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Great Expectations
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Great Expectations Paperback - 1996

by Charles Dickens; Adapted by Monica Kulling

Expect great adventures for seven-year-old Pip, a blacksmith's apprentice who dreams of a better life. Can a dangerous escaped convict, a wealthy old woman, and a secret guardian help him turn his rags to riches? This easy-to-read adaptation of the Dickens classic is sure to capture the imaginations of young and reluctant readers.


From the publisher

Seven-year-old Pip is an orphan. He lives with his nasty older sister and works as a blacksmith's apprentice. Pip dreams of a better life, but has no idea how to turn his luck around. Then a mysterious stranger decides to make all of Pip's dreams come true. Pip's lonely life is about to change forever. Will his great expectations be realized? Or will he learn that money and power are worthless without love and friendship?

From the jacket flap

Expect great adventures for seven-year-old Pip, a blacksmith's apprentice who dreams of a better life. Can a dangerous escaped convict, a wealthy old woman, and a secret guardian help him turn his rags to riches? With a rich cast of characters and more plot twists than the most tangled video game, this lively, easy-to-read adaptation of the Dickens classic is sure to capture the imaginations of young and reluctant readers.

Details

  • Title Great Expectations
  • Author Charles Dickens; Adapted by Monica Kulling
  • Binding Paperback
  • Edition Random House Bul
  • Pages 112
  • Volumes 1
  • Language ENG
  • Publisher Random House Books for Young Readers, New York
  • Date 1996-11-19
  • ISBN 9780679874669 / 0679874666
  • Weight 0.2 lbs (0.09 kg)
  • Dimensions 7.4 x 5.1 x 0.3 in (18.80 x 12.95 x 0.76 cm)
  • Ages 06 to 09 years
  • Grade levels 1 - 4
  • Reading level 460
  • Themes
    • Chronological Period: 19th Century
    • Cultural Region: British
  • Library of Congress subjects Orphans - Fiction, Coming of age - Fiction
  • Library of Congress Catalog Number 95017616
  • Dewey Decimal Code FIC

Excerpt

Chapter I.


My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.


I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
existence.


Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time I found out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
Pip.


"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"


A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.


"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
sir."


"Tell us your name!" said the man. "Quick!"


"Pip, sir."


"Once more," said the man, staring at me. "Give it mouth!"

Media reviews

"No story in the first person was ever better told."

Citations

  • Hornbook Guide to Children, 07/01/2006, Page 327

About the author

George Bernard Shaw (1856-1950) was a leading playwright of the twentieth century. His plays include Man and Superman (1905), Major Barbara (1905), Pygmalion (1913), and Saint Joan (1923).

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