outside more than necessary; he prefers to let the world come to him. Soon, however, the caf must close its doors, and Pierre finds himself at a loss. As we follow his stream of thoughts over three days, Pierre's humanity and profound solitude both emerge. The Waitress Was New is a moving portrait of human anguish and weakness, of understated nobility and strength.

Details

  • Title The Waitress Was New
  • Author Dominique Fabre; Jordan Stump (Translator)
  • Binding Paperback
  • Edition F Second Printin
  • Pages 117
  • Volumes 1
  • Language ENG
  • Publisher Archipelago Books, NY
  • Date 2008-01-21
  • ISBN 9780977857692 / 0977857697
  • Weight 0.28 lbs (0.13 kg)
  • Dimensions 6.51 x 5.96 x 0.43 in (16.54 x 15.14 x 1.09 cm)
  • Themes
    • Chronological Period: 21st Century
    • Cultural Region: French
  • Library of Congress subjects Psychological fiction
  • Library of Congress Catalog Number 2007036286
  • Dewey Decimal Code FIC

Excerpt

The waitress was new here. She came out of the underpass and hurried down the sidewalk, very businesslike, keeping to herself, as tall as me even in flat-heeled shoes. Maybe forty years old? That’s not the kind of thing you can ask a lady. She had a sort of flesh-pink makeup on her eyelids, she must have spent a long time getting ready. I didn’t look too closely at her shoes, the way I usually do to size someone up, because I had a feeling she’d seen some rough times, and there was no point overdoing it. And I’ve seen some rough times too, I tell myself now and then, but I’m not even sure it’s true. The sky was all cloudy. Sometimes, on gray days like this, you can see why you’re here, in a café like Le Cercle. People come in to get out of the weather, they have a drink, and then they go on their way.

Media reviews

The strong, intimate voice of this gentle, canny narrator continues to stay with us long after we reach the end of The Waitress Was New—what an engrossing, captivating tale, in Jordan Stump’s sensitive translation. —Lydia Davis

For his U.S. debut, Fabre offers a poignantly funny, slender slice of a French waiter’s life . . . In his patient, deliberative layering, the details of Pierre’s quotidian life assume an affecting solidity and significance. —Publishers Weekly

Simply and elegantly captures the dignity of a day’s work, the humanity of friendship and the loneliness of aging. —Kirkus Reviews

A sweetly comic book, savored with tristesse, lightly renders feeling and profundity in the manner only the French can. —Reamy Jansen, Bloomsbury Review

Fabre becomes the lyrical, compassionate spectator of all these infinitesimal, silent lives—our lives—as they move between leaving the suburban underground station and arriving home. It is a tiny fragment of life, simply told and yet touching in the extreme. When Fabre writes, he ‘really believes in the possibility of showing you genuine beauty, genuine dignity and places or people that have been somehow overlooked.’ Mission accomplished. —French Book News

Citations

  • Booklist, 12/15/2007, Page 27
  • Kirkus Reviews, 12/15/2007, Page 1258
  • Publishers Weekly, 10/22/2007, Page 33

About the author

Dominique Fabre possesses a unique voice among contemporary French novelists. Focusing on the lives of individuals on the margins of society, his works combines somber, subdued realism with lyrical perception. In his own words, Fabre "believes in the possibility of showing you genuine beauty, genuine dignity and places or people that have been somehow overlooked." He has produced nine works of fiction over the last decade. In 1995 Maurice Nadeau published Fabre's first novel, Moi aussi un jour j'irai loin, to much critical acclaim. His Fantmes (Serpent plumes) received the Marcel Pagnol prize in 2001. The Waitress Was New is his first book to appear in English. Jordan Stump received the 2001 French-American Foundation's Translation Prize for his translation of Le Jardin des Plantes by Nobel Prize winner Claude Simon. In 2006, Stump was named Chevalier de l'Ordre des Arts et des Lettres. He has translated the work of Eric Chevillard, Marie Redonnet, Patrick Modiano, Honor de Balzac, and Jules Verne, among others. He is a professor of French literature at the University of Nebraska.
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