Subject to Display: Reframing Race in Contemporary Installation Art by Gonzalez, Jennifer A - 2008

The MIT Press, 5/9/2008. First Edition. hardcover. Like New. 6x1x10. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

The MIT Press, 2008-05-09. Hardcover. Good.

MIT. Used - Like New. 2008. Hardcover. Publisher's mark on text block. Otherwise, Fine. Dust Jacket is Fine.

MIT. Used - Very Good. 2008. Hardcover. Cloth with dust jacket. Slight shelf wear. Wrapped in acetate. Very Good. (Subject: Art History).

Cambridge, MA: The MIT Press, 2008. Hardcover. Near Fine/Near Fine Dust Jacket. 4to - over 9¾" - 12" tall. 297 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Near fine dust jacket. No remainder mark. NOTE: Book still in the original publisher shrink wrap. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.

Hardback. Very Good.

Cambridge: MIT Press, 2008. Hardcover. xiii, 297p., cloth-covered boards, 6.25x10.25 inches, illus., very good first edition in a lightly worn unclipped dj with an old price sticker on the rear panel. Focuses on the artists James Luna, Fred Wilson, Amalia Masa-Bains, Pepón Osorio, and Renée Green.

The MIT Press, 2008-05-08. hardcover. New. In shrink wrap.

The MIT Press, 2008-05-08. hardcover. New. 6x1x10. New never used. Cover has minor shelf rubbings.

Mit Pr, 2008. Hardcover. New. illustrated edition. 297 pages. 10.25x6.25x1.00 inches.